Tag: workshop

Pictorial Tapestry Weaving

Karen

Inspired by some of Joanne Hall’s exquisite large tapestries, I have been taking steps to learn her techniques. This fascinating style that is unique to Joanne enables her to weave large tapestries at a comfortable pace. My Lizard tapestry last year was a step in this direction. (See Quiet Friday: Lizard Tapestry.) One thing that the lizard taught me is how much more I need to learn. So, you can imagine my delight in having the opportunity to take a Pictorial Tapestry Weaving workshop taught by Joanne Hall last week! (Contemporary Handweavers of Texas Conference in Fort Worth was the setting.)

Texas Wildflowers, tapestry by Joanne Hall.
Texas Wildflowers, tapestry by Joanne Hall. Photo credit: Steve Isenhower 2013
Detail of Texas Wildflowers, tapestry by Joanne Hall.
Detail of Texas Wildflowers. Threaded in rosepath, with a linen warp. Woven with butterfly bundles of wool yarn. Photo credit: Steve Isenhower 2013

Things to remember: Don’t beat hard. Bubble the weft more. Color theory is invaluable for adding depth and intensity. Simplify the cartoon. And countless more bits of insight and instruction! I am invigorated in my pursuit to develop these tapestry skills. Expect to see a tapestry on my 120cm Glimåkra Standard in coming days.

Workshop looms.
My hand-built countermarch loom is perfect for a tapestry workshop. Betsy brought her Glimåkra Julia loom.
Tapestry sampler in Joanne Hall's workshop.
Workshop sampler gives students various tapestry techniques to practice. We learned techniques of other tapestry weavers, such as Hans Krondahl and Helena Hernmarck, as well as Joanne’s unique approach.
Tapestry workshop with Joanne Hall.
Fellow student Cindy created this pear, taking advantage of the rosepath threading to add pattern to the image.
Joanne Hall's tapestry workshop.
Joanne, center, explains the process of creating a cartoon. She spreads out photos of flowers as a starting point for students’ cartoons.
Joanne Hall's tapestry sample.
Joanne’s tapestry sample demonstrates the outcome of her process. A portion of the photo was enlarged from which she drew the cartoon.
Tapestry workshop.
Fellow student Deborah creates a flower from her original cartoon.
Making a tapestry cartoon.
I am choosing to make my cartoon from an enlarged portion of a lily photo.
Weaving from a cartoon in tapestry workshop.
Color studies and technique exercises all come together in the last part of the tapestry sampler. Weaving from a cartoon.
Tapestry progress.
Time to take the loom apart and head home. Checking my progress with the photo before packing up.
Lily sample from tapestry workshop with Joanne Hall.
Lily sample is finished at home.

I find myself pondering how experiences fall into place in our lives. There are times when the stepping stones seem to be set out before us, showing the way, when we don’t know exactly where we are going. The Lord knows where I am going. He knows me. And he kindly sets out the next steps. Perhaps he smiles as he sees our delight when we figure out that we are the bundles of yarn in his tapestry.

May your joy in learning never cease.

Happy Weaving,
Karen

Discovery Towels Workshop in Eureka Springs

Karen

Seven enthusiastic weavers came to the Discovery Towels Workshop I presented a few days ago. We had three wonderful days together. Thick and thin threads can do spectacular things when you combine them in the warp and weft. And Eureka Springs, Arkansas is the ideal setting for such a weaving adventure! This is a unique, quaint little town like none other. The Victorian-style homes, and the twisting, winding roads that follow the hillside contours make you feel like you are in a storybook village. We happened to be there at the same time as the annual Volkswagen Festival and Parade, which defies description. You just have to experience it for yourself.

Eureka Springs, Arkansas
Eureka Springs, Arkansas

Debbie Davis of Red Scottie Fibers, our gracious and knowledgeable host, provided the perfect setting in The Shoppes at Fleece ‘N Flax. Her classroom space is full of Glimåkra countermarch and counterbalance looms. What could be better?!

Weaving workshop with Karen Isenhower.
Discovery weavers!

You will be amazed when you see the beautiful towels that these seasoned and not-yet seasoned weavers produced! It was a joy to have some time with these enthusiastic discoverers.

May you enjoy the thrill of discovery.

~~On a personal note, regarding hurricane Harvey, Steve and I tried to drive home to Houston on Sunday, after our stay in Arkansas. We were unable to return all the way home because of flooded roads and highways, so we diverted our route to drive out to our place in Texas hill country. So far, our Houston home has not flooded, but our loved city is suffering greatly. Please keep these brave people, including many of our dear friends, in your prayers.~~

Yours,
Karen

One Thing on My Weaving Bucket List

Karen

I have a weaving “bucket list.” Making a handwoven jacket is on that list. I took a step toward that dream with Michele Belson’s (of Lunatic Fringe Yarns) workshop on pattern drafting last week. This Contemporary Handweavers of Texas Conference workshop was exactly what I needed.

Michele Belson's workshop. Body block pattern drafting.
Taking precise body measurements is the first step in making a body block pattern draft. The measurements are then transferred to the pattern paper in a systematic way. My handwoven “Mary Poppins” bag on the floor holds all my supplies for the day.

