Quiet Friday: Weaving Linen Air

Karen

Linen lace weaving. It’s like weaving air. 16/1 linen warp and weft, with uneven sleying and careful weaving. “Beating“ is not the right word this time; let’s call it “placing the weft.” Gentle, gentle, gentle, easy does it. No temple needed. Indeed, what would you hook the temple into? There is almost nothing there.

Linen on the warping reel.
Winding the 16/1 linen warp on the warping reel.
Linen warp chain, ready to dress the loom.
Wound warp is chained and placed over the breast beam and through the beater in preparation for dressing the loom.
Lease sticks with linen.
Lease sticks.
Dressing the loom with linen singles.
Ends are counted and grouped before threading.
Uneven sleying of the reed with linen singles.
Reed is sleyed unevenly, sometimes called “crammed and spaced.”

I did weave a sample, trying out different colors and sizes of weft. The weave is so airy; honestly, I was not sure if the fabric would hold its shape off the loom. To wet finish, I first soaked the sample for 20 minutes in hot water with mild soap. Then, I washed it by hand, lifting and lowering the net-like cloth repeatedly in the water. I rolled it in a towel and gently squeezed to remove moisture. Lastly, I laid it out flat to dry.

Half bow keeps linen from slipping, while allowing adjustments.
Half bow-tie makes sure the linen will not slip. Adjustments are easy, if necessary, after weaving a few inches.
Tying up treadles in the "playhouse" under the warp.
Treadle tie-up happens in the “playhouse” under the warp in the back. Sunlight through the linen reveals “invisible” hairy fibers.
Sample weaving. Linen lace.
Sample.
Linen sample, not yet wet finished.
Sample, not yet wet finished.
Linen sample in black and white.
Black and white view shows cloth structure.

Result? It came through beautifully, with the lace weave intact. Linen, there is something about you that is exquisite and delightful, yet a bit mischievous and sly. I like you.

Linen sample after wet finishing. Karen Isenhower
After wet finishing and drying, the linen sample shows a glimpse of scarves to come.
Weaving linen air. Karen Isenhower
Weaving linen air.

May all your concerns be as light as air.

Happy Linen Weaving,
Karen

Dressed with Colors in Linen

Karen

Are you wondering which color arrangement I chose for the linen lace scarves? It wasn’t an easy decision. After weighing all the opinions and advice, color-wrapped card #7 won. I added a neutral stripe on both sides to frame the color sequence, and I varied the width of the stripes, thanks to Fibonacci. The result is that you can hardly distinguish where each stripe begins and ends. The stripes blend into each other, with the magenta stripes grabbing the most attention. (Visit Tools Day: Color Wrapping and Color Wrapping Take Two to follow the discussion about choosing the color arrangement for this warp.)

Dressing the loom with linen.
Linen on the warp beam. The colors blend from one end to the other, framed by bands of unbleached and golden bleached threads on each side. Lease sticks, tied to the back beam, maintain the order of the threads.

It makes sense to think things through before committing a linen warp to the loom. My excitement builds as the loom is dressed. We will soon see the woven results when I experiment with weft options. I am secretly hoping for iridescence. I can imagine it, but I won’t see it until the weaving happens, and the light catches the airy interlaced threads.

Threading the loom with linen.
Each thread is inserted through the eye of a heddle.

Color choices are inconsequential compared to other choices we make, but commitment is something many decisions have in common. We are invited into a personal walk with Jesus Christ. It is no small thing to consider an agreement with the Master. Like dressing a loom, it is a commitment. The excitement comes when you realize that iridescence and other mysteries may come true before your very eyes.

May you have a life filled with the glow of iridescence.

For good,
Karen

Every Tapestry Has a Story to Tell

Karen

I am getting a late start on this month’s tapestry diary, so I am selecting a smaller palette of colors and a narrower warp. This is doodling with yarn, using a few simple shapes and a handful of colors.

Tapestry frame with small monthly tapestry diary.
Tapestry frame hangs where we see it daily. Art in progress.

