Rag Rug Rya

I have an enormous brown paper cartoon hanging under the warp, suspended by a contraption of wood, string, and rubber bands.The pattern area of this rag rug begins with rya knots. The dark colors of the rya pile contrast with a background of whites, off-whites and light prints. The rya knots follow a geometric design that I drew onto the brown paper with a Sharpie.

Rag rug with rya knots.
Brown paper under the warp hangs over a slat which is suspended with seine twine and rubber bands.

As the designer and weaver, I already see the finished rug in my mind’s eye, and understand what is needed to complete it. I am weaving this rag rug for our own home, so naturally I am already thinking about where it will be placed. This makes it personal, and the slow weaving process grants me the opportunity to know this rug, inside and out.

Tightly-woven selvedges on hefty rag rug with rya knots.
Tightly-woven selvedges. Doubled weft gives extra fullness and weight to the rug, as well as contributing to strong rug selvedges.

Yes, it is important for me to know my Maker, but even more important that He knows me. All of life has meaning when God knows you by name. He knows what is needed to give our lives purpose. And the slow process becomes that much more personal as he weaves the design that he has seen all along.

May you accumulate many meaningful moments.

Happy rug weaving,
Karen

Little Woven Houses

There is something warmly appealing about a little brick house with a pitched roof and a red front door. A house, treated properly, after all, is a home. With this month’s tapestry diary I am attempting simple little houses, one at a time. These whimsical dwellings could remind you of houses you’ve known, but my houses are made of wool

Start of small house small tapestry.
Tapestry diary for this month starts with a little house.

This first little tapestry home has a closed door. The sett is not fine enough for detail that could show an open door, but wouldn’t it be interesting to see what’s behind the front door of the tiny house? For most of us, there are at least a few things that we prefer to keep behind closed doors. We have embarrassing and disorderly things that we would rather not reveal.

Red door on a little brick house.
Red door on a brick house. What is going on inside?

Think of your heart as a house. Our words reveal what we keep behind closed doors. Most of the time we don’t mean for the words to escape, but they always do. The tongue delivers what is in the heart. The remedy is to keep the heart in order. And then we won’t mind opening the door.

May your house be a home.

With heart,
Karen

Quiet Friday: Checkered Rug

I have another rag rug warp on my Baby loom (Glimåkra 100cm Ideal), playing with the magic of double binding again, this time with four shafts and four treadles. Ten yards / nine meters of warp. I planned an additional twelve inches / 30.5cm between rugs for cutting off and tying back on, so I can cut each rug off as it is finished. Here is the first rug.

Winding warp for another rag rug.
Small warping reel is used to measure the ten yards / nine meters of 12/6 cotton rug warp.
Beaming the warp under tension, using warping trapeze and weights.
Warp chains are undone and lengthened out over the warping trapeze. Several pounds of walking weights hold the bouts under constant even tension for beaming the warp.
Tying on.
All tied on. Ready to weave.
Designing a rag rug.
Design concept is created; and fabric colors are chosen.
Double binding rag rug on the loom. Karen Isenhower
Progress.
Using a temple for weaving rag rugs.
Temple is always in place when I am weaving a rug. I fitted two different temple parts together to get this warp width. Notice the lengthwise gaps between the temple parts…but not a problem.
Rag rug on the loom. Nearing completion.
Around the breast beam, and over the knee beam, to wrap around the cloth beam. Warping slats are placed between the cloth beam and the rug the first time around to make a smooth surface for the woven rug-cloth.
Rag rug on the loom. Woven hem.
Hem is completed with 12 picks of rug warp. Three inches of scrap fabric header comes next, and then the rug is ready to be cut from the loom.
Hand-hemming rag rug.
Warp ends have been knotted and trimmed; and hem folded under and pressed. Now, hemming with a needle and rug warp, the last step is almost complete. The only thing left is to sew on my label.
Checkered rag rug. Karen Isenhower
Notice the subtle changes in color and depth of color where the warp colors change–purposely not aligned with the block changes.
Home sweet home. That's what rag rugs are for.
Home sweet home. A patterned rag rug makes a house feel like home.

May you finish what you started.