Making body block pattern draft in Michele Belson's workshop.
Front and back bodice patterns in progress.

Making a muslin in Michele Belson's workshop.
Making a muslin by transferring pattern markings and adding seam allowances.

I can weave fabric for a jacket. And I have sewing skills to sew a jacket. But the fitting! That’s been the missing link for me. And who wants to cut into handwoven fabric when the fit is not a sure thing?

Making a muslin from a body block pattern draft in Michele Belson's workshop.
Muslin pieces are sewn together so the bodice can be fitted.

Fitting a muslin in Michele Belson's workshop.
Michele Belson checks the fit of the muslin. After some small adjustments, she pronounces it a perfect fit! Ease will be added, suitable to the garment being made, when the time comes to make a garment pattern.

Adjusting a commercial sewing pattern in Michele Belson's workshop.
Michele demonstrates how to use the finished body block pattern draft to adjust the fit of a commercial pattern.

Mindful attention to details. Processing information to apply it to the work in your hands. Learning a glossary of terms. Combining new skills with old ones. Listening, with an intent to understand. These are elements of wisdom. Think of the created world around us. Look at the detail, complexity, and beauty in it. Is it any surprise that our Creator is the source of wisdom? Wisdom is the key to skillful work. And, as always, it must be applied and practiced. I will certainly practice fitting and sewing. And then, when it’s time, I’ll weave jacket fabric, and let wisdom guide me in cutting it.

I’m curious, do you have a weaving bucket list, too?

May you cross something off your bucket list.

Happy sewing,
Karen

Quiet Friday: Kuvikas to Taqueté and video

Karen

The color is rich, the drape is fluid, and the pattern in the lustrous cloth is eye-catching. “Kuvikas to taqueté” was not an easy project. Eight shafts, double treadling, and double-bobbin shuttles with slick 8/2 Tencel weft. But the fabric is incredible!

Warp chain of 8/2 cotton.
Warp chain of 8/2 cotton hanging from warping reel.

Thanks to a unusual tie-up, two treadles are pressed simultaneously, something I had not thought possible for a countermarch loom. I started with kuvikas (summer and winter), which has tabby picks between the pattern picks. The dark teal 8/2 cotton tabby weft and the bright teal Tencel pattern weft produce a tone-on-tone effect for the square and stripe patterns. These two pieces will become the front and back of a throw pillow.

Kuvikas on the loom. (Summer and Winter)
Kuvikas panel 1 complete. I always use red thread for a cutting line between pieces, so there is no accidental cutting in the wrong place.

I then changed the treadle tie-up to switch from kuvikas to taqueté. The taqueté has no tabby weft. The teal and cream Tencel weft threads lay back-to-back, producing a double-faced fabric. This piece is being used as a table runner.

Kuvikas to taqueté, change in treadle tie-up.
Stripes in kuvikas, and then square pattern in taqueté after changing the treadle tie-up.

Finished Tencel kuvikas (summer and winter) glistens!
Finished kuvikas glistens in the sunlight.

Enjoy the little slideshow video I made for you that follows the process from three lovely aquamarine warp chains to fabric glistening in the sun on a Texas hill country table.

May you finish something that is not easy.

Happy Weaving,
Karen

Do you remember my Handwoven Thick and Thin Towels (that appeared on the cover of Handwoven), and my Black and White Towels (These Sensational Towels)? I will be teaching a workshop on that thick and thin technique at Shoppes at Fleece ‘N Flax in beautiful Eureka Springs, Arkansas August 24 – 26, 2017. You’re welcome to join us! I’d love to see you there! Contact the shop at the number below if you are interested.

https://www.facebook.com/1509042016009851/photos/a.1519556898291696.1073741829.1509042016009851/1933085693605479/?type=3&theater

Weaving Double Binding Rag Rugs in the Ozarks

Karen

Come with me to the quaint little town of Eureka Springs, nestled in the heart of the Ozark Mountains of Northwest Arkansas. First, we need to prepare and pack up. Then, enjoy the day-long drive. Put rug warp on six looms (five of them Glimåkras!) with Debbie Davis and me. And then, greet each eager weaver the next day and enjoy the process of creating special patterned rag rugs together.

Sit on the porch swing with me at the serene cabin secluded in the woods, and do some small frame tapestry while Steve whittles out more little men.

Then, greet the second round of weavers, and be sure to congratulate each one on their fabulous work. Drive home to Texas with me and let’s recount all the blessings–the kind and interesting people we met and all the fun we had!

Beaver Lake in the Ozark Mountains.
Beaver Lake

Double binding workshop, designing rag rugs.
Designing double binding rugs.

Double binding rag rug workshop at Red Scottie Fibers.
Debbie Davis, of Red Scottie Fibers, enjoys the end result of her design. She let me share in the fun of weaving some of the rug.

Double Binding Rag Rug Workshop 2015 from Warped for Good on Vimeo.

May you enjoy the results of your efforts.

Happy Weaving,
Karen