Tag: Glimakra

Warped for Good Ten Year Milestone!

Karen

Warped for Good is ten years old today! To celebrate I offer you some stats and thoughts and thank you’s.

Number of years: 10

I started this blog when I was still new to weaving. This is a learning journey, and you have been learning with me. THANK YOU!

End of weaving Figs and Coffee. Must wait a bit to roll it out. First I am weaving off the remainder of the warp.


Number of email subscribers: 1000

I started with a handful of friends (about 8 or 10) and a few curious family members. I’m incredibly grateful to those first few who allowed me to test my writing skills on them! I am more than astonished that many, many people trust me to bring them news of what’s happening on my looms. I count all of you as friends, and I am so thankful to have you come sit in my studio with me!

End of this rosepath–threaded warp. This is a lovely way to use up surplus butterfiles that are left from weaving the tapestries. I arranged the butterflies to give a soft progression of value change.

Number of blog posts: 781

Some of you remember when I posted twice a week. When Steve retired four years ago, I slowed down to one post a week.

I am determined to keep weaving until the warp runs out, or I run out of butterflies, whichever comes first. The warp ran out first!


Number of floor looms: 5

Warped for Good started with one 120cm Glimåkra Standard Countermarch loom. I didn’t mean to end up with five floor looms. It just happened. (We’re not counting the band loom or rigid heddle looms.) A big thank you to my friend Joanne Hall who threw open the door to floor loom weaving when I first knocked on that door.

Warping slats separate the pieces on the warp. I leave at least 20cm between pieces so I have enough length to tie knots or braid ends in a tapestry edging.


Nickname: Miss Weave-a-lot

This is husband’s nickname for me because I weave a lot. Steve gets my heartfelt thanks for encouraging me every day.

Finishing includes several steps adding up to many hours. Braiding ends into a tapestry edging, clipping weft tails, stitching weft tails down near the sides, hand hemming the top and bottom. The three main pieces will have a backing that I will stitch on, and a means for hanging or mounting.


Number of months taken off: 6

I have taken a pause for the month of July the past six years.

Two smaller sample pieces have a thicker braided edge. I will leave the braid exposed and tack down the loose warp ends on the back of the pieces.


Number of missed posts (except for the July pauses): 0 (zero)

I started learning watercolor sketching a few months ago for the purpose of making tapestry cartoons from my own sketches. I used a slice of this sketch of my morning coffee and figs for my first attempt to “weave a watercolor sketch.” You can expect more watercolor sketch tapestries in the future as I gain more sketching skills.


Most common email request: Electric Bobbin Winder parts list from Tools Day: Electric Bobbin Winder.

Thank you to Steve for making things for me. Thank you to my Warped for Good friends for every email you send me. I’m especially thrilled when you show me pictures of what you are weaving!

Most visited post: More than Meets the Eye

Very first Warped for Good post: Hidden Strength

Heaven and Earth

Number of delayed meals: Too many to count (according to Steve)

Needless to say, I am thankful to have married a very patient man.

Figs and Coffee

Why the name Warped for Good?
Warped for Good is a metaphor for living a purposeful life as a believer in Jesus. God is the Grand Weaver who warps the loom. My life is the warp. Jesus Christ is the good. The weft is the daily living that aligns with the Master’s plan. Interacting with people, making friends, and sharing interests are all part of that plan. I’m truly grateful to my Grand Weaver for all the friends I’ve gained through this humble home of Warped for Good.

Monarch Wing

May you mark your milestones.

IMPORTANT INFORMATION: Warped for Good emails are ending today. Please bookmark this site so you can come right here and enjoy this weaving journey with me. Think about setting a reminder for yourself to come and see what’s happening on these looms. See you soon!

Warped for good,
Karen

Warped for Good Is Changing the Sett!

Karen

Change is an essential element of weaving. How many times do we change the warp on our looms? Or change the sett, the pattern, the color sequence? Change is the rhythm of life.

Weaving 8-shaft broken twill on the Julia is a relaxing way to wind down the day.

After next week, April 11, Warped for Good is starting in a new direction. Instead of posting exclusively on Tuesdays I am switching to a more spontaneous approach. I will keep sharing highlights from my weaving journey, enjoying, as always, your thoughtful feedback in the comments.

