I wasn’t happy with a simple “X” for the design area, but I struggled to come up with something better for this rug. And then, Steve and I went to the symphony. There, on the floor, in the long hallway, was the inspiration I needed for the pattern design on this rug!
Design inspiration is found on the floor on the way to the symphony.
Despite all that went wrong from the start, and how many things I had to undo and do over, I must tell you that I really did enjoy weaving this rug. The rya knots and loops made it fun and interesting. And this unique fluffy rug will always remind me of that sweet symphony date with my honey, when he patiently waited as I pulled out my iPhone to snap a few shots of the floor. Now that’s love.
Counting warpends on the warping reel.Dressing the loom starts with pre-sleying the reed.Ski shuttle holds doubled weft–fabric cut into 3/4″-wide strips.Three different lengths of fabric strips are used for making the rya knots.Adding more rya knots.Loops are made with the help of a wooden dowel.Brown paper cartoon under the warp has the outline for the pattern. Lines on the cartoon, showing where to change the inlay technique, are inked onto the warp as a guide.Making loops.After weaving a sample at the very beginning, I re-sleyed the reed, spreading the warp ends further apart. Excess warp ends, because of the increased width, are chained on both sides. Future band loom warps?Don’t ask. Almost finished weaving, and another do-over happened.Cutting off! Time to celebrate!!Sculpted inlay appearance is achieved by graduated lengths of the rya strips and heights of the loops.
May your design inspiration come from unanticipated places.
I have never re-sleyed a warp after weaving the sample. Until now. It’s a drastic measure; but it’s better than fighting with the warp the whole way. I’m doing inlay on a rag rug, with rya knots and other techniques. It didn’t take long to see that the ends needed to be spaced further apart. But this is why we sample, right?
Rya knots quickly add bulk to the rag rug sample. Three rows of rag knots are already creating a little hill in the weft.Four inches are marked on a piece of painter’s tape to use as a template for cutting the warp. I want enough length on the sample piece being cut off to be able to tie the ends in square knots.
It was not an easy decision to re-sley. I had anticipated an enjoyable day of rag rug weaving. Instead, I spent the day cutting off, pulling the ends out of the reed, switching reeds, re-sleying, dealing with extra warp width, tying back on, and beginning a new sample. Is this called learning the hard way? Nope. This is simply called learning.
Warp has been re-sleyed and is ready for weaving a new sample. First sample piece includes rya knots, loop technique, and HV technique on weft rep, using fabric strips for weft and weft inlay.After re-sleying, I start a second sample. I am happy to see that the rya knots fit into place without adding excessive bulk to the weaving.
Weaving, relationships, and purposeful living. Learning takes time–a lifetime. I want the Lord to teach me how to live. Even when it means messy beginnings and do-overs that use up my day. We have a lot to learn. Lord, teach me, and lead me on your path. More than a prayer in crisis, this is a lifetime prayer for a lifetime of learning.
I enjoy threading the loom, but who wants to thread the same thing four times? The first time, I thought the selvedge threading confused me, leaving me with extra ends. I took it all out and started over. It still didn’t come out right. I counted all the threads at the lease sticks. 404. And counted again to make sure. There must be a threading error, right? I started over again, vowing to be more careful this time…
Threading 404 warpends goes quickly when there are two threads per heddle… Unless you make a mistake and have to start over two or three times.Rag rug warp, threading two ends per heddle.
I depend on my planning sheet. That sheet of paper has all the pertinent details. Besides the draft, it has the sett, width in reed, number of warp ends… Oops! I found the mistake. I miscalculated the number of warp ends. But I threaded the loom three times before I traced the problem back to this calculation error! I was working from a faulty planning sheet. Fortunately, I can adjust the selvedge threading to accommodate the extra threads, and thread the loom successfully. Finally!
Two ends go through each heddle, except at the selvedges, where there are three ends per heddle, four times each side, plus two more times each side to make up for the miscalculation of warp ends.
Human promises can fail, like my faulty planning sheet. The Lord’s promises never fail. A weaving draft and project sheet are proven true as the loom is dressed and fabric is woven on the loom. The Lord’s promises are proven true as we live our lives by his directions. We can depend on that.
Though barely seen, they are a deciding factor in the success of this fabric. Skinny little threads. There is a big contrast between the thick and the thin threads in this fascinating two-treadle weave. The thread size difference creates abundant pattern possibilities. Very thin 30/2 cotton almost disappears while it outlines the thick threads, doubled 22/2 cottolin. I change blocks by simply throwing two thin picks in a row.
Towels in thick and thin. Weft is white with navy blue stripes in a chain pattern. Warp is white with black stripes.
Most of my errors have to do with the thin thread. Either omitting a pick, or forgetting the second pick to change blocks. After weaving a bit further, the error becomes apparent. I go back, take the error out, and weave it over. All because that barely seen thin thread didn’t get put in place.
Forgiveness, an act of humility, is an essential element of each day. Thin threads that take their place in our daily interactions. Not necessarily spoken, but something in your heart that turns your attitude in the right direction. The forgiven forgive. Those who have been forgiven know how to forgive others. So, maybe a chain reaction starts when we forgive. We can hope so.
Today I am in my little playhouse in the Glimåkra Standard, threadingheddles for halvdräll. This draft requires my strict attention. No multitasking. I have one thing in mind: thread the heddles. Threading errors are rare for me. And I’d like to keep it that way.
Cozy spot for threadingheddles. With the threading draft in plain sight, good lighting, and plenty of time, I’m ready to go!
There are several things I do to prevent threading errors, or at least to catch them early while they are easy to correct.
Tutorial for Preventing Threading Errors – (Watch the accompanying video below)
Count the warpends at the lease sticks into logical groupings, and bundle the grouped ends together with a loose overhand knot. (In this case, the groups are: 4 selvedge, 18 right side, 27 block I, 57 block II, repeat the 2 blocks 5 times, 18 left side, 4 selvedge.) I ended up with 2 extra ends at the left selvedge, so I worked my way back, re-counting each grouping until I found the spot where I had mis-counted, almost all the way back to the right selvedge ends. If that happens, re-count and re-tie each grouping until it all adds up correctly.
Tape or hang your threading draft where it can be easily seen.
Take one bundle of ends at a time, starting on the right-hand side, and thread those ends into their heddles, following the threading draft. It helps me to say the threading order out loud as I do the threading.
Check your work. Hold the just-threaded ends taut with your left hand, and with your right hand check every end, one by one, to see that it is going through the correct heddle. Make threading corrections, if needed, by pulling out errant ends and re-threading them. Tie that completed grouping with a loose slip knot. Again, I say the threading order out loud as I check the threading.
Repeat steps 4 and 5 until threading is complete.
Know when to take a break. Five minutes away from the loom every now and then serves to refresh my ability to concentrate. If I do a nonstop marathon, I’m prone to make errors.
Now, what about a tutorial for living? Grace means that we have been given a free tutorial for purposeful living. Jesus brought the grace of God to us. Christmas reminds us of that. It’s the grace of God that instructs us for living. It’s as if we have an ancient weaving draft; and we’ve been given the grace, the tutorial, that shows how to understand the draft to make meaning in the fabric of our lives.
May you catch all your threading errors while they are easy to fix.
