Tools Day: Narrow Hems

Hems shouldn’t be noticed. At least, not at first glance. I don’t want the stitching of the hem to detract from the overall handwoven quality. Decorative items, like this table runner, deserve a hand-stitched hem. But for functional pieces, like these tea towels, I stitch the hems on my trusty old Bernina sewing machine. This ensures the durability I want for something that will be thrown in the washer and dryer again and again.

Long M's and O's table runner is hemmed by hand.
Long M’s and O’s table runner is hemmed by hand using an invisible hem stitch.

Last year I purchased a Bernina walking foot through my local Bernina repairman. It was one of the best sewing investments I have made. (Don’t be fooled by off-brand “Bernina compatible” products.) The advantage of a walking foot is that it evenly feeds layers of fabric, which is especially useful for sewing handwoven fabric. And for the towel hem, it means the top of the hem won’t become skewed and slanted as you sew, like it might with a regular sewing machine foot.

Bernina Walking Foot - good investment!
Bernina Three Sole Walking Foot with Seam Guide. The walking foot stays on my Bernina sewing machine almost all the time.

One of the three sole plates that comes with the Bernina walking foot is a sole for edge stitching. This works beautifully for stitching a narrow hem on lighter-weight fabric, like these airy cotton and linen towels.

My process for a machine-stitched narrow hem

  • Turn and press the 1/4″ hem twice. Hold the folded edge in place with small fabric clips.
Sewing narrow hems on handwoven towels.
Small fabric clips hold the folded and pressed towel hem in place, in preparation for stitching the hem.
  • At the sewing machine, attach the edge-stitching sole plate to the walking foot. Align the fold of the hem with the edge-stitching guide.
Bernina walking foot with stitch guide.
Sole with stitch guide. The metal plate that extends below the foot is a steady guide that works for sewing a narrow hem, as well as for top-stitching, or “stitch-in-the-ditch” techniques.
  • Adjust the sewing machine needle to the right, so that it catches the fabric just inside the edge of the fold.
Sewing hems on handwoven towels.
Sewing the narrow hem. Needle is positioned so that it is to the right of the hem fold.

Slowly sew a narrow hem, keeping the folded edge next to the walking foot’s edge-stitching guide. Remove fabric clips before they come to the needle.

Hemming handwoven towels.
Front and back of the hem have consistent, straight stitching. The narrow hem (not yet pressed) will be barely visible.

May your hems be a suitable frame for your handiwork.

Finishing,
Karen

Cutting Off Celebration!

Is there anything as exciting as cutting off? Oh sure, there will be some errors to mend. And only wet finishing will reveal the true nature of the cloth. But after investing hours and hours at the loom, cutting the fabric off is a celebration. This is the moment when the work of this weaver’s hands is finally revealed!

While admiring and examining the fabric as it comes off the loom, I am already moving onto the next step–finishing. Here are a few of my regular practices.

  • Thread-mark the right side of the fabric on each sample and individual piece before completely removing the fabric from the loom. This removes guesswork later. Thread a blunt-tip needle with 6 – 8″ of warp or weft thread, and make a 1/2″ stitch through the fabric. Leaving a loose loop, tie the ends of the thread together in a square knot on the right side of the fabric.
Weaving tip: Thread-mark the fabric.
Knot in the thread tells me that this is the right side of the fabric. Thread marks are sewn onto each piece before removing the fabric from the loom if the difference between the right and wrong side of the fabric is less than obvious. Thread marks remain until hems are turned under.
  • Tie sequential knots in the thread marks. e.g., First towel has one knot, second towel has 2 knots, etc. This enables accurate record-keeping measurements before and after wet finishing for individual items.
Weaving tip: How I number the towels on a warp.
After washing, I count the number of knots in the thread to know which towel is which. Before and after measurements enable me to calculate the amount of shrinkage that occurs, which helps for planning future projects.
  • Cut pieces apart before washing.

1. Two weft picks have been woven for each cutting line. The two threads make an easy guide path for the scissors.

Cutting line between woven items.
Cutting line for separating the woven pieces. Cut between the two red weft threads.

2. Use the same cutting-line color for every project (I use red, unless red is one of the weft colors in the project). This helps prevent accidental cutting at weft design stripes in the piece (which I did once –Oops!– before establishing this rule).

3. Pull out the cutting-line threads. Any remaining thread residue is easily removed with a lint roller.

Pulling out the cutting line.
Red cutting line thread pulls off, leaving a straight woven edge for finishing.
  • Finish the cut edges with an overlock stitch on a serger or with a zigzag stitch (preferably a three-stitch zigzag, according to my friend, Elisabeth) on a sewing machine.
Getting ready to wet finish these M's and O's towels!
All items are prepared for washing. Errors have been mended, and cut edges have been finished with the serger.
M's and O's (Sålldräll) after washing. Karen Isenhower
Lovely texture of the M’s and O’s (Sålldräll) structure is revealed after washing. A few more finishing steps remain: pressing, adding handwoven hanging tabs, and hemming.

Humans are not finished until they are loved. Love is patience and kindness at the core. We want to be on the receiving end of that, don’t we? We all need someone to love us–to carry our burdens, to believe us, to hope the best for us, to endure with us. It’s in the finishing that we discover the value, the corrections needed, and the beauty that has been woven in. This is the love of God to us. This is the finishing work of Jesus Christ, and his love in us.

