Everything Is Fixable

Every now and then I forget where I left off. This happens when I get interrupted when I am not quite finished with a sequence at the end of a weaving session, or when I get interrupted when I am just getting started back on the loom. Often, the interruptions are my own thoughts going in different directions. The only loss is a few dozen weft threads that get pulled out one by one, plus the time it takes to pull them out and weave the right ones back in. Everything is fixable.

Sometimes it is necessary to backtrack. I was at a pause in weaving. When I came back to it I forgot to put in the gray weft stripe. Pulled out more rows than I wish, then resumed weaving, starting with the gray stripe.
No more troubles, just attentive weaving.
Still several meters to go on these bathroom curtains! 24/2 cotton, M’s and O’s, gray stripe is 16/2 cotton

I have come to the unfortunate realization that I am probably short on blue weft yarn and green weft yarn. This project is using yarn from my excess, and the warp yarn was measured out just so. I miscalculated on the weft yarn. My solution is to space the blue and the green weft stripes further apart. If I still run out of either color I will finish with the colors I do have. I may end up liking it better that way. Everything is fixable.

Blue weft at the front edge makes a lovely contrast with the poppy and the pumpkin warp colors.
Cart by the loom holds shuttles and yarn. You can see that I am using a 120 cm reed in a 70 cm loom. I can get away with it by having the loom in the corner of the room.
Winter wool indoors and spring blooms outdoors. Brage wool for an autumn/winter cape. Goose-eye twill on four shafts.

I did not imagine that one of the single-unit draw cords on the drawloom could snap in two while I am putting it on the hook bar. But it happened! Now what? I’m able to finish the 6-thread unit by tying a knot and maneuvering threads this way and that way. This is not acceptable for weaving the rest of the warp, however, nor even for the rest of this napkin. I just so happen to have a fancy clip that Steve brought to me a couple weeks ago, saying, “I thought you might be able to use this somewhere.” It is the perfect temporary fix for this shortened draw cord. I will replace the broken draw cord before starting the next critter napkin (roadrunner). Everything is fixable.

Wild turkey is running with his head cut off for a few days. The single-unit draw cord that raises the threads at the turkey’s chin snapped when I put it on the hook bar. I finished the 6-thread unit for that chin by tying a knot in the end of the draw cord. I need to make a permanent fix, though, because the knot makes the draw cord just a little too short.
As a temporary fix, I found a double caribiner clip that is just the right size to hold the draw cord. Before I start weaving the next critter, I will try to replace this broken draw cord with a new one.
Wild Turkey – finished!
Chart beside the loom shows my row-by-row plan for the image being woven.

Yesterday we enjoyed Easter, the day of celebrating the resurrection of Jesus Christ from the dead. We are lost without Him, suffering from our own errors, miscalculations, and brokenness. The Heavenly Father raised Jesus from the dead to prove to us that Jesus is Lord. Everything is fixable in Him.

May you find the solution you need.

Your weaving friend, Karen

Wild Turkey and More

Three looms are active right now. The drawloom has the napkin project, with a wild turkey on this one.

Wild turkey feet and legs weave up quickly. There are only a few single unit draw cords to pull at a time, plus one pattern shaft draw handle for the side borders.
Wild turkey feathers require many more single unit draw cords. Even the borders at this place in the pattern are done with single units. The cast shadow on the loom from the bell that hangs in the window makes a funny face at this time of day. Could be a silly turkey face? 🙂

The Julia has the wool goose-eye twill fabric that I plan to use for making myself a simple winter cape. Next winter should be here soon enough.

Wool cape fabric in goose-eye twill.

Last but not the least at all is the GlimĂĄkra Standard with curtains for our remodeled bathroom. This is a big project and I will be weaving on this for a while. M’s and O’s is enjoyable to weave. I like the counting for the squares and stripes, and the trading off of feet that this project gives me.

Curtain fabric in M’s and O’s is winding up on the cloth beam.

Happy Weaving,

Karen

Who Gets the Jackrabbit Napkin? Drawloom Dilemma

Jackrabbit. This critter is one I would like to see more often. We call him “Jack,” or if there are two of them together, they are known in our family as “Jack and Jackylina.” The jackrabbit makes me smile because of his tall ears and mischievous-looking face. The nice thing is he doesn’t cause any mischief, like some of the other critters around here. He will sit completely still, without a twitch. I’m sure he wants you will think he’s a rock, and pass on by without noticing him. But if you get a little too close, he hops up and quickly dashes away.