Happy Weaving,
Karen

Home Is Where the Weaving Is

I arranged, added, and swapped until I had eleven different colors to blend into a courageous wool warp. I had more fun pulling out skeins of yarn in Vävstuga’s shop than a kid in a candy store! The yarn is for a double weave blanket that has been on my mind for a few weeks. Yesterday, I finally had a chance to wind this wild warp! Dressing the loom is next!

Winding wool warp on warping reel.
Yellow will be the center color of the double weave wool blanket. The symmetrical way the warp is wound on this warping reel might fool you, though. These are only a few of the eleven colors that will be blended across the warp.
Winding Tuna wool for weaving a blanket.
Second bout wound on the reel. I check and double-check my written notes to make sure I get the correct color order and numbers of ends.

Away from home, I can only think about weaving on my looms. As much as I enjoyed the experiences of Vävstuga (Vävstuga Autum, Vävstuga Autumn II) and New Mexico (Pointers for Exploring New Mexico Fiber Arts Trails), I have been eager to put my hands to the tasks of weaving here in my own little studio. Winding the warp, feeling and smelling the soft Tuna wool, getting over-excited about the blending colors on the warping reel, handling the fat warp chains… Ah, I am where I’m supposed to be!

I love fat warp chains of wool!
One layer of colors for the double weave blanket.
Warp chains for wool blanket, and what's left of eleven skeins.
Basket holds what is left of the eleven skeins of Tuna wool. These two warp chains will be the other layer of the double weave blanket.

Come home. Do you ever hear that? …as if you have been away too long? The nudge is to return to your faith roots. Enjoy the refreshing that comes in the presence of the Lord. It’s good to be where you know you belong.

May you be where you flourish.

In living color,
Karen

Tools Day: Weaving Rag Rugs

Handwoven rag rugs hold a fascinating appeal for many people. Does it have to do with the secure feeling of being home? After all, rag rugs are to be walked on at home, are they not? You don’t expect them at work, in the marketplace, or in palaces. A walked-on rag rug says, “Home, sweet home.”

Besides a sturdy floor loom (mine is a Glimakra countermarch loom), only a few good tools are needed to weave a rag rug. There are many different ways to prepare and weave fabric strips to make rugs, but I would like to show you how I do it with the tools that serve me well.

For cutting fabric strips:

  • Olfa Cutting Mat (24 x 36 inch) – Large enough to cut long strips.
  • Olfa Lip Edge Ruler (24 inch) – Essential for consistency and ease of measuring. The lip of the ruler catches the edge of the mat and keeps the ruler from shifting as you cut.
  • Olfa Deluxe Rotary Cutter (60 mm) – The 60 mm blade easily cuts through several layers of fabric (much better than a 45 mm blade). My other brand rotary cutter did not hold up to extensive use.
  • Ansell HyFlex Kevlar Cut Resistant Glove – My woodcarving husband suggested this for me. The cutter blade is dangerously sharp, so the protective glove is a wise idea.
Tools for cutting fabric into strips for rag rugs.
Pre-washed cotton fabric, cut into 3/4-inch (2 cm) strips, to use as weft in rag rugs.

For weaving rag rugs:

  • Temple – This tool stretches the weaving to the width that is consistent with the width of the warp as it comes through the reed. I wouldn’t attempt to weave a rug without this tool.
Temple in use while weaving rag rug.
Sharp teeth at ends of the temple grip the selvedges to keep the weaving at a constant width.
  • Turquoise Cart from Ikea – Not particularly essential (a chair with a box would do), but entirely useful. Why not have a pleasant and organized way to keep the fabric strips, shuttles, and supplies close at hand?
Ikea cart beside the loom while weaving rag rugs.
A place for everything, and everything in its place. This turquoise cart from Ikea is perfect for keeping all the fabric strips in order as I weave.
  • Ski Shuttles – My favorite ski shuttle, of course, is the beautiful cherrywood shuttle that Steve made for me–a delight to see and to touch. This type of shuttle is perfect for the way I weave rag rugs. A five-yard strip of fabric, cut with tapered ends, is easily wound on the shuttle. When the shuttle is empty, I wind on another fabric strip. I overlap the tapered fabric ends in the shed. There is no ripping, sewing, folding, or pressing. Simple, seamless, secure.
Weaving rag rugs with handmade cherry ski shuttle.
Handmade cherrywood ski shuttle glides through the shed with ease.

May you rest in the comfort of your home, sweet home.

Happily Weaving,
Karen