Tag: ski shuttle

How to Strip the Fun out of Weaving

Karen

No fancy stuff for this rug, like rya or loops. The main thing is to finish off this warp. I am eager to get on to the next project–monksbelt (munkabalte)! Even so, it is good to enjoy what you are doing, to be happy and content with what you have and where you are. There is no use complaining about having to finish this. …even though something else seems more exciting.

Simple rag rug on Glimakra Standard.
Simple rag rug using neutral colors. Dark weft stripe is produced by two consecutive rows of a dark brown print fabric as weft.

A grumbling attitude can strip all the joy from the current process. Grumbling poisons your thinking. It starts as a small complaint, but is never content to stay small. In fact, grumbling spreads to other people and corrupts their desires, too. Better to refuse it before it has a chance to begin. Notice and enjoy the blessing of the moment you are in. And so far, I haven’t found a rag rug I didn’t enjoy weaving. Now that’s a blessing!

May your attitude be worthy of imitation.

With contentment,
Karen

Quiet Friday: Rya Rag Rug

Karen

I wasn’t happy with a simple “X” for the design area, but I struggled to come up with something better for this rug. And then, Steve and I went to the symphony. There, on the floor, in the long hallway, was the inspiration I needed for the pattern design on this rug!

Design inspiration for a rug.
Design inspiration is found on the floor on the way to the symphony.

Despite all that went wrong from the start, and how many things I had to undo and do over, I must tell you that I really did enjoy weaving this rug. The rya knots and loops made it fun and interesting. And this unique fluffy rug will always remind me of that sweet symphony date with my honey, when he patiently waited as I pulled out my iPhone to snap a few shots of the floor. Now that’s love.

Counting warp ends on the warping reel.
Counting warp ends on the warping reel.
Dressing the loom starts with pre-sleying the reed.
Dressing the loom starts with pre-sleying the reed.
Ski shuttle and temple for making large rag rug.
Ski shuttle holds doubled weft–fabric cut into 3/4″-wide strips.
Cutting fabric strips for rya knots.
Three different lengths of fabric strips are used for making the rya knots.
Placing rya knots in large rag rug.
Adding more rya knots.
Large rag rug with rya knots and loops.
Loops are made with the help of a wooden dowel.
Rag rug with inlay, using a brown paper cartoon under the warp.
Brown paper cartoon under the warp has the outline for the pattern. Lines on the cartoon, showing where to change the inlay technique, are inked onto the warp as a guide.
Making loops on a rag rug. Fun!
Making loops.
Extra warp width after re-sleying the reed.
After weaving a sample at the very beginning, I re-sleyed the reed, spreading the warp ends further apart. Excess warp ends, because of the increased width, are chained on both sides. Future band loom warps?
Another do-over.
Don’t ask. Almost finished weaving, and another do-over happened.
Cutting off!! Time to celebrate!!
Cutting off! Time to celebrate!!
Handwoven rag rug with rya knots and loops.
Sculpted inlay appearance is achieved by graduated lengths of the rya strips and heights of the loops.

Rag rug with rya and loops. Karen Isenhower

May your design inspiration come from unanticipated places.

Love,
Karen

Ability Is Not Enough

Karen

I love a challenging project! It is marvelous to have something on the loom that takes effort, concentration, and problem-solving skills (as long as there aren’t too many problems to solve). This inlay rag rug project includes all of the above, and it’s on the big loom–my favorite. This is handweaving at its best!

Rya rag rug on the loom. Karen Isenhower
Rya knots slow the weaving process. Fabric strips are cut to a specific length and the cut pieces are hand-tied around pairs of warp ends.

I am constantly evaluating the pattern, and making needed adjustments with color in the background and with the rya, and spacing the rya knots. Is this working? Or not? Take out a few rows, try putting something different in, step back for a better overall view. Moving and thinking, and beating it in hard, like it should be for a rug. The momentum of the hanging beater makes the hard work easy. And fun.

Rug rug with rya knots on the loom.
Weft is firmly beaten in. The momentum of the hanging beater provides the strength I need to be able to tightly pack in the weft.

Ability by itself is not enough. Wisdom works with ability to produce craftsmanship of highest quality. Our Creator gives us insight that enhances our natural talents and learned skills. When wisdom partners with ability, creativity flourishes. And what a joy it is to be in the middle of that process.

May you excel in joyful creativity.

Very happy weaving,
Karen

Rag Rug Rya

Karen

I have an enormous brown paper cartoon hanging under the warp, suspended by a contraption of wood, string, and rubber bands.The pattern area of this rag rug begins with rya knots. The dark colors of the rya pile contrast with a background of whites, off-whites and light prints. The rya knots follow a geometric design that I drew onto the brown paper with a Sharpie.

Rag rug with rya knots.
Brown paper under the warp hangs over a slat which is suspended with seine twine and rubber bands.

As the designer and weaver, I already see the finished rug in my mind’s eye, and understand what is needed to complete it. I am weaving this rag rug for our own home, so naturally I am already thinking about where it will be placed. This makes it personal, and the slow weaving process grants me the opportunity to know this rug, inside and out.

Tightly-woven selvedges on hefty rag rug with rya knots.
Tightly-woven selvedges. Doubled weft gives extra fullness and weight to the rug, as well as contributing to strong rug selvedges.

Yes, it is important for me to know my Maker, but even more important that He knows me. All of life has meaning when God knows you by name. He knows what is needed to give our lives purpose. And the slow process becomes that much more personal as he weaves the design that he has seen all along.

May you accumulate many meaningful moments.

Happy rug weaving,
Karen

Does Your Weaving Show Your Very Own Style?

Karen

Have you developed a style all your own? I can identify some tapestry artists by their work, even before I see their name on the piece. One friend of mine weaves gorgeous silk scarves, and another one makes handtowels with exquisite color. Their woven items consistently showcase their individual style. In our little weaving group we even say, “It looks like you.”

Double binding rag rug on the loom. Karen Isenhower
Rag rug on the loom is almost complete. Moving the temple frequently helps produce tight selvedges, which, in turn, help ensure a finished rug that lays completely flat.

For most, personal style happens over time, by repetition of favored designs or techniques, until particular skills become second nature for the artist. One day they wake up and realize they have developed their very own style. In other cases, the unique style is clearly intentional, and artistically so. Either way, it’s admirable. Eventually, someone may see a rug I’ve woven and say, “That looks like Karen!”

Everything we see that is glorious is a window into the glory of God. Look through the window. The whole earth is filled with the glory of God. If our small artistic attempts are reflected in what we make, is it inconceivable that the wonders in our universe have the Creator’s signature? Everything glorious puts the Grand Weaver’s personal touch on display.

May you find your personal style.

Happy weaving,
Karen