When we have all twelve napkins at the dining room table for a family gathering, how will we decide who gets Jack the Jackrabbit? This one could be everyone’s favorite.

Teal blue linen weft. The jackrabbit is one of my favorite critters in our Texas Hill Country area. I like their humorous profile.
Just reached the halfway point on this jackrabbit image. This is all single-unit draw until I get beyond the area where the nose and feet are in the side borders. After that, the borders will be the simpler pattern-shaft draw.

As with the other critter napkins in this series, the borders at top and bottom, and some of the side borders, use the pattern shaft draw system. The jackrabbit in the center and the “broken borders” use the single unit draw system. I am very happy to weave with this Myrehed Combination Drawloom Attachment. The possibilities are endless…and fun!

Happy Weaving!

Karen

Drawloom – Snow Falling

Snow in Texas Hill Country is minimal. To make up for it, I am putting together a virtual snowstorm—four Christmas Snowflake towels on the drawloom. Each towel has three large snowflakes at the bottom and top borders. The body of the towel has delicate snowflake crystals drifting to the ground.

Nordic star pattern used for Christmas Snowflake towels. Towel begins with a broad brush of red along the lower border.

Starting with Selbu Mittens: Discover the Rich history of a Norwegian Knitting Tradition, by Anne BĂĄrdsgĂĄrd, I transpose Nordic star patterns into drawloom graphed designs. Affinity Designer (graphic design software) takes the place of graph paper for me. Being vector graphic design, it enables me to make changes without having to start over. I can easily move, separate, copy, and/or transform elements as I work through a design. I print out exactly what I need, scaled up in size without losing clarity, in a format that enhances my ability to make the right moves at the combination drawloom.

Single unit draw cords, held in place on the hook bar, form the snow crystals in the body of the towel. The three large snowflakes at the bottom border are made using pattern shafts. The simple side borders also use pattern shafts.
In Affinity Designer I am able to separate, copy, and move elements of the large snowflake design. These individual elements become the scattered snowflakes and little snow crystals that are “drifting down” the body of the towel.
Snowfall in Texas Hill Country.

We have a faithful designer. Our Grand Weaver creates his image in us. He moves, separates, copies, and transforms elements in our lives until his image clearly shows. It takes a lifetime. The Lord is faithful. Since he has brought us this far, let us also be found faithful to him, conforming to his image.

May you see how far you’ve come.

Many blessings,
Karen

Process Review: House and Home Towels

House is a structure. Home is an atmosphere—an atmosphere of love. Three young mothers have made their houses into homes. These are the mothers of my grandchildren, and I am giving a personalized towel to each of them. The combination drawloom is my favorite tool for an undertaking like this. (Be sure to watch the video/slideshow below to see the whole process!)

Myrehed Combination Drawloom, with 45 pattern shafts and 148 single units.
GlimĂĄkra 120cm Standard Loom with Myrehed Combination Drawloom, using 45 pattern shafts and 148 single units.

First up is the Peach Jam towel to hang in my house, where all the families come for flavors of home. Next is Melody’s towel, with a whimsical cottage as Home (which can be read from front or back). Marie’s towel copies the cover of one of her favorite books, The Wise Woman. And Lindsay, a homeschool mom, has a towel that shows the wordplay humor that her family enjoys, Home’s Cool. A house is for people; come on in. A home is for family; welcome home.

Weaving personalized towels on the drawloom.
Whimsical house with whimsical flowers makes a whimsical, joyful home! Single units form the flowers under the houses. Pattern shafts hold the thread units that are raised for the three houses and the side border little squares and flowers.
Ceramic bell from my trip to Germany. Whimsical house.
Melody’s towel design is derived from this ceramic bell that I brought home from my trip to Germany. Melody is especially fond of the bell, which hangs in my drawloom studio.
Drawloom - pattern shafts and single units.
Smoke rises from the chimney, and lush trees surround the home. There is evidence of a growing family here. Chances are, Mom and Dad are reading books by the fire. And seeds are being planted that will mature into living trees.
Drawloom - combination pattern shafts and single units.
Bells ring in the towers of the schoolhouses. Single units are used for the numbers and letters on the side borders, and for the words above the pattern-shaft schoolhouses.

Join me in watching the whole process, all the way to the finished towels (several months compressed into a few minutes):

May your house be a welcome home.

With affection,
Karen