Pass the Test with Black and White Weft

Who knew you could do so much with black and white? The pattern for this third black and white towel differs from the first two. Each new towel is an opportunity to create a new pattern.

Cottolin towels (thick & thin) on the loom.
Two red picks mark the end of towel #2. I always use red for the cutting line between pieces to prevent accidentally cutting at the wrong spot.

For the first four towels I am putting myself to the test, using only black and white weft. The color restriction turns out to be a designer’s advantage. It forces me to consider possibilities that I might have overlooked if I had allowed myself to include other colors. I get excited when I see ideas turn into cloth on the loom. It is still as delightful as it was the very first time I threw a shuttle. If you are a weaver, you know what I mean.

Here is an amazing thought: You can bring delight to God. It brings delight to the Lord when we trust in him completely. He knows the right plans, and knows when to stick with black and white, and when to throw in a splash of color. Think of his delight when we go along with his ideas, and the resulting woven cloth of our lives brings a smile to his face.

May your ideas turn into delightful cloth.

Happy weaving,
Karen

Plain Weave Can Get Complicated

This pattern is not as complicated as it looks. Remember, this is plain weave with only two treadles. How can plain weave look so intricate? Using two sizes of threads does the trick. Really, it’s that simple.

Thick and thin is not as complicated as it looks.
Pattern blocks have alternating thick and thin threads. Two thin thread picks in a row change the blocks.

The treadling is the easiest it can be. The shuttles, on the other hand, are more complicated. With two shuttles, you must interlock wefts around the outer warp ends. When the order of the shuttles is reversed every few centimeters, as it is here, it keeps you on your toes. And then there is the double bobbin shuttle. Are you able to wind two quills that have nearly equal amounts of thread? Not to mention catching a shuttle that has two quills unwinding.

We look at the detail and busyness around us and see our lives as intricately complicated. But zoom out and take the view from heaven. From that perspective, a thousand years goes by in one day. Humans come and go, generation after generation. My seemingly complex life is simple plain weave with the grand weaver skillfully throwing the shuttles to make meaningful patterns. Let this breath of time that we call life leave a mark of virtue that lasts for generations.

May you leave a lasting impact for the good of others.

Happily Weaving,
Karen

Zebra Warp

I changed my mind. A long zebra warp (formerly known as black and white) will not be boring. When I come to the end I’m certain I will wish I had an even longer warp. The first few picks are already amazing. Design possibilities are flying through my mind!

Zebra warp on Glimakra Ideal loom.
Zebra warp has taken over my Glimåkra Ideal loom. There are 10 1/2 meters (11 1/2 yards) of thick and thin threads.

This is plain weave. But here, the plain weave is transformed with thick and thin threads–in warp and weft. Combining thick (doubled 22/2 cottolin) and thin (30/2 cotton) gives me two blocks to work with. I am using two shuttles, one of which is a double bobbin shuttle. As always, weaving feels like magic. All I do is dress the loom and throw the shuttles, and exquisite cloth magically appears!

Black and white towels on the loom.
First few picks reveal interesting design options. Leveling string across the beginning of the warp eliminates the need to weave scrap yarn to spread the warp.
Black and white towels on the loom. Karen Isenhower
First towel has a border design–one element that sets a handwoven towel apart.

God’s faithfulness is like a long zebra warp. It doesn’t seem elaborate or noticeably fancy. It’s been there forever. His faithfulness is known among the angels and all of heaven. God’s faithful love is as constant as day and night. We take notice when we see beauty appear, like kindness from a stranger, or love from a friend, or inner peace from doing the right thing. As the shuttles of life traverse the threads, the evidence of God’s faithful love is revealed. Always and forever.

May you enjoy endless design possibilities.

Happy weaving,
Karen

When Black and White Take Over Your Loom

Some things are black and white. Piano keys, penguins, old movies, and this new cottolin warp. Other things are not black and white. Petunias, peacocks, sunsets, and most of my weaving. Black and white is uncomfortable for someone like me who prefers to engage with color. Ten-and-a-half meters is a loooong time to be weaving without a colorful palette.

Warping reel with black and white warp.
Second bout of three. New Glimåkra warping reel is used to wind 10.5 meters of cottolin (60% cotton; 40% linen) in black and white.

I need to add more towels to my Etsy shop, so I did some Google “research” to find popular kitchen colors. Black and white is one of the current trends. I decided to go for it. Using color for some of the weft should be enough to remind me that the black and white is temporary, and that a colorful warp will eventually be on the loom again.

When we need reminders that everything will be okay, the Lord brings something or someone into our lives to show us that he cares. God is good. Even a small sign of his goodness is enough to help and comfort us. A touch of color on a long black and white warp may, in fact, be color at its greatest impact.

May goodness cross your path.

Warped for good,
Karen

Textiles from The Philippines

Steve and I returned this week from travels to The Philippines. We had a wonderful time celebrating Thanksgiving there with our son’s family in Makati. During our eleven-day visit, I encountered many examples of beautiful handwoven articles and other fascinating textile goods. It probably won’t surprise you that I tucked a few textile treasures in my suitcase to bring home with me. (Remember last year? Quiet Friday: Philippine Textiles)

Handwoven cotton towels from Sunday market in Makati, Philippines
Lovely cotton hand towels from Beth’s Loomweaving at the Makati Sunday Market.
Cotton towel detail shows green weft for stripes.
Detail of cotton towel shows that the darker stripes are created with green weft.
Variety of scarves and wraps from markets in The Philippines.
With an over-abundance of scarves and wraps to choose from (in bargain prices), I escaped with only these few. Some are for gifts; and some are for personal use. All are sources of design and color inspiration.
Example of backstrap weaving from Mindanao, Philippines.
Lightweight table runner or scarf was made by a weaver in Mindanao, the southernmost island of The Philippines. This exquisite example of backstrap weaving is made from very fine cotton, and is completely reversible.
Detail of backstrap weaving from Mindanao, Philippines.
Backstrap weaving detail reveals the intricacy of the tapestry-like design.
Traditional Filipino weave structure showcases pattern and color.
Pillow cover is well-planned and executed, showing striking color combinations in a traditional Filipino weave structure.
Detail of handwoven pillow cover from The Philippines.
Detail of pillow cover shows the pointillistic appearance of this weave.
Filipino bag woven from piña fibre.
Made from the leaves of a pineapple plant, piña fibre was used to weave this sturdy little open plain weave bag.
Detail of bag made from piña fibre.
Piña fibre has a natural luster.
Handwoven Elegant Filipino Table Runner
Not the expected mix of bright colors, this elegant table runner has black weft floats on a white warp of fine cotton. The traditional Filipino weave uses a multi-stranded black cotton (or cotton/poly blend) for the pattern, alternating with the fine white cotton threads for the tabby. This one-sided cloth, similar to overshot, has weft floats only on the top side.
Detail of weft pattern floats in traditional Filipino weave.
Detail of black and white table runner. The patterned black floats almost give the cloth the look and feel of cut velvet.
My very favorite treasures from our visit to The Philippines.
My very favorite treasures from our visit to The Philippines.

May you find textile treasures in your travels.

PS Two more new rag rugs from my latest run of rugs are now in the Etsy shop, if you are interested. These two may be my favorite yet!

A little jet lagged,
Karen