Plain Weave in a Fancy Mess

Plain weave has never been this interesting! I am painting and stamping the warp on the loom. Imagine applying colors onto the warp between the shafts and the beater! Weaving on the printed warp produces lovely subdued woven images. And, I had forgotten how fast two treadles and one shuttle can be. After having slowly woven many rag rugs, plain weave feels like a speedboat ride now.

Stamped warp between shafts and beater.
Stamped warp between shafts and the beater, waiting to dry.

The only problem is, I don’t like the mess. Paint is messy, and I am not fond of getting my hands dirty. Yes, I wear gloves when painting, but there’s the sink, the carpet, and the loom to think about, too. No, I don’t like the mess.

Painting and stamping warp on the loom.
Tarps and drop cloths cover the carpet and some of the loom in case of paint spills. Paper towels stand ready for emergencies.
Stamped warp being woven.
When dry, the printed area comes through the beater as the warp is advanced.
Weaving a warp that is painted on the loom.
Stamped shapes become subdued as the weft goes across.

Have you ever been in a mess in life? I have. Others see the pretty fabric you produce, but never see the mess behind the scenes. Appeal to the one who can help. There is one who sees the mess, but loves us anyway. When we appeal to God as Shepherd, we acknowledge our need, and that we want him to lead us–even through the mess. Then, the fabric that is produced has beauty that is truly woven in.

May you enjoy creating beauty, despite the mess.

In process,
Karen

Threads Where They Belong

Does your mind wander for repetitive tasks? Each of 780 threads must pass through the small eye of a heddle–the correct heddle–to create the cloth that I have in mind. Threading 8/2 cotton in a straight draw, 1-2-3-4, is easy enough that I do it almost without thinking. Precision at this stage, however, is critical.

Threading heddles with Bockens 8/2 cotton.
Each section of 32 threads is tied into an overhand knot after the threading has been double checked for accuracy.

My mind goes in a thousand directions, sometimes, while my fingers continue to place the threads. With my hands on “autopilot,” anything can happen. For this reason, I make it a habit to double check the threading accuracy for each section I finish, thread by thread, saying out loud, “1-2-3-4; 1-2-3-4; …”

Like a thread going through the eye of the correct heddle, I want each of my thoughts to go through the door of truth. Truth is the key to a purposeful life. We get trapped by faulty thinking, but truth brings us to our senses and unlocks the trap. Bringing cohesiveness and clarity to all aspects of life, truth enables us to see the cloth that is being woven. Isn’t it time to stop and double check the threads of our thinking to make sure each thread is going right through the eye of the heddle?

May you fulfill your purpose.

Yours truly,
Karen

Linen Air Scarves

This linen scarf is for embellishment, not for warmth. Wear it as a summer shawl, and it will make you feel pretty without adding any weight to your shoulders. Making this scarf was like weaving air, and wearing it is like wearing air.

Linen lace weave scarves just off the loom.
Lace weave scarves, woven with 16/1 linen, just off the loom.
Twisting fringe on linen scarves.
Fringe is trimmed, knotted, twisted, and knotted again. Then, after washing by hand in hot water with mild soap, the scarves are hung to dry.

The wrinkly nature of linen gives character to this netting-like lace weave. In The Big Book of Weaving, this draft is written for a project using paper yarn to make room dividers. I didn’t know if it would work to substitute linen for paper yarn… Or, if the fabric off the loom would work as scarves… Result? Two fabulously light linen scarves, wearable even in Houston.

Linen lace weave scarves. Karen Isenhower
Long and lightweight, the airy fabric is suitable to serve as a scarf, shawl, or even a long sash. Being linen, it embellishes a nice dress, or adds style to comfortable blue jeans.
Fringe detail on linen scarves.
Long fringe, twisted in small sections, accentuates the linen character of the scarves.

Concerns that turn into burdens are like scarves that are too heavy for the present season. We keep wearing the scarf, even though it makes us miserable. Our Heavenly Father is a burden lifter who knows our concerns. He bears our burdens. Though he is great and glorious, he lifts the burdens that are on our shoulders and carries them for us. In place of the burdens, we get to wear peace instead. Light and airy, and wearable with everything… peace.

May your burdens become light as air.

With grace,
Karen

Understanding Linen

What is your experience with linen? I know weavers who love it, and others who completely avoid it. Linen has remarkable qualities. Strength, durability, natural beauty. It took me several attempts, though, to become comfortable using linen as warp. Linen has indeed given me more than my share of broken warp ends! But truly, those struggles have been part of the learning process. The more I weave with linen, the more I love this natural fiber. I am beginning to understand how to work with it, instead of against it. In fact, weaving these lace-weave scarves with single-ply linen warp and weft has been a joy. And only two broken selvedge ends this time!

Linen lace weave scarves as they wind onto the cloth beam.
Linen lace-weave scarves as seen on the cloth beam. Fringe between the scarves is left unwoven. The separated stripes are caused by the hemstitching at the end of one scarf and at the beginning of the next one.

It takes effort and experience to understand some things. The love of Christ is like that. The love of Christ is extraordinary. It takes inner determination to discover the beauty of this unconditional love. Some things are simply worth the effort.

May your understanding increase.

Happy Weaving,
Karen

Quiet Friday: Weaving Linen Air

Linen lace weaving. It’s like weaving air. 16/1 linen warp and weft, with uneven sleying and careful weaving. Beating is not the right word this time; let’s call it “placing the weft.” Gentle, gentle, gentle, easy does it. No temple needed. Indeed, what would you hook the temple into? There is almost nothing there.

Linen on the warping reel.
Winding the 16/1 linen warp on the warping reel.
Linen warp chain, ready to dress the loom.
Wound warp is chained and placed over the breast beam and through the beater in preparation for dressing the loom.
Lease sticks with linen.
Lease sticks.
Dressing the loom with linen singles.
Ends are counted and grouped before threading.
Uneven sleying of the reed with linen singles.
Reed is sleyed unevenly, sometimes called “crammed and spaced.”

I did weave a sample, trying out different colors and sizes of weft. The weave is so airy; honestly, I was not sure if the fabric would hold its shape off the loom. To wet finish, I first soaked the sample for 20 minutes in hot water with mild soap. Then, I washed it by hand, lifting and lowering the net-like cloth repeatedly in the water. I rolled it in a towel and gently squeezed to remove moisture. Lastly, I laid it out flat to dry.

Half bow keeps linen from slipping, while allowing adjustments.
Half bow-tie makes sure the linen will not slip. Adjustments are easy, if necessary, after weaving a few inches.
Tying up treadles in the "playhouse" under the warp.
Treadle tie-up happens in the “playhouse” under the warp in the back. Sunlight through the linen reveals “invisible” hairy fibers.
Sample weaving. Linen lace.
Sample.
Linen sample, not yet wet finished.
Sample, not yet wet finished.
Linen sample in black and white.
Black and white view shows cloth structure.

Result? It came through beautifully, with the lace weave intact. Linen, there is something about you that is exquisite and delightful, yet a bit mischievous and sly. I like you.

Linen sample after wet finishing. Karen Isenhower
After wet finishing and drying, the linen sample shows a glimpse of scarves to come.
Weaving linen air. Karen Isenhower
Weaving linen air.

May all your concerns be as light as air.

Happy Linen Weaving,
Karen