Perfect Warp Tension?

Two fingers gently test the resistance of the threads, from the center of the warp, moving outwards to the right, and to the left. This is how I evaluate the warp tension. I don’t rush; and I give the effort all my attention. Weft rep, where the ground weft almost completely covers the warp, is especially susceptible to hills and valleys from uneven warp tension. After I have made several tension adjustments, I tie on the leveling string. Next is tying up lamms and treadles, and winding quills. Then, the joy of weaving this monksbelt begins!

Cotton warp with leveling string, getting ready to weave monksbelt!
Leveling string is in place across the beginning of the warp. Lamms, which can be seen below the warp, are tied up next. And then, the treadles are tied up. After that, weaving begins!

The ability to feel unevenness in warp tension is a learned practice. Being attentive is half the battle; and patience is the other half. Taking time on the front end reduces correction time after weaving has begun.

Sampling at the beginning of monksbelt project. 16/2 cotton and 6/1 Fårö wool.
Classic Swedish weave, monksbelt, is woven here with 6/1 Fårö wool for the pattern weft, over 16/2 cotton for the weft rep ground weave. Sampling has begun!

Skilled listening is a learned practice, too. Listening is more than hearing, isn’t it? Pay attention to how you listen. It matters. It takes a gentle touch to listen with a heart of understanding. When we listen with an unbending heart, we only hear what we want to hear. Patience on the front end results in fewer corrections later.

May you hear and be heard.

Gently,
Karen

Another Classic Swedish Weave

Monksbelt is up next, another classic Swedish weave. I’m thrilled! This time I am weaving yardage, without knowing exactly how the fabric will be used. I planned this project while the rya rag rug was still on the loom; and I’m eager to get started!

Winding warp on Glimåkra warping reel.
Glimåkra warping reel not only accelerates the warpwinding process, it makes it downright fun! This is the first of four bouts of unbleached 16/2 cotton. 760 warp ends in all.

Winding the warp is a rewarding part of the process. When I wind a warp, it goes directly to a ready-and-waiting loom. So, this is a declaration of a new beginning. It is also the anticipation of future rewards. The final reward is long-lasting–a useful length of colorful handwoven fabric.

Look for rewards that will last. We get side-tracked if we look only for immediate satisfaction, or short-term success. The long view brings perspective that cannot be seen in quick snapshots. I don’t have to know exactly how things will look in the future. I can enjoy the stage of the process I am in right now. Ultimately, though, I await the finished cloth. Keeping that reward in mind brings purpose to each step along the way. The eternal reward that heaven holds for us fills each season here with meaning.

May you enjoy many rewarding experiences.

On purpose,
Karen

Quiet Friday: Halvdräll

Halvdräll is one of those Swedish weaves that takes your breath away. How can I describe the exquisite simplicity and stunning splendor of this fascinating cloth? With halvdräll, every moment at the loom is pure joy. I keep thinking, I get to weave this! And every weaver knows no comparison to the delight of pulling beautiful just-woven fabric off the cloth beam.

Enjoy the journey with me now as I reflect on the halvdräll fabric from beginning to end.

Choke tie serves as a counting thread as the cottolin warp is wound.
Choke tie serves as a counting thread as the cottolin warp is wound.
Red linen to be used as pattern weft on white cottolin warp.
Red linen is anticipating a starring role as pattern weft.
Sampling various linen color options for halvdräll table squares.
Sampling various color options for the pattern weft. Red may be one star among several.
Halvdräll table squares on the loom. Karen Isenhower
Second table square has blue and green for block I and red for block II. The back of the first table square, with all red pattern weft, is seen between the breast beam and the knee beam.
Halvdräll table squares on the loom. Elegant neutral tones.
Neutral tones with subtle elegance.
Weaving in the afternoon sunlight.
Light play dances on the colorful woven fabric.
Halvdräll table squares, with linen pattern weft, just off the loom!
Celebration time! When the cloth is cut from the loom the weaver is able to see a complete view of the woven fabric for the first time. Woo hoo!
Folding edge under for hemming. Handwoven table squares.
Wet finished and pressed. Ready for hemming.
How to do a blind hem. Very simple for handwovens.
Blind hem, with sewing needle and thread. Needle goes under one warp end, and is inserted through folded edge of hem for 1/4 inch. Continued stitching across the hem is virtually invisible when complete.
Label added.
Label added.
Hemmed, pressed, and ready to make a statement!
Hemmed, pressed, and ready to dress up a table.

Handwoven halvdräll table square. Karen Isenhower

May you find delight in your journey.

Happy Weaving,
Karen