Tag: design

What Difference Does the Weft Color Make?

Karen

Does the weft color influence the cloth as it intersects the warp threads? Of course! The distinctive textural quality of this 3-shaft twill with warp floats is enhanced by the colors. In this case, the weft follows the same arrangement as the colors across the warp, making an interesting plaid. What does your influence look like?

3-shaft twill with weft floats. Hand towels. Karen Isenhower
Weft colors coincide with warp colors to create a plaid design. The pattern in the weave structure appears to change according to the weft colors and the angle of view.

Before weaving, the untouched warp colors look well-defined and clean. Introducing the weft, however, changes everything. How can you predict how the weft colors will interact with the warp? Hold tubes of thread next to each other, or wrap different colors on an index card, or even combine threads by twisting them together in your hand. Yet, when the threads become enmeshed in woven cloth, as weft interlaces warp, a new color is revealed.

You and I have strategic influence. How we choose to use that influence makes a difference. As you intersect with people, you bring a unique thread into the picture. The results may be surprising at times, not what others expect. But you are the only you. You have a creator-given purpose. Let your influence make a positive difference. Who knows whether you have not come to these present circumstances for such a time as this?

May you be an influence for good.

(To follow the color planning and sampling for these towels, click HERE and HERE.)

You are loved,
Karen

Bound Rosepath – More Yarn and Time, Please!

Karen

I still had patterns I wanted to try in bound rosepath; but, alas, there is no more Brage wool yarn in my hands. I ran out of weft before I ran out of warp! With five colors of this wool weft, it seemed like the variations on this rosepath threading were limitless. Imagine how it would be if you had two or three times that many colors to work with! You might never find an end to all the design options!

Bound rosepath just off the loom. Karen Isenhower
Brage wool in five colors covers the surface in this weft-faced weave structure, bound rosepath.

I was not ready to stop playing with this interesting weave structure, exploring the possibilites. Indeed, I had several more ideas lined up. If I had all the yarn in the world, I would need all the time in the world, too, because the discovery process is so intriguing. But eventually, I would run out of ideas.

We have heard that God is worthy of unceasing praise. Perhaps that is because there is no end to his love and goodness; and the riches of his mercy and grace are infinite. Maybe there are so many exquisite facets to learn about our creator that it will take eternity to discover them all. We might as well start now.

May you enjoy the intrigue of exploration and discovery.

Weaving onward,
Karen

I Wonder Which Wefts Will Work

Karen

You see the bare warp. How will the finished towels look? We won’t know until the weft is chosen. I will hold an audition for colors and fibers in my stash, and find the most worthy candidates. Questioning and testing in this way, by sampling, helps me discover the best possible options, before committing to the whole 7 1/2 yards (6.8 meters).

Glimakra Ideal being dressed with cotton warp for towels.
Cotton warp as it is being beamed. The threads come over the back beam, and down to the warp beam, as viewed from the back of the Glimakra Ideal loom.

Apparently, human beings are hard-wired for discovery. We like to search things out, understand, and discover hidden treasures of insight and knowledge. Why is that? Why is a weaver interested in figuring out which weft color will show off a warp to its best advantage? We all seem to be made with built-in questions…

We are created to find our maker, to discover who he is and what he is about. Surely, this accounts for our endless quest for answers about everything. In searching for the answers to the deepest questions, we feel our way toward our creator. And we find him waiting for us with open arms. He’s been near all along.

And the winner is… Drum roll, please… Color wrapping #5, will you please stand up! (Click HERE to see what the commotion is about. Be sure to scroll down to read the comments.)
Thank you for your vote. It made me feel good that my first choice received the most votes; and my second choice, #3, received important votes, as well. My husband’s first choice, #2, also received a vote. So, we all win! Yay! (It is not too late for you to leave your opinion. We’d love to know what you think.)

May your questions lead you to joyful discoveries.

With you,
Karen

Color Wrapping

Karen

What would you do with nine colors of 16/2 cotton thread? Play with color, I hope! I have hand towels in mind, in a subtle three-shaft twill weave. I challenged myself to create a pleasing arrangement of stripes for the warp. Hmm, should I use a Fibonacci number sequence…or evenly-spaced stripes? Random color order…or planned color order? I came up with several possible color arrangements; each one is unique. You and I are colorful and unique, too.

Color wrapping for stripe design. Some use Fibonacci.
Assorted colors of 16/2 cotton from my stash. Wrapping the threads on folded index cards is an easy way to try out different stripe patterns. Two of the patterns have evenly-spaced stripes. The other three use a Fibonacci number sequence to set the width of the stripes.

I love considering the options at the start of a project in order to have the best results in the end. Maybe our grand weaver is like that, too. “This person will be given a subtle arrangement of colors, evenly spaced; that person will have more intense colors, passionately vibrant. This other person will be given a large stroke of turquoise, because my world needs more turquoise.”

The grand weaver has designed you with certain colors as a gift to you–for you to enjoy life. The way to take full advantage of that gift is by using your colors to serve others. First, receive the gift with open hands. And then, whenever possible, give your gift away.

Which of the five arrangements of stripes in the picture appeals to you the most? I’d love to hear your opinion in the comments! I am curious to see if the one I decided on receives any votes.

May you unwrap your gift.

Joyfully,
Karen

You May Be Looking at the Under Side

Karen

This is not reversible cloth. The colors on the back look pretty, but the design is only on the top. Sometimes we judge our circumstances from the underneath side, not realizing there is a dazzling scene being formed above us.

Bound Rosepath, the pattern is being designed at the loom.
Each row of the design takes four picks, producing a weft-faced cloth. Each shuttle carries a different color; so, at times, there are five shuttles going across for one row. Instead of following a diagram, this time I am designing the pattern as I weave.

The bound rosepath (rosengång) cloth develops slowly. My pace is about 35 millimeters (1.4 inches) per hour. I pay attention to every detail. Five shuttles, many color changes, careful turns at the selvedges. I get up to wind quills, to advance the warp, to repair broken linen warp ends, and to stand back for an overview. You cannot know all of the weaver’s work by looking at the reverse side. It is messy underneath.

We may not have a clear view of what our master weaver is doing, but we can see his consistency. And we have seen his masterful work in the past. Are you in a season that feels confusing? That is precisely when it makes sense to trust someone greater. Be one of the few in our day who sees the goodness of God with the eyes of trust. The finished cloth, the underside of which we see now, will one day be displayed by the maker, and all will be amazed!

May your fears fall away and your trust increase when you face uncertain times.

Believing is seeing,
Karen