Hemming a rag rug may be easier than you think. I have used my classic Bernina sewing machine to hem rag rugs; but now, I hem many of them by hand. It’s easier and faster than I once thought. I plan the rug’s hem into the weaving, using half-width fabric strips for the hem area, and end it off with 1 cm of a warp thread heading. After cutting off the rug, I secure and trim the warp ends. There’s only one thing left to do. Hem the rug! (Start with Tools Day: Rag Rug Finishing Videoif you haven’t seen it yet.)
Hem is woven with fabric strips, doubled, cut 1 cm wide. This rug has a 6 cm hem, plus the warp thread heading, that will be folded under and stitched.
Tools and supplies
Steam iron
Long straight pins
Rug warp to match the rug (mine is Bockens 12/6 cotton seine twine)
Blunt tapestry needle
Kitchen mat is embellished with woven thin stripes that give the impression of rickrack. It makes me think of rickrack-trimmed dresses my mother made for me when I was a little girl. (See Simplest Rag Rug Stripe to learn how the rickrack stripes are made.)
Halvdräll is one of those Swedish weaves that takes your breath away. How can I describe the exquisite simplicity and stunning splendor of this fascinating cloth? With halvdräll, every moment at the loom is pure joy. I keep thinking, I get to weave this! And every weaver knows no comparison to the delight of pulling beautiful just-woven fabric off the cloth beam.
Enjoy the journey with me now as I reflect on the halvdräll fabric from beginning to end.
Choke tie serves as a counting thread as the cottolin warp is wound.Red linen is anticipating a starring role as pattern weft.Sampling various color options for the pattern weft. Red may be one star among several.Second table square has blue and green for block I and red for block II. The back of the first table square, with all red pattern weft, is seen between the breast beam and the knee beam.Neutral tones with subtle elegance.Light play dances on the colorful woven fabric.Celebration time! When the cloth is cut from the loom the weaver is able to see a complete view of the woven fabric for the first time. Woo hoo!Wet finished and pressed. Ready for hemming.Blind hem, with sewing needle and thread. Needle goes under one warp end, and is inserted through folded edge of hem for 1/4 inch. Continued stitching across the hem is virtually invisible when complete.Label added.Hemmed, pressed, and ready to dress up a table.
The linen on my loom last spring was a secret project. I only showed hints of what I was doing. Now that the “secret” linen project is published, let’s go back to see some of the process. Complete instructions for weaving and sewing these Linen Dice Weave pillows are in the January/February 2016 issue of Handwoven magazine. Read how it all came about in Caught by Surprise – in a Good Way.
Linen arrives!Ready to pre-sley the reed.Warping trapeze in action to beam the linen warp.Ready to thread the heddles.First pillow.Linen dice weave as seen through the warp.Coming around the cloth beam.Ending the pattern.Dice weave.Cutting off celebration!Assembling pillows.Two sets of linen dice weave pillows.Linen dice weave pillows ready to send.
May you and those you love make meaningful memories on this Christmas day.
I just crossed an item off my weaving bucket list! Make a ‘cello skirt from handwoven fabric. A ‘cello skirt must be long, and full, and pretty. And if I can wear boots with it, so much the better. A favorite tiered skirt that I made a couple years ago from commercial fabric became the pattern for designing the handwoven fabric for a new skirt. This project included weaving a printed design by stamping the warp on the loom before it was woven. (To see this project develop, check out Related Posts in the sidebar.)
I needed five lengthwise tiers, so I planned it out so that each tier would have a different stamped pattern. This is light blue 8/2 cotton in plain weave, with a dense sett of 30 epi, making a medium-weight fabric. I softened the fabric as much as possible by washing and drying it on hot settings. By strategically placing selvedges at the top and at the bottom of the skirt, I was able to minimize thickness at the waist, and eliminate the need for a hem at the bottom. The finished tiered skirt is long, and full, and has a subtle pretty printed pattern that mildly resembles ikat. And this skirt is made for wearing with boots!
Just off the loom, cloth is rolled out on the floor. Five-tiered skirt was made from lengthwise rows of printed fabric.Tiers are cut and raw edges serged. Each tier seam is sewn. Floor layout helps to plan placement of seams and printed patterns.Bulk is reduced at elastic waistband by adding pretty grosgrain ribbon for the casing, right next to the handwoven fabric’s selvedge.Selvedge forms the bottom edge of skirt, so no hem is needed. Warp-stamped fabric appears as a subtle print.Happy ‘celllist.
If I could do it over, I would put on a shorterwarp for this experimental project. I enjoyed weaving plain weave, with the simplicity of one shuttle and one color. I did not enjoy, however, stopping every six inches to stamp the warp with paint. Clearly, I am not a paint person.
Bare warp beam, with the end of the warp inches away from coming over the back beam for the final stretch of weaving.
You can guess that I was overjoyed to see the tie-on bar come over the back beam! That hope of finishing propelled me to the end. Of course, I still have work to do–fixing a few floats, wet finishing, and then sewing a tiered skirt. The root of my problem was not that this was long and slow. The root was my uncertainty. Isn’t that always the case? Is all this effort and mess going to be worth it? Will this fabric even work for the skirt I want to make?
Printed woven cloth, just off the loom, awaits finishing and sewing. The print was made by stamping the warp on the loom, using fabric paint, before it was woven.
When we are stumbling in the dark, we long for light. It can be discouraging when you are not sure where your decisions will take you. The light of God shines in the darkness, bringing hope. Hope dispels darkness. Much like the tie-on bar at the end of a long warp, when we see hope rounding the corner we know we can make it.
May your path be lit with hope.
By the way, if you are a paint person, I have a set of gently used hand-carved wooden stamps I will send to the first person in the continental U.S. who asks for them. Postage is on me! Get in Touch to let me know you’d like them. *UPDATE*
The stamps have been spoken for! Sandy O. is going to use them to experiment on her rigid heddle loom!
