Four-Shaft Tapestry Adventure

Most of my preparation for this project has been separate from the loom itself. The loom is dressed and ready. That’s the easy part. The lion’s share of the work is in developing the cartoon. This project is my first four-shaft tapestry. My usual tapestry work is on a small portable tapestry frame. This is BIG in comparison. 93 centimeters (36 1/2 inches) in the reed.

Glimakra Ideal with linen warp, ready to weave a tapestry.
Linen warp is tied on. Treadles are tied up. Sheds are clean. This Glimåkra Ideal is ready and waiting for the weaver.
Cartoon is on a table behind the loom undergoing cartoon prep.
Warp beam. Cartoon is on a folding table behind the loom undergoing cartoon prep.

After finding a subject for the tapestry, I have been drawing the cartoon and a cartoon key. And I have the yarn. Now, I am determining colors, distinguishing values, and arranging my yarn into a workable order. To tell the truth, the cartoon scares me. It shows me how grand a task I’ve signed up for. But there’s no turning back. I’m committed. (I will show you the cartoon when I’m further along…)

Wool being sorted for 4-shaft tapestry.
Wool, mostly 6/2 Tuna and 6/1 Fårö, with a few other wool yarns thrown in. These are some of the colors going into the planning of the cartoon.
Distinguishing between different values in the wool yarn assortment.
Black and white photo helps distinguish between the different values of the yarn colors. Contrast in values help define the woven image.

The cartoon shows the intent of the tapestry designer. Likewise, heaven shows the Grand Weaver’s perfect plan. Heaven holds the true picture. Heaven and earth, two parallel realms. Jesus came to earth to bring us into that heavenly version of the tapestry. When we put our trust in him, our colorful threads in various hues and values are woven together in the grandest tapestry ever.

May you take a bigger step than you have before.

Courageously (with knees knocking),
Karen

Quiet Friday: Lucia Portrait Tapestry

A little here, a little there, and eventually I finish another small tapestry. This little woven portrait of my granddaughter Lucia was a huge challenge. I knew that from the beginning. In fact, I had about three beginnings with this intimidating project. My aim is not to make a masterpiece, but to keep making. And making, and making. Every time I go beyond what I think I can do, I learn more.

This Lucia Portrait Tapestry is best viewed from a distance. Up close, the details seem abrupt and harsh. But when I look at her from across the room, I see the picture of a child’s face.

I trimmed the weft tails on the back, steamed the piece, and made a half Damascus edging. The edging and the weft tails near the sides are stitched down. The hems are turned under and stitched. I plan to mount this on a linen-covered square, and hang the finished piece where it can be easily viewed from a few steps back.

Ending a small frame loom tapestry.
Small tapestry ends with a short hem, warp thread header, and a scrap header. I overestimated how far I could comfortably weave. This is a less-than-optimal distance from the end of the warp for weaving.
Trimming weft tails on the back of the little tapestry.
Most of my tapestry weaving is done in the evenings as part of my winding-down routine. In this session the back of the tapestry gets a haircut.
Finishing a small tapestry. Cute slideshow video.
Straggler weft tails are reigned in with a little sewing thread.
Small tapestry portrait. Slideshow video of the process!
Finished Lucia Portrait Tapestry is 4 1/4″ x 4 7/8″.

Enjoy this slideshow video. The ending is sure to make you smile!

May you keep making.

Love,
Karen

Tapestry Portrait Progress

Once I get going, it’s not easy to put this Lucia tapestry portrait down. Each new row is another chance to turn it over and see how she’s coming along. A long car drive gives me a good stretch of weaving time. While Steve drives, I weave on my small tapestry frame. As a result, I am making considerable progress on Lucia this week.

Detailed cartoon gives direction for color blending and color changes. Magnets along the side of the frame loom hold the tapestry needle that I use for the weaving.

