Tag: wool

Pointers for Exploring New Mexico Fiber Arts Trails

Karen

Do you know that New Mexico has a guide to rural fiber arts destinations across the state? Last week, Steve and I dusted off the New Mexico Fiber Arts Trails, driving 1,100 miles through mountainous deserts and lush Rio Grande River valleys. We reveled in views of God’s creation, like cottonwood trees in brilliant yellow, and the Sandia mountains turning purple and watermelon pink in the setting sun. We visited interesting studios and shops all along the way, and encountered weavers who are true artisans.

Cottonwood trees in New Mexico at their golden peak.
Cottonwood trees at their golden peak along the Rio Grande River.

Four Pointers for Your New Mexico Fiber Arts Trails Adventure:

1. Call ahead. Some of the stops are one-person studios, attached to a residence. Some places have changed their hours or days of the week that they are open. We drove two hours one day to visit a special shop, only to find a note on the door that said they were closed that day of the week.
2. Ask good questions. I like to ask a weaver a question that only another weaver would ask. Instead of introducing myself as a fellow handweaver, I like to let them figure it out by the questions I ask.
3. Wear something handwoven. My handwoven cap opened the door to conversation with other weavers.
4. Resist adding to your stash. I knew that I would have the opportunity to purchase beautiful yarn, but I decided in advance not to add to my stash. I gathered information instead; and now I have more resources to choose from when it is time to order yarn.

My Favorite Stops:

Albuquerque
Sacramento Mountain Weavers (not listed on the Fiber Arts Trails), Kelly Stewart
Located in historic Old Town, this shop has a Glimåkra Standard loom (like mine). Among other things, Kelly has woven rag rugs from strips of soft leather.

Majestic mountains and colorful cottonwood trees in New Mexico.
Majestic mountains and colorful cottonwood trees set the scene for exploration along the New Mexico Fiber Arts Trails.

Edgewood
Robin Pascal Fiber Artist
Robin’s studio is nestled in a scenic hillside covered with trees and wildlife. Her handspun yarn proved irresistible to me. This is where I broke my own rule of not adding to my stash.

Handspun and hand painted yarn by Robin Pascal.
Too pretty to pass up, I came home with some of Robin Pascal’s beautiful handspun wool/silk, and a little skein of her hand painted cotton flake yarn.

Arroyo Seco (just north of Taos)
Weaving Southwest, Teresa Loveless
Amazing tapestry weavings on display! Teresa is the granddaughter of acclaimed tapestry weaver and author, Rachel Brown. Teresa carries her grandmother’s legacy by teaching tapestry techniques to interested students. There are Rio Grande walking looms in the teaching studio, where you do all the weaving standing up, not sitting. Who knows? You may see me taking a class from Teresa. Her passion for tapestry weaving is contagious.

Weaving Southwest in Arroyo Seco, NM. Beautiful tapestries, yarns, and looms inside!
Enjoying the cool air in Arroyo Seco, Steve and I stand outside one of our favorite stops on this adventure.

Ranchos de Taos
Old Martina’s Hall Restaurant, Tapestry Exhibit (not listed on the Fiber Arts Trails)
Art Through The Loom Weaving Guild Show, August 20th through February 28th, 2015
This outstanding tapestry exhibit is not to be missed if you are anywhere near the vicinity! Downstairs and upstairs, every room in this restored, old dance hall is adorned with exquisite pieces of traditional and contemporary woven tapestries by nineteen different artists.

San Francisco de Asis, serene historic chapel in Ranchos de Toas, New Mexico
Serene historic chapel, San Francisco de Asis, is across the street from the renovated old dance hall, Old Martina’s Hall. We enjoyed an impressive tapestry exhibit at Old Martina’s Hall.

Chimayó
Trujillo’s Weaving Shop (not listed on the Fiber Arts Trails), Carlos Trujillo
The first thing we saw when we entered the shop was a huge, rustic Rio Grande walking loom. Carlos was at the loom, weaving. He clearly loves designing at the loom, using unique color combinations in traditional designs. His grandfather built this impressive loom. Two women in an adjacent room filled with looms allowed me to watch over their shoulders as they wove traditional Chimayó patterns. One of the women showed me the small, narrow loom they now use for weaving coasters, and told me, “This was the loom Carlos learned to weave on when he was a little boy. As he grew, blocks were added to raise the loom to fit him.”

