Color Wrapping

What would you do with nine colors of 16/2 cotton thread? Play with color, I hope! I have hand towels in mind, in a subtle three-shaft twill weave. I challenged myself to create a pleasing arrangement of stripes for the warp. Hmm, should I use a Fibonacci number sequence…or evenly-spaced stripes? Random color order…or planned color order? I came up with several possible color arrangements; each one is unique. You and I are colorful and unique, too.

Color wrapping for stripe design. Some use Fibonacci.
Assorted colors of 16/2 cotton from my stash. Wrapping the threads on folded index cards is an easy way to try out different stripe patterns. Two of the patterns have evenly-spaced stripes. The other three use a Fibonacci number sequence to set the width of the stripes.

I love considering the options at the start of a project in order to have the best results in the end. Maybe our grand weaver is like that, too. “This person will be given a subtle arrangement of colors, evenly spaced; that person will have more intense colors, passionately vibrant. This other person will be given a large stroke of turquoise, because my world needs more turquoise.”

The grand weaver has designed you with certain colors as a gift to you–for you to enjoy life. The way to take full advantage of that gift is by using your colors to serve others. First, receive the gift with open hands. And then, whenever possible, give your gift away.

Which of the five arrangements of stripes in the picture appeals to you the most? I’d love to hear your opinion in the comments! I am curious to see if the one I decided on receives any votes.

May you unwrap your gift.

Joyfully,
Karen

Not Your Usual Search Engine

As I see it, this woven piece is a series of bordered ribbons laying side-by-side across the warp. I like to weave functional pieces, so it concerns me that I do not know how this will be used when it is finished. As I weave, then, there’s a quiet, ongoing mental search for a worthy function for this cloth.

Decorative bound rosepath progressing on the loom.
Bound Rosepath structure, with the linen warp entirely covered by the wool weft, is a thick, one-sided decorative cloth. It could be used as a wall hanging; or made into an article like a cushion cover, a table mat, or a bag, for example.

You can find many answers with a Google search; and I might even find ideas for this cloth by searching Pinterest (you can follow me on Pinterest). There are some things, however, that you will never find until you search a different way. Your heart is your search engine to find what cannot be seen with your eyes or touched with your hands.

Have you thought about the Christmas story? Baby Jesus, wrapped up lovingly in cloth (handwoven, no doubt), was sleeping in a makeshift cradle in Bethlehem. Simple shepherds were told of the special delivery and were sent to find the new baby, which they eagerly did. That is the kind of eager searching, with heart and soul, that will lead you and I to the ultimate gift! In our time, as it was then, God is the gift waiting to be discovered by those who are searching for Him.

May your quiet, ongoing search be rewarded.

Good Christmas to you and yours,
Karen

When Things Are Unraveling

I love weaving rag rugs, especially Swedish-style rugs. Even though I have a design in mind when I start, I often work out details at the loom. Each rug needs a header–a few inches of weaving that secures the wefts so the rug will stay together when it comes off the loom. The header is woven right before and after the rug, and is removed during rug finishing. It was in the header for this rug that I worked out the treadling and color sequence for the rosepath (rosengång).

Rosepath Rug edge finishing. Ends tied, then trimmed, then hem is folded and stitched.
Ends are pulled from the header and tied, two and two, into square knots to secure the end of the two-inch (5 cm) hem. After all the ends are tied into knots, the threads will be trimmed to 1/2 inch (1 1/2 cm), and the hem will be folded under and stitched.

What do you do when life unravels? Hold what you have and try to fix what is failing? If we could see the whole picture, we might see that the part we want to hold onto is the header before the rug. That header may be where the design of the weaver is formed in us, to be repeated in another setting. The header was necessary, but now it is time to let it go.

When things are falling apart, we must look to the master weaver. Yes, the trouble is immense and we don’t know how to fix it. So, we speak to the one who holds the design. We do not know what to do; but, master weaver, our eyes are on you.

May your eyes see hope on the horizon.

Being woven,
Karen

You Thought You Were Finished?

Tying the fringe into careful overhand knots is taking longer than the time it took to weave the three-yard-plus length of fabric. I would rather just do the weaving part. But without clearly defining the edges of the woven cloth by securing the ends, the whole fabric is at risk of unravelling. (To view this alpaca/Tencel throw on the loom, click HERE and HERE.)  We form distinct edges on our life’s fabric through the interactions we have with people around us.

Tying fringe on handwoven lace weave alpaca shawl.
Each knot of six warp ends were carefully tied around a straight pin, snuggling the knot right up to the edge of the fabric. As the knot is tied, I gentle pull each strand individually, which secures the knot and gives an even finish.

With relationships, it is tempting to take the easy way out. Quicker, painless, and less stressful. But it is the challenges from other people that help define who we are. Without the clarity of knowing what we stand for, we are at risk of falling for anything. Don’t avoid the often tedious work of making sure all your ends are secure.

Our challenges to each other sharpen us, finishing us for a greater purpose. Like iron sharpening iron, it is the abrasion that sharpens us, defines our edges, and brings the point of our lives into focus. All those loose ends tied into knots–ahh, the process is worth it.

May your finishing edges be as beautiful as you are.

With a few more loose ends,
Karen

Is Wet Finishing Really Necessary?

Oh, how I wish you could feel these hand towels! They are soft. When I take a run of towels off the loom, I first cut them apart and serge the ends; and then I throw them in the washer and dryer for wet finishing. This cottolin and linen fabric went in stiff and scratchy… (Click HERE to see how it looked before wet finishing.) But after the rigor of agitation, spinning, and heat, the towels are perfectly soft and absorbent! Our own hearts can be stiff and scratchy, and not very soft, can’t they?

Handwoven towels in classic M's and O's weave structure. Soft and durable. Tabs are linen, woven on band loom.
Cottolin warp and weft, with some 6/1 tow linen weft stripes. These durable hand towels will stand the test of time, getting softer and softer with use. I wove the hanging tabs, 100% linen, on my band loom.

It’s hard to admit I need help sometimes, because I would rather think I am good enough to make it on my own. Admitting need is a first step toward a softened heart. Maybe a little turmoil in life is like being thrown in the washer and dryer–we come out softer because we realize how needy we are.

Classic towels almost too pretty to be used; but oh, they must be used!
Soft and pliable towels, neatly folded. Almost too pretty to use; but oh, they must be used to be truly appreciated.

My purpose for these towels is to use them as towels (or, more specifically, for gift recipients to use them). The towels became useful when they became soft and pliable. That’s how I want to be in the master weaver’s hands. How about you?

May you receive delightful gifts that are soft to the touch.

Softly and tenderly,
Karen