I am trying to withhold judgment until it is finished. And a close-up view shows details of the yarn, but doesn’t give a good perspective of the portrait overall. I am learning quite a bit through this process, un-weaving when necessary, and moving forward ever so slowly.

Small tapestry portrait in progress.
Lucia portrait. Three strands of Fårö wool for weft gives good options for color blending.

Beloved. Lucia is one of my beloved granddaughters. No matter what details happen in her life, she has my affection. Your beloved is someone you care for deeply, earnestly desiring their highest good. Spouse, children, friends, blog readers…those you choose to give yourself to. You want them to “be loved,” not only by you but by the Master tapestry weaver. To know the Grand Weaver’s love is to know you are loved in detail. It includes forgiveness, which looks a lot like un-weaving. He knows exactly how to weave the portrait of you, his beloved.

May you be loved.

Love,
Karen

Tapestry Portrait Challenge

Lucia became a big sister this week! Her new baby brother, Ari Kyle, is healthy as can be. It won’t be long before Lucia showers affection on him, like she does her baby doll Annabella. I am filled with wonder and awe when I have a newborn grandchild in my arms. It always feels like a tangible miracle from God.

Big sister and new baby brother!
Lucia holding Annabella. Ari Kyle is held by his mommy Melody Faith.

Lucia has an innocent face that I am attempting to capture in yarn. I have completely started over a couple times, and have unwoven and re-woven sections multiple times. It’s a struggle. I timidly share it with you, because I suspect there are things that don’t come easy for you, either.

Small tapestry in progress. Travel weaving.
Weaving a small tapestry from the back. Lucia’s photograph and a detailed tracing are used for reference. A cartoon drawn on a piece of buckram is lined up under the weaving on the tapestry frame. A fold-up pouch holds my travel tapestry yarn and supplies.
Travel tapestry in progress. My granddaughter.
Frame loom is turned over for a view of the front.
Small tapestry in progress.
Lucia in progress.

Prayer. When we pray for the children in our lives, we start with an empty warp. Gradually, the tapestry grows. Will they become what we envision for them? Will they connect with the Lord Jesus? Sometimes we feel like starting from scratch, praying for things we never thought of when they were babies. The picture will always feel incomplete in this life. But that’s another good reason to pray. As they grow, you will see their identifying characteristics develop. And you’ll find yourself saying, “Thank you, Lord.”

New grandbaby, sweet moment.
Hello, Ari Kyle, what a pleasure it is to meet you! Welcome!

May you hold a newborn whenever you can.

Love,
Lola Karen

Tapestry Portrait Beginning

I started with a photograph of seventeen-month-old Lucia sitting in her grandad’s lap after eating lunch at Culver’s. Her pouty bottom lip and her serious brown eyes caught my attention. It seems an impossible task to replicate the charming expression in yarn, but it doesn’t hurt to try. I enlarged the picture, and then cropped it to fit a four-by-six-inch “canvas” of 12/6 cotton warp. I also reversed the image, since I am weaving this tapestry from the back. The weft is one, two, or three strands of Fårö wool yarn, depending on the degree of detail.

Grandad and granddaughter.
Steve and Lucia enjoying each other.

Here is my beginning attempt at a portrait, accomplished during our car ride home from Texas hill country, after spending time with Lucia and her cousins for the Christmas holidays.

Travel tapestry loom is warped before hitting the road.
Loom is warped before hitting the road.
Tapestry portrait in progress.
Shapes are slowly filled in with yarn. Paint stick serves to hold the cartoon in place.
On the road with a little tapestry weaving.
On the road with a little tapestry weaving.
Attempting to weave a tapestry portrait.
Beginning the blue and white polka-dotted dress. Inlaid magnets hold the blunt tapestry needle.
Weaving a tapestry portrait in the car.
Dusk has arrived, so it is time to put the weaving away for now. Good lighting is a must.
Checking progress on a small tapestry loom.
Before putting the loom in the bag, I turn it over to look at the right side of the weaving. Progress!

May you attempt the impossible.

All the best,
Karen