Stony Creek Drawloom Rag Rug

I have woven umpteen rag rugs. But never one like this! Eight-shaft satin on the single-unit drawloom brings its own challenges, from managing draw cords to getting a decent shed. Add rag weaving to the mix and we have a whole new experience!

Cutting off drawloom rag rug.
Cutting off in 1-inch sections to make it easy to tie back on for the second rug on the warp.

Finishing has its own set of new challenges. My go-to method of tying knots to secure warp ends is unwieldy in this instance because the threads are extremely dense. By quietly doing some detail studies on a sample, I find a way to finish this unusual rug: Secure the ends with the serger. Then, sew two rows of straight stitches on the sewing machine for added security. Sew a narrow bound hem using some of the fabric that was used as weft in the rug. Steam press to finish.

Drawloom rag rug finishing details.
Serger cuts off the ends as it overlocks the edge. I pull out the scrap header little by little just ahead of the serger needles and blade.
Finishing drawloom rag rug - steps.
Two rows of straight stitching.
Bound hem on a drawloom rag rug.
Lightweight woven fusible interfacing backs the fabric used for the narrow bound hem.
My Grandma's thimble.
My Grandma’s thimble helps me hand stitch the back side of the bound hems.
Drawloom rag rug finished!
Finished and pressed.
Stony Creek Rag Rug woven on single-unit drawloom! (Design by Kerstin Åsling-Sundberg)
Dream come true! Stony Creek Rag Rug (Design by Kerstin Åsling-Sundberg)

I have another rag rug to weave on this warp. It will still be a challenge. With what I’ve learned, though, I’m anticipating a satisfying weaving and finishing experience.

We know what to do in normal circumstances. It’s in unusual times that we fall into dismay. Private time with Jesus turns confidential fears to confident faith. He treats our challenges like personal detail studies, showing us the way forward. His grace enables us to conquer the next challenge with confident faith.

May your confidence grow.

With faith,
Karen

Tapestry Promise

You will see the front of the Siblings tapestry. I promise. When I cut a tapestry from the loom the weaving is finished. But the tapestry is not complete until the finishing is finished. And I have substantial handwork yet to do before this tapestry is ready for display.

Cutting off a new tapestry!
Cutting off the tapestry.
Back of the Siblings tapestry.
View of the back of the tapestry. Non-distinct imagery.

I am securing the ends in a woven edging. Then, I will trim weft tails, stitch things down around the perimeter, and put on a backing. Additional hand-stitching work will stabilize the whole piece. When you see the Siblings tapestry again, you will see it in full view on the wall right behind my loom.

Woven edging on the new tapestry.
Warp ends are woven together along the edge, and will end with a short braid.
Tapestry just off the loom. Finishing process.
Edge will be folded under and stitched down before the backing is added.

Hope is built on promise. Do not forget God’s promise. Come to Me, all of you who are weary and burdened, and I will give you rest. And, Jesus expresses the promise to His followers, I will be with you always. We see the tapestry of life from the human side, the unfinished side. Hope, paired with patience, takes us through the uncertain future. We have assurance of the Lord’s grace, His meticulous handwork, bringing His work to completion. In the meantime, we give Him our burdens and He gives us rest. As promised.

May your hope be strong.

With you,
Karen

Process Review: From Drawloom to Garment

I warped the drawloom with gray 6/2 Tuna wool several months ago with the goal to make fabric for a reversible vest. The beautiful drawloom fabric turned into dreamy garment-worthy fabric after washing! (See Process Review: Drawloom Jewels)

Weaving garment fabric on the drawloom.

And then I hit two huge hurdles.

Hurdle 1. Fit.

In order to cut into handwoven drawloom fabric, I need assurance that the end result will fit me. My sewing assistant helped me refine a commercial pattern.

My sewing assistant, Miss Fit.
Meet my sewing assistant, Miss Fit.

After umpteen muslins and two or three mock-ups, I finally got the fit I was after. Confidence to cut!

Hurdle 2. Garment Construction Uncertainties.

Do some detail studies, my dear friend Elisabeth said to me. Her advice got me over the insecurity hurdle. A detail study is making a small sample to test a hypothesis or answer a question. I made a list of everything I wanted to know about constructing a vest from this type of handwoven wool fabric. And then, using some of the extra fabric from the sampling at the beginning of the warp, I did a detail study for each point on the list. Twelve detail studies in all.

(If you are interested in seeing my complete list of 12 detail studies for this project, click HERE to send me an email and ask for my “Detail studies”.)

Here are a few examples of my findings:

  1. Zigzag before or after cutting? // Zigzag before cutting, stitch width 3, stitch length 2 1/2
  2. Lapped seams? 3/8”, 1/2”, 5/8”? // Yes, lapped seams, overlap 1/2”, stitch basted line to guide placement
  3. Neck and armhole curves – staystitch with hand running stitches or machine stitching? 1 row or 2? // Hand running stitches, 2 rows
Detail studies for handwoven garment construction.
Detail study testing lapped seams.