Next week you will see the completed small tapestries from my hand-built loom. Soon after that, look for finished spaced rep rag rugs from the Standard. And the crazy critter napkins that are coming up on the drawloom will show my not-so-serious side. There is no shortage of weaving projects around here! I am looking forward to robust interaction with you as we enter this new rhythm.

Six out of twelve placemats are woven. It’s fun to think about seeing the placemats all spread out on the dining room table.

I haven’t decided what to put on the Julia after the placemats are finished. Is there a weaving project you’d like to see? I’m open to suggestions.

IMPORTANT INFORMATION: Warped for Good emails are ending after April 11. Please bookmark this site so you can come right here and enjoy this weaving journey with me. Think about setting a reminder for yourself to come and see what’s happening on these looms.

May you know when to change the sett.

Love,
Karen

Weaving a Few Critters

Karen

I am imagining Texas hill country critters (and birds) that will make their way onto the family napkins I’m getting ready to weave. I am thinking of an armadillo, a jack rabbit, a gray fox, a roadrunner, a Texas longhorn, a Texas spiny lizard, a black-chinned hummingbird, and a few more. Designing each image for the drawloom is fun. Just wait till you see the armadillo!

All the pattern heddles have been threaded.

Preparation makes way for imaginative creativity. This is why I enjoy all the drawloom prep.

Six ground shafts hang in front of the pattern heddles for threading. Heddles on the ground shafts are long-eye heddles, which make threading a breeze.
Threading ground shafts is almost complete. I will move the six shafts to the front of the loom to hang from the countermarch. After that, I can start positioning the pattern shafts. And then…weaving those critters!

Everything we do today is preparing for something tomorrow. Enjoy today. Look forward to tomorrow.

What critters (or birds) would you include if you were designing these napkins? Tell us in the comments!

May your creativity soar in relation to your diligent preparations.

Happy weaving,
Karen

IMPORTANT NEWS for Those Who Receive Warped for Good by Email:
Email subscriptions are ending April 11, 2023. Warped for Good posts will not arrive by email after that date. Stay tuned! I will tell more about this change next week.
IMPORTANT NOTICE: Warped for Good is the story of my weaving journey and is NOT ending! I will continue to share my weaving adventures right here.

Glimåkra Standard by the Front Door

Karen

When guests come through our front door, this stately 120cm Glimåkra Standard Countermarch loom is the first thing they see. Many folks have never seen a weaving loom. “That looks so complicated,” they say.

Welcome to my weaving studio, which doubles as our home.

The appeal of a Swedish countermarch loom is its simplicity. Pieces of wood, held together with a few wedges, form the frame for an efficient system of synchronized moving parts. “Step on a treadle and see what happens,” I tell them. When you move one part, something else moves, which then causes other parts to move. Now you can send a shuttle through an opening in the threads and weave cloth. “Wow! That’s amazing,” they say. I smile and think, “Yes, it is.” It may be complex, but it’s not complicated.

Glimåkra Standard has a prominent position in our home, with a view of our front yard from the loom bench.
Spaced rep rag rug on the loom. This one will be a long runner.

The world looks complicated. What does God in heaven see when he looks on us? Does he see a complicated mess? God sees us through his eyes of love. We’ve all gone our own messy ways. He loved us anyway and gave his son Jesus to save us from our selfish ways. He appeals to us with this simplicity: say yes to Jesus and no to self. This one move sets things in motion and changes everything! God’s world may be complex, but it doesn’t need to be complicated.

May you be drawn to simplicity.

Happy weaving,
Karen

Weave a Distinct Cutting Line

Karen

Four down, eight to go. It doesn’t take long to weave a placemat.

End of third placemat. Block pattern extends into the hem area.

I weave a two-pick stripe between placemats. The stripe is always in the red or orange family of colors (unless the item being woven is red or orange). The red stripe is my cutting line, and two picks helps me cut on the straight and narrow. I once got confused about where to separate two towels that I had woven, and I cut in the wrong place. Yikes! That’s when I instituted the red thread rule.

Orange linen thread is used for the cutting line. Two picks make a clear path for cutting placemats apart after all the placemats are off the loom.
Ending the fourth placemat. Eight placemats to go!

Our lifetime has a distinct red thread rule. A true beginning and end. Life is brief. It doesn’t take long to weave a placemat. But while it’s on the loom, it has the weaver’s full attention. And so also, the Grand Weaver is attentive to all the threads of your life.

May you pay attention to the cutting lines.

Happy Weaving,
Karen