Tag: threading

Who Says Plain Weave Must Be Plain?

Karen

Do you see the lengthwise raised ridges in this linen fabric? Don’t be fooled. The plain weave panel of this fabric is as flat as can be. Optical illusion. I have two slightly different colors of linen in the warp, unbleached and golden bleached. Instead of strictly alternating the colors, I threaded the warp ends “as they came,” to bring depth and interest to the plain weave fabric.

Dice weave on the loom. View from under the weaving.
View from under the weaving, the cloth is seen going over the knee beam. This dice weave, with 16/2 linen, has colorful squares of weft pattern floats. A panel of plain weave follows the patterned cloth.

We can be fooled by what we see. Lines and colors work together to create a false impression. Coming close enough to touch and examine is the best way to help the eyes see what is real. How many things do we misunderstand because we fail to come near enough to truly examine the evidence? We assume that a distant view is reliable.

Humility sets the stage for learning. It removes distance between us and what we need to learn. Instead of trusting only what we see, we step nearer to touch and examine the real thing. The humble are teachable. They know there are things they don’t know, and they are on a quest to learn. With weaving, and with matters of greater importance, like faith and truth, we must come close enough to touch and to learn.

May you hold valued fabric in your hands.

With much to learn,
Karen

Weaving in the Comfort Zone

Karen

I like the comfortable feeling of weaving familiar things. Especially rag rugs and narrow bands. I also like to push my limits, doing projects that have new things for me to learn. The problem is, sometimes I am afraid of getting in over my head.

Linen singles for a woven band.
Loose warp chain with eight yards (7.3 m) of 16/1 linen for a narrow band.
Threading band loom.
Threading the band loom, with the threading sequence taped to the wall.
Glimakra band loom threaded with 16/1 linen for narrow band.
Linen threads show their personality.

If I’m not careful, I let the fear of failure keep me from trying. Decisions get put on hold. The big loom waits empty. Meanwhile, I stay in my comfortable zone. This new narrow linen band is that comfortable place for me. There is nothing wrong with enjoying this familiarity, letting the band practically weave itself. But at some point, I will have to step out of the boat, so to speak, and attempt the “impossible” things.

Linen band weaving on Glimakra two-treadle band loom.
Is there anything better than linen for band weaving? This is pleasure weaving. Glimåkra two-treadle band loom.

It has been told that Jesus walked on water. As the account goes, when Peter saw Jesus walk on water, he believed that Jesus could enable him to do the impossible, too. It’s not easy to walk on water. Just ask Peter; he faltered after just a few steps. But he tried! When we face insurmountable challenges, after sitting comfortably for a while, we need to try taking a few steps out on the water. Like Peter experienced, the hand of Jesus will be right there when we falter.

May you have courage to step into your next challenge.

Happy weaving,
Karen

Trash the Warp or Try Again?

Karen

This band was giving me fits! First, the 12/6 cotton (rug warp) is a little heavy for a band. Secondly, I created tension problems by adding two green stripes of 22/2 cottolin. Thirdly, a wider band like this is unwieldy to weave with my small hands. Fourth, I goofed in the threading. And, lastly, I couldn’t see the goof in my threading because I was pulling the weft too tight. Nothing was going right.

How NOT to weave on the band loom.
How NOT to weave on the band loom.

Cut it off and throw the whole thing away. It’s only three yards. Hold on… I don’t want to give up that easily. Yes, cut off the woven mess. But why not correct the threading and at least try weaving a little bit? As it turns out, the threading error had contributed to most of the problems. Times like this remind me to carefully examine what I am doing.

Weaving a sturdy strap on Glimakra band loom.
After making threading corrections, adjusting my beat and how tightly to pull the weft, the true pattern emerges. At 1 3/4″ / 4.5cm, it will be the right width for a nice sturdy strap–a shoulder strap for a bag, or a guitar strap, perhaps.

Examine everything. Hold on to what is good; and abandon evil. We need to practice the good, even when the good seems difficult and we want to take the easy way out. Repeat the good; don’t let the good slip away. And you will find yourself making progress in the right direction.

May you not give up too easily.

P.S. Many of you have shared my Twisting Fringe on the Loom tutorial video! Thank you!!
In answer to your requests about my finishing process for the wool blanket, including the fringe, look for a series of short videos in my Quiet Friday post at the end of this week!