Chimayó weaving is a craft carefully handed down from one generation to the next.
Chimayó weaving, a skilled craft, is passed on from one generation to the next.

Chimayó
Centinela Traditional Arts, Irvin Trujillo
Irvin allowed me to watch and ask questions as he wove in the massive weaving room in the far end of the shop. It was inspiring to watch this master weaver at work. I found Irvin to be unpretentious, even though his expertise is astounding. You should see his intricate tapestries that hang in the showroom of the shop! Weaving is second nature to Irvin, who has been creating with wool on a loom since he was a young boy.

Rio Grande River in New Mexico.
Rio Grande River in New Mexico is the subject of many woven tapestries. Artisans often find creative ways to interpret this beauty.

Magdalena
Cat Brysch Creations Studio
Cat’s nine looms are clothed in colors that describe the terrain and sky of this beautiful mountainous desert. She took the time to explain each loom’s fabric to me, as I marveled at her skill of blending colors in the warp.

Weaving studio in little sleepy town in New Mexico.
Surrounded by mountains, the little sleepy town of Magdalena is home of an active weaving studio. The scenic views that Cat enjoys every day influence her selection of colors and textures in her weaving.

Pie Town
If you go as far as Magdalena, you might as well go another 56 miles to Pie-o-neer in Pie Town, New Mexico. The green chile stew is fantastic, but if I had known how good the hot-from-the-oven double cherry (tart and sweet) pie would be, I would have skipped the stew and ordered two slices of pie! Steve said the same about his slice of warmed peach pie. It was a great way to end our Fiber Arts Trails adventure.

Pie Town, New Mexico - best pie ever!
Nothing like a really good slice of homemade pie!
New Mexico scenery.
Scenic desert after dessert.

May you go on explorations and adventures.

Your traveling weaver,
Karen

I Forgot the Weft

Karen

How should I arrange eleven colors of wool for the warp of a double-width blanket? By “intuition?” Why not pull yarn snippets out of a hat in a random sequence? I do have resources on color theory I could consult. Best yet, I like the idea of viewing snapshots to compare various arrangements. This is play!

Eleven colors of wool to weave a blanket.
Eleven colors of Borgs 6/2 Tuna Wool. Trying out different color arrangements for a woven blanket. Back to front – option 1 and option 2.
Possible color arrangements for eleven-color wool blanket.
Two more possible arrangements of color. Adjacent colors will be blended together where they touch, to make smooth transitions across the warp. Back to front – option 3 and option 4.

You could make any arrangement work since the colors will be blended from one to the next across the warp. The color that makes the biggest difference, however, is the weft color. Just now, as I write this, I realize that I forgot to purchase yarn for weft. Oops! How did I miss that?

Grace and truth give us a fresh start. Grace gives me choices, and makes something beautiful, even if I get colors in the “wrong” order. Truth kindly shows me what I am missing, and what I need. Grace and truth are brought into our lives through Jesus Christ, and become a framework for life’s fabric. Grace brings forgiveness. And truth brings freedom to begin.

Of the four arrangements of yarn colors pictured, which one do you prefer? I would love to hear what you think. Leave your “vote” for option 1, 2, 3, or 4 (back to front) in the comments.

May your mistakes be met with grace and truth.

Yours Truly,
Karen

Every Color Imaginable

Karen

Can you imagine weaving in a place where you have access to fully-stocked shelves of colors and fibers? Or, imagine someone with excellent color sense setting up a warp-faced project for you to weave, giving you the freedom to simply focus on pattern. This is what it was like at Vävstuga Weaving School for More Swedish Classics.

Pick-up Band woven on floor loom at Vavstuga
Set up on a four-shaft loom, band weaving with pick-up is simplified (or complicated, depending on how you see it). Five treadles are used to raise and lower threads. A pick-up stick is used to lift pattern threads, and a band shuttle stick is used to beat in the weft. Being a warp-faced weave, all the color is in the warp, and the weft is mostly hidden.
Rep weave on the loom at Vavstuga
Becky’s Rep Weave in Four Blocks on Eight Shafts. I took this opportunity to experiment with patterns. You might call this “playing with blocks.” Again, being a warp-faced weave, the color is pre-determined by the arrangement of the warp ends. The thin 16/2 cotton weft alternates with a thick weft of mini string yarn, giving the characteristic ribbed surface.

