Tag: hope

Unrolling New Towels

Karen

The length of woven cloth unrolls and unrolls until you get all the way back to the front tie-on bar. The towels are 70% linen. Oh, how I wish you could touch this fabric! You would feel the crispness of a linen tea towel, with a little bit of cotton softness.

Cutting off! Plattväv linen towels.
Plattväv towels and one table square are unrolled from the loom. Last to come through are the warp end knots securely hugging the front tie-on bar.

It all comes back to the front tie-on bar. This is where the weaving begins. The warp ends must be secure at the beginning. No one wants the tie-on knots to slip as the woven fabric rounds the cloth beam. You want warp ends to be securely fastened, with no chance of losing their grip. Your cloth depends on it.

Plattväv towels waiting to be hemmed.
Plattväv towels, with 22/2 cottolin warp, and 16/1 linen weft. The towels have been washed, dried, and pressed. They are ready to be hemmed.

Think of yourself gripping onto hope. Think of the knots that hold tightly to the front tie-on bar. Hold tightly to hope, and don’t let go while the weaving progresses. Our hope is not some vague wish. Our hope is based on the redeeming work of Jesus Christ–God’s promise to be with us. God can be trusted to keep his promise. Don’t waver in your tight grip on this true hope. The fabric of your life depends on it.

May you be known for hope.

Hopeful,
Karen

Thankful for Plattväv

Karen

The brilliant blue linen, with its natural luster, is a lively option for the plattväv pattern floats. And blue linen weft for the hem makes a fitting border. These towels with blue accents have a different “character” than the towels with the black linen accents (as seen in Striped Warp Freedom). The accent color makes a big difference.

Plattväv towels with linen weft.
Golden bleached 16/1 linen for plain weave weft. Plattväv pattern weft is doubled royal blue 16/1 linen.

I planned stripes in the warp to simplify the weaving. The warp stripes enable me to weave patterned towels with a single weft color. Plattväv weft floats keep it interesting. As much as I like blue linen, I am uncertain about it here. I’m waiting to see the towels off the loom, washed and dried. In the meantime, the warp stripes make my heart sing. And I’m thankful to have options for the pattern weft.

Blue 16/1 linen is used to weave the hem. Karen Isenhower
Royal blue 16/1 linen is used to weave the hem. The antique Swedish shuttle seems appropriate for this Swedish weave.

We always have a reason to sing. ThanksGiving may be a holiday, but it’s also a way of life. It’s seeing the good, the benefits, the blessings, even in the midst of uncertainty. It’s knowing that carefully planned warp stripes are still there. My hope is in God. My soul is confident, firm, and steadfast in him. And thankful to the core.

May your heart find a song to sing.

With you,
Karen

Barely Seen Thin Threads

Karen

Though barely seen, they are a deciding factor in the success of this fabric. Skinny little threads. There is a big contrast between the thick and the thin threads in this fascinating two-treadle weave. The thread size difference creates abundant pattern possibilities. Very thin 30/2 cotton almost disappears while it outlines the thick threads, doubled 22/2 cottolin. I change blocks by simply throwing two thin picks in a row.

Towels in thick and thin. Karen Isenhower
Towels in thick and thin. Weft is white with navy blue stripes in a chain pattern. Warp is white with black stripes.

Most of my errors have to do with the thin thread. Either omitting a pick, or forgetting the second pick to change blocks. After weaving a bit further, the error becomes apparent. I go back, take the error out, and weave it over. All because that barely seen thin thread didn’t get put in place.

Forgiveness, an act of humility, is an essential element of each day. Thin threads that take their place in our daily interactions. Not necessarily spoken, but something in your heart that turns your attitude in the right direction. The forgiven forgive. Those who have been forgiven know how to forgive others. So, maybe a chain reaction starts when we forgive. We can hope so.

May your thin threads be strong.

Forgiven,
Karen

If the Warp Is Good

Karen

The start of a new warp takes my breath away. It’s magic, isn’t it? It’s at this beginning point that I often feel the wonder of the whole weaving process. Expectation, anticipation, and wonder. A new warp is a fresh start.

Beginning of cottolin warp, set up for halvdräll.
Warp ends are tied on in 1″|2.5cm sections, with 1/2″|1.3cm going over, and the other 1/2″|1.3cm going under the front tie-on bar. The leveling string then flattens the warp by going over and under the little sections of warp ends, being pulled tight and tied through a hole at each end of the tie-on bar.

The loom is dressed through a series of steps. In the Swedish method of back-to-front warping that I have been taught, the steps are logical and systematic. They make sense. If I simply follow the steps, I can expect to have an evenly-tensioned, ready-to-weave warp. If the warp is good, it means I’m off to a good start.

New cottolin warp, set up for halvdräll table squares.
Side view of new cottolin warp, set up for halvdräll table squares.
Start of halvdräll table squares.
Halvdräll is a Swedish block weave that has weft floats. The tabby weft is white 22/2 cottolin, and the pattern weft is doubled 16/1 linen.

Christmas is about God offering us a new start through Jesus. It isn’t about trying to be good enough. Being good is never good enough. Trust in God’s goodness instead. Jesus is God coming to us in all his goodness. I can never repay the Lord for all the good he has done for me. What I can do is receive what he has given–a fresh start. Then, as the beginning weft appears across the warp, I see my hopes coming to life.

May you enjoy the wonder of it all.

Happy beginning,
Karen

Warp Stamping Is Over

Karen

If I could do it over, I would put on a shorter warp for this experimental project. I enjoyed weaving plain weave, with the simplicity of one shuttle and one color. I did not enjoy, however, stopping every six inches to stamp the warp with paint. Clearly, I am not a paint person.

End of the warp is a happy sight!
Bare warp beam, with the end of the warp inches away from coming over the back beam for the final stretch of weaving.

You can guess that I was overjoyed to see the tie-on bar come over the back beam! That hope of finishing propelled me to the end. Of course, I still have work to do–fixing a few floats, wet finishing, and then sewing a tiered skirt. The root of my problem was not that this was long and slow. The root was my uncertainty. Isn’t that always the case? Is all this effort and mess going to be worth it? Will this fabric even work for the skirt I want to make?

Warp was stamped on the loom, using fabric paint, before it was woven.
Printed woven cloth, just off the loom, awaits finishing and sewing. The print was made by stamping the warp on the loom, using fabric paint, before it was woven.

When we are stumbling in the dark, we long for light. It can be discouraging when you are not sure where your decisions will take you. The light of God shines in the darkness, bringing hope. Hope dispels darkness. Much like the tie-on bar at the end of a long warp, when we see hope rounding the corner we know we can make it.

May your path be lit with hope.

By the way, if you are a paint person, I have a set of gently used hand-carved wooden stamps I will send to the first person in the continental U.S. who asks for them. Postage is on me!
Get in Touch to let me know you’d like them.
*UPDATE*
The stamps have been spoken for! Sandy O. is going to use them to experiment on her rigid heddle loom!

Happy plain weaving,
Karen