Tag: wool

Rya, Rya, How Does Your Garden Grow?

Karen

Lay the groundwork; add a row of rya knots. Because of the coarser sett, and the thickness of this doubled linen weft, this rya weaving is progressing faster than the previous one. Tying all 36 knots across the warp is still the slowest part. But I can see progress. I like to see something happening, don’t you?

Rya knots (wool and linen) covering coarse linen cloth.
Green strands of thick Åsborya wool, fine Mora wool, and 16/1 linen, sit in a cluster, ready to be separated. Each rya knot is made of three strands, one of each type of yarn/thread.

I weave about an inch / 2.5 cm of point twill linen background first. It provides a framework to hold the mixed wool and linen rya knots. This means throwing the shuttle at a good pace for a short distance, and then stopping to add another row of rya. Through this moving – stopping – moving – stopping, progress is made. A little green and beige garden is growing on the surface of the linen structure. It is during the slow part that the “growing” happens.

Are you troubled about anything today? Don’t lose hope. If progress seems slow, you may be in a growing season. The Lord rebuilds ruined places and replants desolate fields. It feels slow now, but in time, you will look back and see a garden covering what once was ruins. Keep going, you’re going to make it.

May your garden grow.

(I did finish the previous slow rya project and turned it into three fun pillows. You can find two of them in the Warped for Good Etsy Shop!)

Making progress,
Karen

Rya Over Linen This Time

Karen

Slow and deliberate, rya knot tying is a satisfying exercise of patience. This background cloth feels like coarse canvas. You can imagine how robust the fabric is, with a hefty 8/2 linen warp, and the same, doubled, for weft. Threaded in a point twill, the cloth is simple, but texturally vibrant. The yarn pile, called rya, is made with combined threads of thick Åsborya wool, fine Mora wool, and fine 16/1 linen. (You can see my previous rya project in the post, Are You in a Pretty Mess? And if you want to see exactly how to make rya knots, check out this post –  Quiet Friday: Making Rya Knots.)

Forming rya knots in coarse linen fabric.
Rya knots are formed one at a time by wrapping around, under, and through each pair of raised warp ends. The background is woven between rows of rya knots with doubled linen weft, using a double bobbin shuttle.

I simply step on the “pile” treadle, which raises only shaft four, and tie rya knots around pairs of the raised ends. This process works because the fabric was planned and designed to have rya knots inserted on its surface. In a similar fashion, people are designed to receive God’s helping hand.

God wants to give us the ability to flourish in life. That’s his grace. We are made for that, and it happens when we offer “humble” threads. We must wear the cloth of humility as we interact with each other, revealing our coarse, simple, honest self. This is where God inserts his grace. In this process of his, he patiently makes us his work of art.

May you flourish in the things that matter.

Respectfully yours,
Karen

Tools Day: Rubber Bands

Karen

At the risk of telling you something you already know, I am going to show two ways I use rubber bands in my weaving studio. Yes, rubber bands. Simple, to the point of being simplistic. But I sheepishly admit, I didn’t know to do these things until I saw someone else do them; and then I expanded (pun intended) their practices to suit the way I like to work.

1. While it is common to put a rubber band on one treadle to act as a marker for your feet, I find it helpful to put rubber bands on two treadles for even greater efficiency. I put one rubber band on the first pattern treadle, and a second rubber band on the third pattern treadle. My feet never have to guess where to step. (With the rosepath tie-up for the rag rugs on the Glimakra Ideal loom, there are two plain weave treadles on the right, and then four pattern treadles. The rya weaving on the Glimakra Standard loom has one treadle on the right that lifts the warp ends for the rya knots, and four pattern treadles.)

Treadles marked with rubber bands for efficiency.
Plain weave, like the solid blue section, and the band of brown, uses the two treadles on the right on this Glimakra Ideal loom. The rosepath pattern, in orchid, and the dots and dashes, in dark pink and blue/black, uses the remaining four treadles.
Treadles with rubber bands for easy treadling.
Five treadles are used for this rya weaving on the Glimakra Standard loom. The treadle on the right lifts the warp ends on the second shaft, onto which the rya strands are tied. The remaining four treadles are used to weave a rosepath pattern in the cloth.

2. Rubber band the thread label around the tube of thread. This is the simplest way to keep track of fiber information–fiber content, weight, color number, brand. I also cut a short length of the thread and stick it to the sticky side of the label. This helps me get the labels back on the correct tubes, especially when using several threads of different colors.

One way to keep thread labels from getting mixed up.
With similar colors, like these two tubes of 12/6 cotton rug warp, it helps to keep an identifying strand attached to the label. I always try to put the label back on its tube as soon as possible to prevent mix-ups.

May you find simple solutions to do what you do better.

(Have you checked out my new Etsy shop yet?)

Happy Weaving,
Karen

Right Now Is the Best Time

Karen

What do you do with a blank slate? Do you feel empowered or immobilized? It is easy to get stuck in over-planning instead of jumping right in and doing something. I am facing a blank slate now with the rya weaving. I finished the first two rya pieces on this warp (the first one HERE; the second one HERE), and now I have time to think about the color and design for the third piece. I have a good assortment of wool yarns to choose from, about twenty-five different colors.

Rosepath weaving on the loom. Glimpse of rya knots on the way to the cloth beam.
First rya section is seen wrapping around the cloth beam, and the second piece is on its way there, with bits of the red wool strands seen hanging down. Now ready to begin the third set of rya knots.

Sometimes all the options overwhelm me and I freeze, doing nothing instead of doing something. I can think about the next steps all day long, but until I act on the ideas nothing happens.

Opportunities come and go. If we are immobilized because we fear making a mistake, we miss the chance to make a difference in the moment. Your best opportunity is right now! Whatever you have in front of you…whatever you know to do…no matter how small or seemingly insignificant…do it. Do the next thing now. And if you don’t care for how it comes out, …there’s always next time!

May you find yourself moving forward with gusto.

Happy Weaving,
Karen

Get Back to Your Sweet Spot

Karen

My feet follow an eight-step sequence on four treadles for this rosepath pattern. Even one step out of sequence makes a glaring error. I start out conscious of the order, repeating the numbers aloud while moving my feet. 3-2-1-4-1-2-3-4. After a while, my feet find a motor memory and I don’t need to concentrate as much. Now I’m in my sweet spot, throwing the shuttle back and forth, making cloth. (This flat cloth will be the back of a cushion with THIS rya weaving on the front.) I would like my attitudes to stay in their sweet spot, too.

Doubled Mora wool in antique Swedish shuttle, weaving rosepath
If I always stop at the same spot in the eight-step sequence, when I do need to stop, I am much less likely to get confused about where I left off. I like to have a filled quill ready so I can keep moving, even when I need to replace an empty quill.

There are normal interruptions in weaving, like stopping to replace the quill in the shuttle. Most of my treadling errors happen after those interruptions. With my attitudes, the disruption that knocks me out of my sweet spot is an encounter with someone who is disagreeable, rude, or unkind.

When we give a blessing, though, even to the undeserving, we come out ahead. If I show empathy, kindness, and humility to someone who does not show it in return, I end up with the blessing. If I return evil for evil or insult for insult, however, I throw that blessing away and my misstep makes a glaring error in my own fabric. Giving a blessing is the best way to get back to that sweet spot.

May you be ready for your next blessing.

As Always,
Karen