(If you have not signed up to receive my posts by email, now is a good time. Sign up at Follow Along on the right sidebar.)

Learning,
Karen

Quiet Friday: Double-Width Blanket Progress

Karen

Do you ever feel like you are just not making progress? Stopping bad habits and starting good ones can feel like that. Or, what about that craft project you meant to finish before Thanksgiving? The loom is one place where progress is visible. You can’t fool yourself; the cloth beam shows you how far you have progressed. I find it encouraging to see the fabric that has been woven. What starts with an idea shows up as cloth.

Blanket idea with eleven colors of wool.
It all started with an idea and eleven colors of wool.

As we settle into the very end of this year, we know that time keeps rolling on. The warp keeps advancing. This is a great time to look at the cloth beam of our life and see the progress. Like this blanket, much has been accomplished, but there’s more work ahead before it is time to cut it from the loom.

Bottom layer of double weave blanket is spread on the loom.
Bottom layer is spread on the loom.
Upper layer of double weave is spread on the loom.
Upper layer is spread on the loom; and the two layers are combined on the back tie-on bar. Two sets of lease sticks keep all the ends in order.
Beaming on double weave blanket with warping trapeze.
Beaming on two warps at once. After removing the choke ties, I beamed on with the warping trapeze, slowly and carefully. I stopped every few inches to check everything, to make sure nothing was getting hung up anywhere.
Threading heddles for multi-color wool blanket.
Threading heddles.
Sampling helps determine optimum weft colors.
Sampling helps determine weft colors, as well as checking the sett and weft density.
Warp ends ready to tie onto front tie-on bar.
Sample is cut off and warp ends are tied in bundles, ready to re-tie to front tie-on bar.
Wool Blanket sample piece after wet finishing and brushing.
Sample piece, after wet finishing, air drying, and brushing.
Fringe, twisted on the loom, at the beginning of the wool blanket. Follow progress.
Fringe, twisted on the loom, goes over the breast beam as the body of the blanket is being woven.
Pics show double weave blanket progress on the loom.
Progress is revealed. The beginning blanket fringe has reached the cloth beam! The fold edge of the blanket is in view.
Dusk dims, yet enriches, the colors. Karen Isenhower
Dusk dims the colors, yet enriches them at the same time.
Hand-carved Nativity on handwoven bound rosepath. The Isenhowers.
Glad-hearted Christmas to all! The camel is this year’s new figure in the hand-carved Nativity by Steve Isenhower. Bound rosepath provides the backdrop.

May you enjoy reflecting on the progress you have made this year.

Happy Christmas and a Merry New Year,
Karen

The Weft Question

Karen

I keep wondering about the weft that I forgot to purchase for this blanket. The heddles are threaded and the reed is sleyed; everything is ready…except the weft. As it turns out, I am glad I Forgot the Weft, because now I can try different options on the actual warp before committing to one single color.

Threading heddles for double weave wool blanket.
Ends are grouped into bundles of 32 threads each at the back beam. Pre-counting into groups helps prevent threading errors. Each heddle holds two threads. As a group of ends are threaded, I re-check the threading, and then tie the bundle into a slip knot.
Two set of lease sticks for double weave blanket.
Two sets of lease sticks, secured at the back beam, keep the two double weave layers separate and in order. The reed is cradled in place horizontally in front of the shafts for easy sleying, four ends per dent.

I am testing eight of the eleven warp colors, plus one more that I had in my stash. Nine colors. Think of it as nine questions. This one? This one? This one?… I am looking for weft that compliments the warp all the way across, showing off the warp gradation that spans both layers of the double weave. When the weft is woven in, rather than just held up for comparison, I find the answer unfolding before my eyes.

Double weave, finding the right weft.
Barely an inch of each color, but it is enough for a favorite to stand out for me.

Questions are good. Be ready to ask genuine questions about life. Genuine, like weaving the threads, rather than simply laying threads on the surface for consideration. The Lord specifically answers a seeking heart. In this journey of discovery, the answers unfold. Those looking for truth will find it.

Which weft color would you choose (last picture, options 1 – 9, left to right)? The weft is doubled, so you can choose one color, or two colors combined. (I will reveal my choice later. The yarn arrived today!)
Leave your answer in the comments.

May you be asked good questions.

Discovering,
Karen