Tag: hand-built

Daily Tapestry Weaving

Karen

I planned a small tapestry project to take with me on our travels to Grand Canyon North Rim last month. I was rushed in the planning of the cartoon and in the selection of the yarn colors. Sitting by our travel trailer at the campground, with the rim of Grand Canyon in view, I had an inspiring environment for weaving.

After returning home, I could see changes I’d like to make in the cartoon, and some adjustments needed in the hues and values of my yarn selection. The cartoon is a photo of a Grand Canyon North Rim sunset from our visit there two years ago. I reworked the cartoon in Photoshop and edited my yarn selection. Then I undid everything that I had already woven. I’m starting over and it is looking better already!

Every evening, now, I bring my Freja Tapestry Frame to our small breakfast table in the kitchen and weave for a little while. Steve made a holder for me to hang the tapestry frame on a wall in the study. I take a picture every morning. I will end up with a series of photos that show how the tapestry grows, row by row, over time. This daily tapestry weaving gives me a constant reminder of how beautifully creative the Creator of our universe is, and how His planning is never rushed, nor His selection of colors short sighted. His work is perfect from the start.

First, we found a place to hang this Freja Tapestry frame on the wall. Bright yarn is the scrap yarn for beginning to space the warp. Six rows of 12/6 cotton warp thread finish the job of spreading the warp evenly. I also added two quick rows at the top to help keep uniform spacing from bottom to top of the warp.
Steve’s simple mounting rack is just right for holding the tapestry frame. I can view the right (or wrong) side of the tapestry and watch it grow day by day. I completed these six rows in the first couple days back home.
Detail view of the right side of the first six rows. This tapestry is being woven from the back.
Adding rows two at a time.
So far, this is simply colors and shapes.
Sitting down in the evening and completing one pass (two rows) is a satisfying way to wind down for the day.
Pouch with yarn, Gingher snips on a handwoven band to wear around my neck, legs to hold the tapestry frame at a comfortable angle on the table, folder with tapestry cartoon and a few go-by’s. And, the Freja Tapestry frame, with slat that holds the cartoon, and tapestry needle held by earth magnets that Steve inlayed into the face of the right side of the frame, and a wood cover that slips over the bottom teeth on the frame that keeps anything from snagging on the teeth.
This is my simple setup. Most evenings I take my place here at our small breakfast table and set up my tapestry frame. I have a black-and-white, and a full-color go by. I refer to these constantly as color reference and value reference.
This is my “crayon box” of colors, carefully selected by value and hue. Most of the weft yarn is 6/1 Fårö wool, with a few colors of 20/2 Mora wool added in. I have the yarn sorted by value. There are five sleeves in the pouch, so 1, 2, 3, 4, 5 – for a five-point value scale. The yarn is wound on floss bobbins left over from my counted cross-stitch days. This makes the whole project very travel friendly.

May the colors of creation bring you joy.

Happy Weaving, Karen

My Favorite Handwovens on Display

Karen

Five of my favorite handwoven works are on display in a local exhibit. The Southwest Gourd and Fiber Fine Art Show is the current exhibit (through July 1) at the Kerr Arts and Cultural Center in Kerrville, Texas. This is a competitive show featuring artists from across the US. Steve made beautiful wooden hanging and mounting devices for my pieces. Winter Window is a double-binding rag rug that is displayed as a wall hanging. I thoroughly enjoyed the design process for this rag rug, so I am happy that Winter Window received a Judge’s Special Award.

Southwest Gourd and Fiber Fine Art Show at Kerr Arts and Cultural Center in Kerrville, Texas.
Light as Air Lace
Draped Lace in Three-Shaft Lace Weave
Warp: Linen
Weft: Linen
Christmas Snowflakes Triptych
Banners in Six-Shaft Irregular Satin, Drawloom 30 pattern shafts, 148 single units
Warp: Linen/Cotton blend
Weft: Linen
Joseph’s Coat
Wall Hanging in Four-Shaft Swedish Monksbelt
Warp: Cotton
Weft: Wool and Cotton
Winter Window
Rag Rug in Four-Shaft Double Binding
Warp: Cotton
Weft: Cotton fabric strips
Eye of the Beholder
Pictorial Tapestry in Four-Shaft Rosepath
Warp: Linen
Weft: Wool and Linen
Artist Reception and Awards evening. Winter Window receives a Judge’s Special Award.