May you have many cutting-off celebrations.

With love,
Karen

PS It’s good to be back with you! I hope you had a pleasant and weaving-full July.

Little Experiments on the Loom

This is my attempt to add a fascinating detail. I alternated white and brass-colored ends in the warp stripe. In a similar fashion, I alternated colors in the weft stripe, too. It’s an experiment. The short columns that emerge in the weft stripe are a result of this thread arrangement. The outcome looks promising. Wet finishing will reveal the final effects of this low-risk exploration.

M's and O's on the loom. Experiment in progress.
M’s and O’s (Sålldräll) with a warp stripe and weft stripe that have alternating light and dark threads.

I like to do experiments on the loom. Little risks open up possibilities and ideas for future projects. Every learning experience is a step that leads to insight for future learning. And I have so much more to learn!

Weaving the border of the long table runner. M's and O's.
Weft stripe signals the beginning of the end border for this long table runner.
M's and O's on the loom.
Short vertical columns take shape in the brass-colored weft stripe.

Step-by-step learning has some common ground with finding a good path for life. Walking the right path is like walking in the early morning. The dim light of dawn gradually increases and the pathway becomes more and more clear as the sun rises to the full light of day. Our Creator gave us a lighted path. The learning experiences from our experiments and explorations in life help us discover the path of the Lord, where the light beckons us. Walk in the light. It’s where we can see the next good step.

Happy weaving,
Karen

Miles and Miles to Weave

I just reached the quarter-of-the-way mark. After completing a long border at the beginning of this runner, I have been weaving the same two blocks over and over. And over. Really? I’m only a fourth of the way there? This long table runner is a marathon, not a sprint.

M's and O's on the loom.
Unbleached cotton warp and half-bleached linen weft. The checkerboard appearance of this sålldräll (M’s and O’s) will become rounded when taken off the loom, and, even more so when wet-finished.
Reached the quarter-of-the-way mark!
Weaving reaches the “1/4” mark on the pre-measured tape. Only 3/4 of the way to go! 🙂

I am already thinking about the rag rug project that’s up next. The plans are written out. The rug warp is waiting on my shelf. And it has been too long since I’ve had rag rugs on the loom. As you know, rag rugs are my favorite. If I’m not careful, impatience creeps in.

M's and O's table runner on the loom.
Keep weaving, winding more quills, and making fabric.
M's and O's on the loom.
Beginning border of the table runner is going around the cloth beam.

Look up to heaven. When you pray, it’s a signal that you want the Lord of heaven to get involved. It’s a way of saying you don’t have everything you need on your own. Like patience. And gratitude. He brings you back to remember how much you enjoy the mechanics of weaving–throwing the shuttle back and forth, gliding your feet across the treadles, making threads turn into cloth. Living a dream come true. Miles and miles of Sålldräll (M’s and O’s)? Yes, please. I’m happy with that.

May you live your dream.

Gratefully,
Karen

Quiet Friday: Kuvikas to Taqueté and video

The color is rich, the drape is fluid, and the pattern in the lustrous cloth is eye-catching. “Kuvikas to taqueté” was not an easy project. Eight shafts, double treadling, and double-bobbin shuttles with slick 8/2 Tencel weft. But the fabric is incredible!

Warp chain of 8/2 cotton.
Warp chain of 8/2 cotton hanging from warping reel.

Thanks to a unusual tie-up, two treadles are pressed simultaneously, something I had not thought possible for a countermarch loom. I started with kuvikas (summer and winter), which has tabby picks between the pattern picks. The dark teal 8/2 cotton tabby weft and the bright teal Tencel pattern weft produce a tone-on-tone effect for the square and stripe patterns. These two pieces will become the front and back of a throw pillow.

Kuvikas on the loom. (Summer and Winter)
Kuvikas panel 1 complete. I always use red thread for a cutting line between pieces, so there is no accidental cutting in the wrong place.

I then changed the treadle tie-up to switch from kuvikas to taqueté. The taqueté has no tabby weft. The teal and cream Tencel weft threads lay back-to-back, producing a double-faced fabric. This piece is being used as a table runner.

Kuvikas to taqueté, change in treadle tie-up.
Stripes in kuvikas, and then square pattern in taqueté after changing the treadle tie-up.
Finished Tencel kuvikas (summer and winter) glistens!
Finished kuvikas glistens in the sunlight.

Enjoy the little slideshow video I made for you that follows the process from three lovely aquamarine warp chains to fabric glistening in the sun on a Texas hill country table.

May you finish something that is not easy.

Happy Weaving,
Karen

Do you remember my Handwoven Thick and Thin Towels (that appeared on the cover of Handwoven), and my Black and White Towels (These Sensational Towels)? I will be teaching a workshop on that thick and thin technique at Shoppes at Fleece ‘N Flax in beautiful Eureka Springs, Arkansas August 24 – 26, 2017. You’re welcome to join us! I’d love to see you there! Contact the shop at the number below if you are interested.

https://www.facebook.com/1509042016009851/photos/a.1519556898291696.1073741829.1509042016009851/1933085693605479/?type=3&theater