Worry happens when I don’t think I have what it takes to do the job, or when I think I won’t have enough of what I need. When Becky Ashenden prepares the warp, I certainly have no worries about choosing colors. And, with an abundant supply of 16/1 linen, I can combine three shades to produce a gorgeous, rich red, with no fear that the color supply will run out before I finish.

Beautiful Smålandsväv in linen on the loom at Vavstuga!
Deep red, burgundy, and coral 16/1 linen are wound together for the pattern weft in Smålandsväv. The warp is 16/2 line linen. This is the project in “More Swedish Classics” that gave me the most pleasure AND the most angst. …but that’s a story for another day.

We have a Father in heaven who knows all the things we need. All he asks is that we get to know him so we can learn to do things his way. It is much like weaving within the guidelines of the studio where we’ve been given the privilege to weave. Is that too much to ask? For his part, then, he sees to it that we have everything we need, giving us access, through his Son, to his great supply closet.

May your needs be amply supplied.

In case you missed, here is what I posted last week while I was at Vävstuga in beautiful New England: Vävstuga Autumn and Vävstuga Autumn II

Once again, Becky graciously allowed me to sit down with her to ask a few key questions. I am excited to share that conversation with you soon! Stay tuned… (Remember last year?)

Love,
Karen

Now What Are You Counting?

Karen

Have you noticed how much counting there is with weaving? I am constantly counting something! This time it’s rya strands. Wrap three threads around a four-inch cardboard template, counting eighteen times around; cut the ends; repeat. Separate into nine groups of three strands each. One, two, three, four, five, six, seven, eight, nine groups. Tie rya knots–one knot, two knots, three, four, five, six, seven, eight, nine knots; repeat.

Prepared groups of threads for rya knots.
Åsborya wool, Mora wool, and linen are wrapped together around a template, and then cut. The group of threads is held together in a clothespin until ready to use.

I like to count the good things that touch my life. Family, friends, health, beauty in nature, and pleasant adventures, to name a few. These are the things that shine through, even in difficult times. These are the things worth counting.

Separating threads into "triplets" for rya knots.
Group of natural color threads are separated into wool-wool-linen triplets for rya knots.

Thankfulness to God acknowledges that the good things woven into our lives come from his benevolent hand. God is always inviting us to walk with him. Thankfulness steps us into that inspiring walk.

What are some of the good things you’ve been thankful for lately?

May you have more blessings than you can count.

Thankful for you,
Karen

(There is a discount coupon code on my About page just for you, my reader friends, to use in my Etsy Shop during August, 2014.)

Tools Day: Jury Rigging

Karen

Resourcefulness, make-do ability, outside-the-box thinking, solution-minded questions, and a little stubbornness. These are some of the best things to keep in the weaver’s toolbox. Jury rigging is an old nautical term having to do with sailors improvising the replacement of a damaged mast and sails, using only tools and materials that happen to be on hand. You could call it makeshift repairs or temporary contrivances. That describes what I did this week as I came near the end of the linen warp. And, like a sailor, I was working with wood, strings, and cloth.

Rya knots in linen cloth.
Warp ends on the sides have become looser than the warp that has the rya knots in it. That’s not good. Tension needs to be even across the warp.

I needed to even out the tension across the warp ends, because the outer edges were not taking up at the same rate as the warp in the center, because of the rya knots. The pictures show how I jury rigged a warping slat, empty thread tubes, S-hooks, and 2-pound walking weights to adjust the tension so I could continue weaving.

Jury rigged warp tensioning.
Adding weight to the loose sections of the warp.
Jury rigged warp tensioning
Two-pound walking weights are easy to hang from S-hooks. Using empty thread spools was a short-lived solution. That had to change when I advanced the warp.
Evening out warp tension with weights
Changing the slat so it is over the loose warp ends enables me to hang the weights directly on the slat with S-hooks.
Walking weights to tighten loose warp ends.
View from underneath, walking weights hang from warping slat to increase tension on the loose warp ends.

May you know when to make a temporary, but useful, contraption.

All the best,
Karen

(~My thank-you to you, my reader friends–a discount coupon good during August 2014 toward anything in my Etsy Shop. Find the coupon code on my About Page.~)