Tag: rya

Ability Is Not Enough

Karen

I love a challenging project! It is marvelous to have something on the loom that takes effort, concentration, and problem-solving skills (as long as there aren’t too many problems to solve). This inlay rag rug project includes all of the above, and it’s on the big loom–my favorite. This is handweaving at its best!

Rya rag rug on the loom. Karen Isenhower
Rya knots slow the weaving process. Fabric strips are cut to a specific length and the cut pieces are hand-tied around pairs of warp ends.

I am constantly evaluating the pattern, and making needed adjustments with color in the background and with the rya, and spacing the rya knots. Is this working? Or not? Take out a few rows, try putting something different in, step back for a better overall view. Moving and thinking, and beating it in hard, like it should be for a rug. The momentum of the hanging beater makes the hard work easy. And fun.

Rug rug with rya knots on the loom.
Weft is firmly beaten in. The momentum of the hanging beater provides the strength I need to be able to tightly pack in the weft.

Ability by itself is not enough. Wisdom works with ability to produce craftsmanship of highest quality. Our Creator gives us insight that enhances our natural talents and learned skills. When wisdom partners with ability, creativity flourishes. And what a joy it is to be in the middle of that process.

May you excel in joyful creativity.

Very happy weaving,
Karen

Rag Rug Rya

Karen

I have an enormous brown paper cartoon hanging under the warp, suspended by a contraption of wood, string, and rubber bands.The pattern area of this rag rug begins with rya knots. The dark colors of the rya pile contrast with a background of whites, off-whites and light prints. The rya knots follow a geometric design that I drew onto the brown paper with a Sharpie.

Rag rug with rya knots.
Brown paper under the warp hangs over a slat which is suspended with seine twine and rubber bands.

As the designer and weaver, I already see the finished rug in my mind’s eye, and understand what is needed to complete it. I am weaving this rag rug for our own home, so naturally I am already thinking about where it will be placed. This makes it personal, and the slow weaving process grants me the opportunity to know this rug, inside and out.

Tightly-woven selvedges on hefty rag rug with rya knots.
Tightly-woven selvedges. Doubled weft gives extra fullness and weight to the rug, as well as contributing to strong rug selvedges.

Yes, it is important for me to know my Maker, but even more important that He knows me. All of life has meaning when God knows you by name. He knows what is needed to give our lives purpose. And the slow process becomes that much more personal as he weaves the design that he has seen all along.

May you accumulate many meaningful moments.

Happy rug weaving,
Karen

Sley, Sley Again

Karen

I have never re-sleyed a warp after weaving the sample. Until now. It’s a drastic measure; but it’s better than fighting with the warp the whole way. I’m doing inlay on a rag rug, with rya knots and other techniques. It didn’t take long to see that the ends needed to be spaced further apart. But this is why we sample, right?

Beginning sample of rag rug weaving with rya knots.
Rya knots quickly add bulk to the rag rug sample. Three rows of rag knots are already creating a little hill in the weft.
Cutting off a sample piece. Painter's tape as cutting template.
Four inches are marked on a piece of painter’s tape to use as a template for cutting the warp. I want enough length on the sample piece being cut off to be able to tie the ends in square knots.

It was not an easy decision to re-sley. I had anticipated an enjoyable day of rag rug weaving. Instead, I spent the day cutting off, pulling the ends out of the reed, switching reeds, re-sleying, dealing with extra warp width, tying back on, and beginning a new sample. Is this called learning the hard way? Nope. This is simply called learning.

Rag rug sample with inlay techniques.
Warp has been re-sleyed and is ready for weaving a new sample. First sample piece includes rya knots, loop technique, and HV technique on weft rep, using fabric strips for weft and weft inlay.
Rag rug sample, trying out rya knots.
After re-sleying, I start a second sample. I am happy to see that the rya knots fit into place without adding excessive bulk to the weaving.

Weaving, relationships, and purposeful living. Learning takes time–a lifetime. I want the Lord to teach me how to live. Even when it means messy beginnings and do-overs that use up my day. We have a lot to learn. Lord, teach me, and lead me on your path. More than a prayer in crisis, this is a lifetime prayer for a lifetime of learning.

May you know when to start a do-over.

Still learning,
Karen

Rya Pillow in the Rocking Chair

Karen

Do you remember this sturdy linen cloth, that I wove months ago, with the wonderful wool and linen rya? Yesterday I made it into a classy pillow. First, I fashioned the pillow cover, with invisible zipper, and all. Hollow by itself, the pillow cover needs an insert to be usable. So I made a muslin insert to fit, filled lightly. Now I have a cloud-soft rya pillow. (Read about weaving this fabric in Rya, Rya, How Does Your Garden Grow? and Now What Are You Counting?)

Rya pillow. Hand-tied rya knots in linen fabric, handwoven.
Fabric is two-sided point twill with rya knots. 8/2 linen for warp and 8/2 linen, doubled, for weft produces a sturdy base fabric for the hand-tied rya knots.
Finished handwoven rya pillow.
Pillow insert, lightly filled with down-like cluster fiberfill, fits perfectly inside the pillow cover.

This new rya masterpiece makes a perfect lumbar pillow for the antique rocking chair in my living room. This was my great-grandmother’s chair. One thing I know about my great-grandmother is that she was a praying woman. I love to imagine that she rocked her babies in this chair, praying for them and for her future grand- and great-grand-children. She may have prayed for my life in advance.

Rya knots made with wool and linen threads, on linen background fabric.
Each rya knot includes a combination of threads–Åsborya wool, Mora wool, and 16/2 linen.
Great grandmother's rocking chair with new handwoven rya pillow.
Great-Grandma’s rocking chair. A reminder of love that reaches to the next generation.

I want to be more than what others see on the outside. I need the Lord on the inside. I yearn for God to hear me and for me to hear Him. Without that connection, life is hollow. Prayer is a two-way conversation. That ongoing conversation keeps me from being empty. When I am filled, I am at my best. Could that be an answer to my great-grandmother’s prayers?

May your life affect future generations.

Softly,
Karen