From the results of the detail studies I was able to compile a step-by-step garment construction plan. Confidence to sew!

Follow my process pictures of the garment construction to see the results:

Cutting lines marked with basting stitches.
Cutting lines marked with basting stitches.
Cutting lines marked with basting stitches.
Tracing paper is used for the pattern, which allows me to clearly see the placement of the pattern on the fabric.
How to stitch basted cutting lines.
Making an X with the basting thread at the corners. This helps clarify exactly where to stitch and cut. (One of Elisabeth’s helpful tips.)
Preparing handwoven cloth for garment sewing.
Buttonhole twist thread is used for the basted lines. It makes an easy guide for the sewing machine needle to follow. The zigzag stitches are just inside the line.
Sewing a handwoven garment.
Basting stitch on the front side piece is a guide for positioning the lapped seam.
Sewing a vest from handwoven drawloom fabric.
Handwoven vest. Ready for handwork details.
Ready for hand work.
Hand-stitching work by the fireplace.
Two rows of running stitches around the armholes and neck opening.
Blanket stitch on handwoven garment.
Blanket stitch is used to embellish and strengthen the armholes, neck, front edges, and lower edge of the vest.
Blanket Stitch
Completed vest from drawloom fabric.
Completed vest from drawloom fabric.
Reversible handwoven vest.
Reverse side.
Handwoven reversible vest. Drawloom Woven.

May you find ways to leap over your hurdles.

Love,
Karen

Tools Day: Needles

Even though there are dozens of needles in and around my weaving and sewing spaces, nine stand out from the rest. These go-to needles have earned special favor. As essential tools, these needles have specific holders and permanent homes.

The 9 needles I use most for handweaving.

  • Sharp needles: hand-hemming, hand-sewing, stitching on labels, and stitching a tapestry to a linen mat for mounting (curved needle)
    HOLDER: Pincushion I made in 1980
    HOME: Sewing supply closet, “Needles and Pins” drawer

Sharp needles for hand-hemming. 1980 pin cushion.

Stitching labels onto handwoven towels.

Hand hemming handwoven table runner.

  • Blunt tapestry needles, small and medium: hemstitching, stitching a thread mark to the right side of the fabric, sewing in tapestry weft tails, finishing work—needle-weaving for corrections and repairs
    HOLDER: Remnant of cotton handwoven plain weave fabric
    HOME: Loom-side cart, top drawer

Handy needles to keep by the loom.

Blunt needles by the loom.
Steve sanded and rounded the tips of the needles to make them blunt. A needle with a rounded tip won’t pierce and split the threads.

Hemstitching at the loom.

Sewing in weft tails in the back of a tapestry.

  • Blunt tapestry needles, large: hemstitching, hand-hemming rugs, weaving small tapestries
    HOLDER: Felted inkle-woven tape
    HOME: cutting/work table, Grandma’s old sewing tin

Felted inkle-woven needle holder.

Rag rug hemming by hand.

Hemming a handwoven rag rug.

  • Sacking needles: pulling rag rug warp ends out of scrap weft, threading warp ends back into a wool rug (I did this…once)
    HOLDER: straw-woven pouch from a trip to The Philippines
    HOME: weaving supply closet, top drawer on the left

Woven pouch from The Philippines.

Tying warp ends into knots. Rag rug finishing.

May you find the needle you need when you need a needle.

All the best,
Karen

Handwoven Blankets for Babies

Handwoven baby blankets are for cuddling babies. It is a pleasure to weave a baby blanket for a dear friend’s first grandchild. As long as I’m dressing the loom, it makes sense to weave more than one. So the second baby blanket is for cuddling my own grand-babies when they come to visit.

Double weave baby blankets. Cutting off!
Double weave baby blankets unrolled from the cloth beam, ready to be cut off.

Hemming double weave baby blanket.
Double weave top and bottom layers are stitched together by hand at the hems. Contrasting thread is used for a decorative embroidered look.

Embroidered edge of handwoven baby blanket.
Whipstitch in contrasting thread.

Handwoven baby blankets super soft for baby's skin.
Blankets are triple washed for softness. Ready to touch baby’s skin.

Double weave baby blanket.
Double weave has reverse pattern on the back.

Double weave baby blanket.
Same warp, different weft.

Handwoven baby blanket for newborn.
Meet Julian, my friend’s new grandson, wrapped in love.

Handwoven baby blanket. (Resting on his great-great-grandmother's quilt.)
Meet Benjamin, our newest grandson, wrapped in love. (Resting on his great-great-grandmother’s quilt.)

A resting baby is a picture of hope. Hope for the next feeding, hope in the mother’s tender love, hope in the father’s secure arms. No arrogance, no illusion of grandeur. Just quiet rest. Hope in the Lord looks like this. Hope for today, the future, and forever. My soul is at rest—in complete rest and trust. Like a resting baby in his mother’s arms. Like a baby wrapped in a blanket woven especially for him.

May you find rest.

Blessed,
Karen