Weaving Christmas

If it weren’t for Christmas, this would be one of those times I would wish for a longer warp. Why is this halvdräll so enjoyable to weave? Simplicity and complexity, cottolin and linen, two shuttles, and interesting treadling. This peppermint red and white is striking and cheerful, and makes the weaving studio feel like Christmas!

Halvdräll on the loom. Christmas table square.
Red cutting line separates the sample piece from the first table square.

I may have it off the loom by Christmas. I am going to try, because I would love to have this festive cloth on the table Christmas Day as my gift to our family. Our children and their spouses, and the four grandchildren, and one on the way!… All will be here with us to celebrate together. That’s a beautiful gift. Family.

Christmas table square in halvdräll on the loom. Karen Isenhower
Red linen forms the pattern in two blocks.

The most extravagant Christmas gift is the Son given to us. The majestic choral and instrumental lines in Handel’s Messiah have familiarized an ancient prophecy. Can you hear the singing as you read these lyrics?

For unto us a child is born,

unto us

a son is given,

and the government shall be upon his shoulder;

and his name shall be called

Wonderful,

Counselor,

Almighty God,

the Everlasting Father,

the Prince of Peace.

May you be surrounded with beautiful gifts.

Weaving Christmas,
Karen

Every Tapestry Has a Story to Tell

I am getting a late start on this month’s tapestry diary, so I am selecting a smaller palette of colors and a narrower warp. This is doodling with yarn, using a few simple shapes and a handful of colors.

Tapestry frame with small monthly tapestry diary.
Tapestry frame hangs where we see it daily. Art in progress.

Here I go blending colors and making color gradations again–in miniature. Three strands of red, and then one of the reds is replaced with orange; next, another red is replaced, making it two oranges and one red; and finally, the last red says goodbye and now the three strands are all orange. And why not insert two rows of yellow blends between each two rows of the red-to-orange gradation? The whole thing is a wordless color story. It requires several colors to do this, each one having its part to play. Some colors work better together than others, but every color has a place. Each color strand is essential to the story.

Two picks of weft create a wavy line.
Two picks of a weft color (or blend) create a wavy line. A single pick of a color creates a dotted line.

You and I are not here to please and satisfy ourselves. We are here to tell a bigger story. We worship God by using our individual gifts to serve and to function in harmony with others. The resulting woven tapestry, when finished, will reveal the skill of our Grand Weaver.

May you blend well in your relationships, using your gifts.

Better together,
Karen

First Glimpse of the Blanket

Look at the double-width blanket that is finally forming on the loom! And you have been waiting to see which colors I chose for the weft… First, there were eleven colors to select for the warp (I Forgot the Weft). And then, after dressing the loom (Brave Enough to Weave), I sampled possible weft colors (The Weft Question). That led to questions about the density of the weft and the evenness of the folded edge (Quiet Friday: Blanket Sample Thanksgiving), being my first ever double width attempt. Ta da! Combined teal and blue are the weft winners!

Wool for weft to use in double-width blanket.
Skeins of Borgs 6/2 Tuna Wool for blanket weft. The weft is doubled, so I will wind quills using the two colors together.
Winding wool skeins into balls using old Beka yarn swift.
Wool skeins are first unwrapped and wound into balls using my old Beka yarn swift.

I am pleased with the first glimpse. I feel like I have captured my own personality and it is being woven into the cloth. Like this weft, you will not see the value of your gifts until you unwrap them and use them.

First few inches of double-width wool blanket on the loom.
Very beginning of the wool blanket gives encouraging results. The teal/blue weft begins after the first few picks that space the warp.

Just as cloth reveals the nature of the weaver, gifts reveal the nature of the giver. God has prepared things for us that transcend human perception. Things which eye has not seen, and ear has not heard, and which have not entered the heart of man… If aspects of my personality are embedded in a handwoven blanket, how much more is God’s character woven into the good gifts he imparts to us?

May your journey hold many good gifts to unwrap.

Thinking of Christmas,
Karen

Change the Texture

This nine-inch-wide (23 cm) warp looks pretty on the loom, but just wait until you see it finished off the loom! With M’s and O’s weave structure, the character of the fabric will change from flat and linear to puckered and textured. The cottolin warp and the cottolin plain weave hems are ordinary, but wet finishing will cause the unbleached cotton mini string yarn (stränggarn) to showcase the interesting structure as threads shrink into place. The finished textured square should be just right for a handy pot holder or hot pad. I will add a woven hanging loop on the corner, as a useful embellishment. A few pot holders will be given as Christmas gifts, and the rest will go on Etsy. (The draft for a project similar to this is found on the 2014 Väv Calendar.)

Pot Holder in M's and O's.
Weave structure is M’s and O’s. When off the loom and wet finished, everything will draw in, creating textural prominence.

Once this fabric texture changes through the wet finishing process, there is nothing that can make this cloth revert back to its original state. Nothing can separate us from God’s love. When we receive his love, it makes irreversible changes in us. God’s love is inseparable from those who find it. It’s forever a part of who we are.

May you love and be loved.

Lovingly,
Karen

It Begins with a Warp Chain

I have new warp excitement! Having a new warp chain ready for the loom is much like coming into a season of gift giving. Every step of dressing the loom is like meticulously wrapping the gift, with some things completely hidden away. When the weaving begins, the gift is opened, little by little. The final unwrapping happens when the warp is cut from the loom, and all the delights are fully revealed.

Cottolin warp chain.
Cottolin warp chain ready for dressing the loom.
Spreading the warp, pre-sleying the reed.
Spreading the warp by pre-sleying the reed.
Beaming on a new cottolin warp.
Spread warp is ready to be beamed on.

Peace, grace, hope, and love. These are the gifts I wish for you, friend. These gifts are ready to be unwrapped! Watch the fabric develop before your eyes as you weave, and enjoy the wonder of opening the gifts.

May you receive gifts that are better than you expected.

Love,
Karen