I started this warp as a place to test some tapestry techniques. I have studied, practiced, and evaluated my own results from techniques used by various tapestry artists. What I have learned is that I prefer the techniques that I am already familiar with, that I learned from my friend Joanne Hall. I am ready to dive in one more time on this warp to refine my own approach to pictorial tapestry weaving.
Tapestry tests and samples are on this warp. My mind is made up. I’m ready to start again.
This little hand-built loom has been sitting idle long enough. It’s time to start again. Starting takes courage. The cartoon is almost ready. Soon, this little loom will be back in action as my favorite place to be immersed in color and yarn.
Piecing pages together to make the cartoon. Only a few more adjustments are needed in the cartoon. The cartoon is being developed from a recent watercolor sketch of morning coffee and fresh figs.
I want to weave two floor runners for a specific location in our home. I could do some figuring and guessing. Instead, I am weaving one repetition of this spaced rep rag rug. Now, I have a reference point. All I have to do is measure and see how many repetitions to weave for the length I need. Measuring removes the guesswork. Let the runners begin!
Spaced rep rug warp, right before cutting off the preliminary sample.Rug is ready to be hemmed.Hand hemming the rug with 12/6 cotton warp thread.Finished!
Rag rugs are up next on the Glimåkra Standard. I’m filled with anticipation. Oh, to have the momentum of this hanging beater at my fingertips again. I’m drawn to the simple power of the hanging beater, which is perfect for rug weaving. I already have a place for these rugs in my home once they are woven. So, let’s get going!
First of three bouts. Brick and Bittersweet are wound together, and Unbleached and Umber (a dark green that is almost black) are wound together.I secure the end by pulling a loop up under the wound threads, so I can count the ends of the last group in this bout.Finished winding the third bout. Before cutting off and tying the final pair of ends, I did a visual check of the counted ends at the cross.
The draft is “Den Vackraste” from Älskade Trasmattor, by Hallgren and Hallén, p.87, to which I added some width. I plan to start with a short sample rug to test wefts and check for size. I am winding the 12/6 cotton warp in three bouts. These long, heavy warp chains tell me I’m now on an unstoppable trek that will result in rugs on the floor!
As each bout is wound, I place it in order through the beater, with the tied cross on the other side of the beater.Anticipation!
Until I wind the warp, the rag rugs I’d like to see are merely good intentions. Warp chains placed in order through the beater, though, are a picture of expectation. I have put enough warps on the loom to know with confidence that the rag rugs I anticipate will, indeed, become reality. Faith has that kind of expectation. Faith activates your prayer. The simple power of faith is in believing that the Lord Jesus hears your prayer and that he is able to do what is right for you.
For this second butterfly sample I am zooming way in, to expose more detail of the delicate stained-glass wing. Transforming the photograph into a weaveable cartoon is a fascinating task in itself. In real life, when do we ever get this close a look at the intricacy of the fluttering wing?
Color rows of black, green, yellow, and gold wool weft are woven in a rosepath pattern to frame the beginning of the tapestry. My “go-by” is a smaller replica of the cartoon that is under the warp.
The primary reason for these butterfly samples is for me to gain a better understanding of how the details of the cartoon image relate to the sett of the warp on the loom. My goal is to thoroughly explore this style of tapestry. So, I aim to become adept in creating well-suited cartoons.
In progress. You can see the cartoon under the warp.
Let’s zoom in to the familiar scene of baby Jesus generations ago. The child born in a Bethlehem stable drew the attention of lowly shepherds, not impressive celebrities. Announced by angels, not by stately heralds. The detail clearly depicts something out of the ordinary: There is a kingdom that is not of this world. A King who shows up, not cloaked in royalty, but wrapped in the cloth on hand. What an intricate plan it is that a babe named Jesus would become our Savior King! And, that he transforms the image of those whose hearts invite him in.
It is a daunting task to weave a tapestry of an important person. Do I have enough skill to give what this project deserves? I started with a photograph of a beautiful woman in her eventide years, and made a workable cartoon. The person in the picture is someone who has significantly influenced my appreciation of beauty all around. This is my mother.
Photo enlargement is printed and taped onto poster board. I keep it near the loom for reference while I’m weaving.Cartoon replica is printed and taped to foam board. I plan out butterflies for the first few rows of the tapestry and pin them in their place on the picture. Yarn overflow is on the windowsill beside the loom.
In preparation for the tapestry, I have been weaving sample areas of the cartoon. The eyes, the chin and neck, the mouth, the edge of the ear. The biggest lessons I’ve learned are to exaggerate contrasts in value, and to dull the colors that are adjacent to colors that I want to appear bright. It’s time to step out and give myself to the task. This is where I aspire to show more than the unique features of my mother’s face. It’s where I show her heart.
First row of the tapestry has only four butterflies. Additional butterflies are added gradually over the next few rows. (Tapestry begins with a few rows of white 6/1 tow linen.)Printed reference cartoon helps me check my work as I go along. The cartoon that is under the weaving on the loom is not only larger, it is printed at a lighter setting, which makes a better weaving guide for me.
A generous heart always has enough. Giving out of our surplus is not generosity. However, if I give you what I’d rather keep, I give you some of myself. Give time, resources, support. Share talents, fascinations, insights. Mom, thanks for giving me so much of yourself.