Here I go blending colors and making color gradations again–in miniature. Three strands of red, and then one of the reds is replaced with orange; next, another red is replaced, making it two oranges and one red; and finally, the last red says goodbye and now the three strands are all orange. And why not insert two rows of yellow blends between each two rows of the red-to-orange gradation? The whole thing is a wordless color story. It requires several colors to do this, each one having its part to play. Some colors work better together than others, but every color has a place. Each color strand is essential to the story.

Two picks of weft create a wavy line.
Two picks of a weft color (or blend) create a wavy line. A single pick of a color creates a dotted line.

You and I are not here to please and satisfy ourselves. We are here to tell a bigger story. We worship God by using our individual gifts to serve and to function in harmony with others. The resulting woven tapestry, when finished, will reveal the skill of our Grand Weaver.

May you blend well in your relationships, using your gifts.

Better together,
Karen

When a New Rag Rug Is Unrolled

Karen

Despite the fact that I have been looking at the thing all the while I am weaving it, no matter how well I have planned, or how many hours spent warping and weaving, there is always an element of surprise when the woven thing is cut from the loom! When first rolled off, you only see the back side… But what about the front? How will the rug look on the floor? Did the colors work out? Are there any weaving mistakes that show?

Rag rug unrolled from the loom. Karen Isenhower
Rag rug is unrolled from the cloth beam, giving the first complete view of the underside of the weaving.

My first reaction is usually, “Wow! This is fantastic! I made that??!” My later reaction is often, “Oh, that looks stupid unrefined. I’m embarrassed to show this to anyone.” Do you ever go through this? I finally end up with a more rational view, valuing the accomplishment and fixing any errors that are fixable. All the while, making note of what to do or not do the next time. (Similarly, don’t measure the rug until it has been on the floor for a couple days. You won’t get a true reading until the threads have relaxed.)

Willpower, good intentions, and positive thinking can only go so far in giving me a realistic view of what I can accomplish, and how to face failures. I need grace. God’s grace enables me to have a truthful view of reality, and the requisite humility and courage to express it.

May all your surprises be better than you expect.

To see the front of this finished double binding rag rug, “Forest at Dawn,” visit my Etsy Shop. (A special discount as my Thank You to my blog friends: Use coupon code friend615 to receive 20% off this rug, or any other item in the shop during the month of June.)

Happy Weaving,
Karen

Color Wrapping Take Two

Karen

As always, one idea leads to another. I am planning warp colors for linen lace weave scarves, and color wrapping helps unleash ideas. And your comments helped “stir the pot.” You asked for my thought process. Here goes. (If you missed Tools Day: Color Wrapping, you’ll want to read it first.)

16/1 linen in six colors.
Six 16/1 linen colors.

I started with the idea of making a smooth transition from one color to the next. That was card #1. Then, I made more distinct stripes on card #2. For #3, I aimed for a mirrored arrangement. #4 blends colors in a different order.

Color wrapping to plan linen warp.
First six color wrapping cards.

Of those first four cards, #1 was close to my ideal. But the magenta and green stripe seemed out of sync. So I made adjustments, and card #5 became my favorite.

Next, I arranged the six colors of thread from light to dark, and paired each color with its best partner. For example, starting with cream, “With which other color does cream look best?” With enough samples to see all the options, I concluded that light blue suits cream the best. I did that kind of pairing with each color to make card #6. Now #6 became my runaway favorite! And, card #6 received the most votes in the comments from you, too.

More color wrapping to plan linen warp.
Three color wrapping cards that are in the finals. Slightly varied arrangement of stripes on each card. (Click on picture to enlarge.)

I color wrapped two more cards, trying to improve the color gradation. #7 and #8 have the same composition of stripes as #6, but in different arrangements. The “winning” color arrangement will become stripes spread across the warp in a Fibonacci sequence.

Now… Which one of these three would you choose: #6, #7, or #8? (I’d love to hear from you if you left your opinion the first time, and if you didn’t.)

May you see options by thinking things through.

Happy Coloring,
Karen