Halvdräll is one of those Swedish weaves that takes your breath away. How can I describe the exquisite simplicity and stunning splendor of this fascinating cloth? With halvdräll, every moment at the loom is pure joy. I keep thinking, I get to weave this! And every weaver knows no comparison to the delight of pulling beautiful just-woven fabric off the cloth beam.
Enjoy the journey with me now as I reflect on the halvdräll fabric from beginning to end.
Choke tie serves as a counting thread as the cottolin warp is wound.Red linen is anticipating a starring role as pattern weft.Sampling various color options for the pattern weft. Red may be one star among several.Second table square has blue and green for block I and red for block II. The back of the first table square, with all red pattern weft, is seen between the breast beam and the knee beam.Neutral tones with subtle elegance.Light play dances on the colorful woven fabric.Celebration time! When the cloth is cut from the loom the weaver is able to see a complete view of the woven fabric for the first time. Woo hoo!Wet finished and pressed. Ready for hemming.Blind hem, with sewing needle and thread. Needle goes under one warp end, and is inserted through folded edge of hem for 1/4 inch. Continued stitching across the hem is virtually invisible when complete.Label added.Hemmed, pressed, and ready to dress up a table.
It’s beginning to look a lot like Christmas! I am excited to have halvdräll up next on the big loom. Warp chains are white cottolin. The weft is white cottolin for the tabby, and red linen for the pattern. Red and white for Christmas. However, if it is not finished by December 25th, there’s always Valentines Day, right? I would love to have this table square ready for Christmas, but I am not willing to make shortcuts on quality to make that happen. It will be finished when it is finished.
Warping reel is used to measure a warp of bleached 22/2 cottolin. A counting tie goes between every 50 ends.Red 16/1 linen pattern weft will add Christmas (or Valentine) flair to the bleached 22/2 cottolin.
Do you ever find yourself being controlled by circumstances instead of convictions? Convictions are firm beliefs that guide our actions. Convictions are like signposts on an unfamiliar path. It’s like having time-tested weaving techniques that help you navigate any new weaving adventure. In time for Christmas, or not.
A vote of confidence from someone you look up to can make a world of difference. When I saw Joanne Hall’s exquisite towel made with thick and thin threads, I asked her, “Do you think I can weave something like that?” “Of course you can;” she replied without hesitation, “it’s plain weave.” Keep in mind that I was a complete novice on the floor loom; and I barely knew how to handle oneshuttle, much less two! I plunged into the ambitious project and came out with a winner! The blue and cream towel hangs on the oven door in my kitchen as a daily reminder of the powerful impact of an encouraging word. Thank you, Joanne!
First thick and thin towel, completed as a beginning weaver. This is one of Erica de Ruiter’s designs, found in “The Best of Weaver’s Thick’n Thin,” Edited by Madelyn van der Hoogt.
Thick and thin is just as fascinating this time around. It is delightful to revisit a rewarding experience. Who knew that plain weave could be this much fun?
Zebra warp with thick and thin threads on my new Glimakra warping reel. One of three bouts, 10 1/2 meters.View from the crossbar at the top of the warping trapeze, looking down. Ready to untie choke ties and add weights to the warp bouts.Thick ends alternate with thin ends as the heddles are threaded. Left hand separates the shafts‘ heddles for ease of threading.Weaving begins as soon as the warp is tied on and the leveling string is secured. I use the first few inches to check the threading and sett, and to do some sampling.First border is captured with my iPhone camera so that I can easily reproduce the pattern at the other end of the towel.I added a second double bobbin shuttle to make it easier and quicker to switch weft colors. Plain weave gets even more interesting with three shuttles!End of the third towel.View from under the breast beam. I love to see the fabric rolled up on the cloth beam.Temple keeps the fabric at the optimum width for weaving. Red cutting line serves as the separation between the end of one towel and the beginning of the next. Ready to start another fascinating pattern.
May you give a vote of confidence to someone who needs it.
Some things are black and white. Piano keys, penguins, old movies, and this new cottolin warp. Other things are not black and white. Petunias, peacocks, sunsets, and most of my weaving. Black and white is uncomfortable for someone like me who prefers to engage with color. Ten-and-a-half meters is a loooong time to be weaving without a colorful palette.
Second bout of three. New Glimåkra warping reel is used to wind 10.5 meters of cottolin (60% cotton; 40% linen) in black and white.
I need to add more towels to my Etsy shop, so I did some Google “research” to find popular kitchen colors. Black and white is one of the current trends. I decided to go for it. Using color for some of the weft should be enough to remind me that the black and white is temporary, and that a colorful warp will eventually be on the loom again.
When we need reminders that everything will be okay, the Lord brings something or someone into our lives to show us that he cares. God is good. Even a small sign of his goodness is enough to help and comfort us. A touch of color on a long black and white warp may, in fact, be color at its greatest impact.
