There is beauty in cut threads. They signify completion. Look what has become of these linen threads! Order and sequence, timing and continuity, perseverance and pursuit. Through a weaver’s hands it all adds up to fabric made for a purpose.
Cutting off! Linen warpends flow through the reed like a waterfall after the cloth is cut off.Cut threads appear as tidy fringe on the stately linen satin damask weave. The warp beam holds the cloth until it is ceremoniously unrolled.Fabric and warping slats fall to the ground.On the sewing room work table, the completed fabric awaits the finishing process. I will look for and repair errors, secure cut ends with serger stitching, and wet finish the fabric. Then, I will hem them so they can be used as the towels I envisioned from the start.
Father. With God as our Father, we are on the receiving end of the process. Grace and peace, granted from the Father’s hand, shape our lives. And, like a good weaver, our Father makes something beautiful from the threads we offer him. Imagine the day when it may be said of us, “Look what became of the linen threads in the Grand Weaver’s hands!”
You are not going to believe how many knots I came across in this 16/2 linen warp! Too many. As I wound the warp I made the decision to leave most of the knots, and deal with them on the loom. (I did remove knots that were close to the beginning or ending peg on the warping reel.) I lost count, but I’m sure I have spliced the warp on this five-and-a-half-meter project at least a dozen times. (To see more details about how I splice the warp, visit this blog post and video: How To Splice the Warp – Video.)
I do not weave over warp knots. A knot introduces a spot of vulnerability to the fabric. Knots can fray, loosen, or come undone over time, even if the knot is originally imperceptible.
In a couple instances, a knot distorted the tension of the warp end because of catching on a heddle or passing through the reed. For that reason, I now try to eliminate knots in the warp before they reach the heddles.
Tool: Warp Separator
Identify the warp end that has a knot, and insert the warp separator between warp ends to isolate the thread.
With a length of repair warp thread, follow the path of the original thread to splice in the new warp end, feeding it through the heddle of the original warp end.
Bring the repair warp thread through the reed in the same dent as the warp end that has a knot.
Attach the repair warp thread near the fell by wrapping it around a flat straight pin.
Remove the warp separator from between the warp ends.
Place a weight on the floor below the back beam. Wrap the repair thread around the weight two or three times to hold the thread at tension that matches the rest of the warp. Loosen the wrapped-around thread before advancing the warp, and then re-tighten before resuming weaving.
Weave one to two inches with both the original warp end and the repair warp thread in place.
Then, cut the original warp end with the knot (behind the heddles) and let it hang over the back beam.
The original and replacement warp ends overlap in the weaving for about one to two inches.
Remove the straight pin when it reaches the breast beam.
Re-attach the original warp end when it is long enough to secure in front of the fell line with a flat straight pin.
And then, cut and remove the replacement warp thread.
This warp separator was a gift from The Weavers and Spinners Society of Austin, included in the goodie bag from last summer’s Contemporary Handweavers of Texas Conference. It would not be hard to make a warp separator like this from wood or sturdy cardboard. I have not been able to locate a supplier online.
If you know where to find a warp separator tool, please put a link in the comments.
Ten shafts and ten treadles. Isn’t it fascinating how all those parts synchronize and work together to turn threads into cloth? It’s a mystery unless you’ve been in the weaver’s seat. Even then, it’s a wonder. Especially when you see linen threads turn into this amazing five-shaft satindräll!
There are three towels left on this warp, but I am weaving the remainder as one long piece. I will cut it into separate towels after it’s off the loom. Or, I might change my mind and leave it long as a table runner.
Warp is unbleached linen and the weft is ecru, also linen. The subtle difference in color highlights the dräll pattern in the fabric.
Mystery. The mystery of the ages is that Christ can dwell in us. Understand that? No, but I do understand a weaver sitting at the loom, managing the threads and throwing the shuttle to produce a specific fabric. What if I invite Jesus Christ to take control of everything being woven in my life? That is a mystery worth pursuing.
I have a grand idea for this new year! Put all three looms to work simultaneously to weave a coordinated set of textiles for the Texas hill country house. My Glimåkra Ideal loom and the little hand-built loom are bare and ready. Imagine the action! I’ll take you along as I wind warps, dress looms, and weave the harmonized threads. While I wait for ordered yarn, I am weaving the linen satindräll towels that remain on the Glimåkra Standard loom. Soon, this loom will be bare and ready, too.
Beginning the third of six linen towels in five-shaftsatindräll. Two picks of red thread mark the cutting line between towels.
Before embarking on a new year of weaving adventures, though, I want to fully stop and count my blessings. And YOU are one of those amazing blessings. Thank you from my heart for being friends who share in this journey with me.
A startling surprise greeted me when I sat down at the loom yesterday afternoon! The sun was shining through the window and sparkles of light were dancing on the loom. The surprise happened when some of the light made its way under the woven warp and shined up through the cloth, revealing a hidden pattern. Whoa! I discovered a secret passageway in an old majestic house…accidentally! That’s what it felt like.
Linen towel in five-shaftsatindräll. Sunlight dances on the woven and not-yet-woven warp.Block pattern on the towel changes, and is emphasized with the change of weft.Light comes up through the fabric on the left side of the loom, revealing a hidden structure in the cloth.
This is five-shaftsatin, notgoose-eye twill. How fascinating to get a glimpse of the inner structure of the cloth. I didn’t expect it, but it does make sense that the treadling pattern is woven into the fabric. But you won’t see it unless light shines through just so.
The Lord knows us intimately. He knows what we do and why we do it. Where we go and what our plans and intentions are. He not only knows what we say, he knows the thoughts behind our words. God is not surprised. He knows it all. His light reveals our inner structure. May it be pleasing to Him.
