Dressing the Standard Looks Like a Mess

It is my husband’s idea for me to make handwoven curtains for the windows in our newly renovated master bathroom. Now that I have had time to think about it, I think it’s a great idea. Fortunately, the yellow rug warp on the Glimåkra Standard is still sitting on the loom bench, so I am putting it aside temporarily in order to put this bathroom-curtains warp on the loom.

Winding a warp of 24/2 unbleached cotton.
Looks like a mess. Pre-sley the reed to spread the warp. Two sets of lease sticks. Narrow gray stripes of 16/2 cotton are inserted between the unbleached ends. Somehow, it all works out…
All the end loops are on the back tie-on bar, and ends from two lease sticks have been transferred to one set of lease sticks. Ready to beam the warp!
Just about set to beam.
My usual two-pound weights are just right for most of the warp bouts, but I need a one-pound weight (large coffee mug) for one smaller bout, and two 1/2-pound weights (tube of thread in a small bag) for the small bouts of gray warp ends. Whew! Is it all going to work??
Now…everything is ready!
It’s working. Just look at that beautiful warp!

I have 1,984 ends to thread and sley. Then, I will be weaving almost full width! It’s exciting!

May you gain order out of a mess.

Happy Weaving,

Karen

Drawloom Porcupine in Four Hours

After only four hours at the drawloom I have a porcupine! That’s an hour a day, four days in a row.
I enjoy the design-making process. It is rewarding to work out the details on the computer. The next reward is to see the printed version ready to take to the drawloom. When I first see the feet of the critter woven on the loom, I do a happy dance. And now that the porcupine is moving on around the breast beam, this feeling of accomplishment is the greatest reward. Nine more critter napkins to go, with many more rewards. Jackrabbit is next!

Day 1: Teal hem, gold border, black background, and porcupine feet! Happy Dance!
Day 2: Porcupine snout and tail reach into border areas. I use single units in irregular border areas like these, instead of the simpler pattern shafts that I use for the rest of the border areas.
Day 3: Second half of the porcupine is mostly the quills on its back. This is easy single-unit draw cords in combination with simple pattern shaft draw handles for the side borders. (Only 2 draw handles are needed for the side borders.)
Day 4: Finish up the top of the porcupine, the black background, the gold border, and then a blue hem area (not shown). Now I’m hopping off to design the jackrabbit.

Look for daily rewards. What rewards are you seeing lately?

May you be richly rewarded every day.

Happy weaving,
Karen

Bright Yellow Rug Warp?

Finally, one bright yellow tube of rug warp is coming off the shelf! Bright yellow is subdued by pairing it with tan, making a creamy neutral warp for my next set of rag rugs. I bought the tube of yellow 12/6 cotton for half price on a clearance sale a few years ago. What was I thinking? I haven’t used yellow in a rug warp before, but it looks like this is going to work.

Winding a warp on the warping reel is my kind of fun. This warp chain is ready to take to the loom.
Warp is brought to the loom in three bouts. This series of rag rugs will be an exploration of Jamtlandsdräll.

Keep an ongoing conversation with the Lord. Sometimes it takes a while for us to understand the direction he has for us. It’s like looking at that yellow tube of thread, until finally you gain the courage to take it off the shelf. Right then, you notice the tan thread. The answer has been there all along.

May you enjoy a good long conversation.

With you,
Karen

Fox on the Drawloom Is Simply Complex

Gray Fox is showing his stride. That bushy tail is impressive. On the drawloom I get to determine exactly where that tail will swish. Where the tail crosses into the side border, I switch from pulling one pattern shaft draw handle to pulling individual single unit draw cords. That’s where the complexity of the combination drawloom really shines. It gives me extraordinary flexibility for weaving the designs I have in mind.

Hem area is black. Wide gold checked border goes across the bottom and top of the napkin, and up both sides.
Pattern shafts hold the units needed for the horizontal and vertical borders. The vertical border checks are produced with just two pattern shafts. Where the vertical border is interrupted, I am able to choose the single units needed to fill the pattern. (This also means that I use single units directly across on the left border, too.)
Just past midway on this napkin.

In some ways I think of the drawloom as a tool of simplicity. Despite the countless cords and shafts, every piece has a simple purpose. Each single unit draw cord, for example, simply lifts a single unit of 6 threads. That’s all it does. Complexity is a matter of perspective.

May you enjoy the simple things you find in complexity.

All the best,
Karen