If you hang a rag rug on the wall it becomes fine art. And I’m ok with that.

May others enjoy seeing what you enjoy making.

Happy Weaving,
Karen

Tapestry with No Intention to Hurry

Karen

I call it Figs and Coffee, but the figs and the coffee are barely recognizable at this point. The image will make sense when it is complete. In the meantime, I am continually intrigued by the fascinating interplay of colors. You can expect me to keep adding to the tapestry until it is complete. It’s nice to not be in a hurry.

Warping slat hangs from the ends of the beater and sits below the warp. The suspended slat keeps the cartoon right under the warp. I use a quilter’s clip on each side to hold the cartoon in exact position.
Every time I advance the warp I examine the positioning of the cartoon to make sure it matches up with marks I have made on the warp in key places.
Regular stops to step back and see if I need to make color or contrast adjustments keeps me on track. Thus, the need to backtrack and undo rows of weaving is infrequent.
Corner window setting for this hand-built loom reinforces my intention to not be in a hurry.

May you keep moving toward completion.

Happy weaving,
Karen

Have enough Colors of Yarn?

Karen

I don’t want to tell you how many different colors I have of wool yarn. Most of it is 6/2 Tuna and 6/1 Fårö, but I have a good collection of other wool yarns, too. If it’s wool, I include it in my tapestry weaving. I have all of it arranged according to a 5-step value scale.

Yarn butterfly is equivalent to about 4 strands of 6/2 Tuna. I’m composing a color in the medium-dark value range.

If I combine the colors of wool just right, I can make the exact color I need for a tapestry detail. This is the challenge on which I thrive. There are never enough colors. Or, so it seems. The truth is, I have more than enough color options. Besides, for tapestry, the exact hue of a color is not nearly as important as the value of a color in relation to the colors around it.

Tapestry in progress. I carefully select yarns, mostly according to color value.
The cart beside the loom holds all the possible colors I may need for this Figs and Coffee small tapestry. I stop frequently to evaluate the colors and the value contrasts in the weaving.

The Most High God, Creator of heaven and earth, Creator of color, makes himself known. Take a look outside. Everywhere we look there is more color than we know how to express. So, in our humble attempts to make yarn butterflies in exact colors, we are showing that we are indeed made in our Creator’s image.

May you see all the color around you.

Your friend,
Karen

Looms Have Personality and Year in Review Video

Karen

How do you keep five floor looms busy? You sit at them, one loom at a time. Each loom has its own personality. Or, just maybe, the personality of the loom is more about how the loom makes me feel when I’m active with the loom to turn threads into cloth.

The 120cm Glimåkra Standard Vertical Countermarch is my Queen of Looms.
Now: Spaced Rep rag rugs. Two more rugs on this warp.
Next: Jämtlandsdräll (Crackle) rag rugs

The 100cm Glimåkra Ideal Horizontal Countermarch is my Workhorse of Looms.
Now: Empty
Next: Pictorial Tapestry (subject matter to be determined)

The 70cm Isenhower Little Horizontal Countermarch is my Princess of Looms.
Now: Pictorial Tapestry sampler. Currently, “Figs and Coffee.”
Next: unknown

The 120cm Glimåkra Standard Horizontal Countermarch with Myrehed Combination Drawloom Attachment is my Gentle Giant of Looms.
Now: Being dressed for cottolin/linen napkins in 6-shaft broken twill
Next: unknown

The 70cm Glimåkra Julia Horizontal Countermarch is my Cinderella of Looms.
Now: Two-block broken twill cottolin/linen placemats
Next: Fabric for a stylish cape, using a vintage sewing pattern

Let’s take a look back to see how these looms showed their personalities in 2022!

What personality does your loom(s) have?

May your heart and soul flourish in the new year.

Happy Weaving New Year,
Karen