My adventure to Germany and Austria with my sister was incredible! Many firsts and many blessings. First time to visit Europe. First castle, first currywurst, first German symphony, first hike in the Alps, first Austrian apfelstrudel, first close-up mountain waterfall. And many, many more wonders, delights, and amazements. Any weaving? We visited a handweaving museum in Germany. And I did some occasional tapestry weaving in the evenings. The best tapestry times happened while sitting out on the balcony at our room in Innsbruck.
Weberplatz of Babelsberg. These were weavers quarters in days gone by.We had a picnic lunch on the castle steps.Weaving an image from Big Bend State Park, Texas, while enjoying the balcony view in Innsbruck, Austria.
Be open for blessings. Look for blessings. I don’t mean life should be easy, conflict free, or always comfortable. The blessings are often hidden in long hours, tired feet, and foreign words. Be ready for the best lessons the Creator has for you. The Lord’s faithfulness is stamped into the gardens, mountain peaks, and waterfalls. His glory is written on every face, voice, and pair of hands. His blessings are tucked into secret places, awaiting our delighted discoveries. Live blessed.
I am turning right around to head out on another travel adventure. This time it’s Potsdam, Germany and Innsbruck, Austria with my sister Barbara. You know what that means—prepare my smallest tapestry frame for travel weaving. Besides the loom, I need necessary tools, warp thread, weft yarn, a cartoon, extra paper and pencil, book light and extra batteries, and a small bag in which to carry it all.
Fresno Canyon in Big Bend Ranch State Park is breathtaking. Steve captured the awe last week with his Canon Rebel T3i Digital SLR camera. My dream now is to capture the view in yarn. I am making a cartoon directly from a black-and-white print of the photograph.My Fårö yarn is housed in three baskets of an Elfa cart. I look at a photo image of Fresno Canyon on my iPhone to select colors to use for the tapestry.Selected colors of yarn are wrapped on labelled embroidery floss bobbins to put in the travel tapestry bag.Weft colors are sorted and placed in the plastic pockets of this craft holder I found at Hobby Lobby.Everything needed for a little 3 1/2″ x 6″ desert vista tapestry is being tucked away in travel bags.
After that, I can pack my clothes, etc. First things first.
(By the time you read this Barbara and I will be in Germany enjoying the food, listening to fine music, and scouting out fiber-y treasures whenever we get a chance.)
It is delightful to weave in scenic surroundings! After two full days of hiking and exploring remote vistas in Big Bend Ranch State Park we had a leisurely do-nothing day. Time to take the loom outdoors. En plein air weaving!
Our campsite is at the base of Lajitas Mesa.Hiking the Fresno Divide Trail in Big Bend Ranch State Park in west Texas.Mountainous views in the desert.Fresno Canyon vista, with the mountains of Mexico in the distance.En plein air tapestry weaving during a leisurely morning. Camera tripod cover doubles as a loom topper that prevents the loom from scratching the Casita.Wool yarn for the Casita tapestry is wound on labeled cards and kept in spare Tupperware Modular Mate containers.
We also went exploring in Big Bend National Park.
Hiking in Santa Elena Canyon, with Mexico to my left and USA on my right. And the Rio Grande River in between.Santa Elena Canyon in Big Bend National Park, the least visited National Park in the United States.
And then, I like to wind down the day with some quiet evening tapestry weaving in the Casita. And Steve pulls out his travel pouch for some leisurely woodcarving. Ah…all is well.
In my bin of handwoven fabric, most of the pieces are leftovers, like a short section from the end of a towel warp, or a colorful sampling of weft from the beginning of a warp. But a few of these woven treasures are good-sized pieces that can be used to make something. So, since I want to make a bag for my large Freja tapestry frame, I look through my selection of handwoven fabric pieces.
Piecing handwoven fabric to get the large side panels needed for the bag.Lightweight fusible interfacing is applied to the back of the fabric. I adapted and enlarged McCall’s pattern 3894, and used the pattern instructions for the sequence of steps to make the bag.Patterned band woven on the band loom, used for straps on the bag.Topstitching with red thread.
I find just what I need! Coming across these two significant lengths of fabric is like getting reacquainted with old friends. The meter of red and black cotton eight-shafttwill is something I wove in a Vavstuga class. And the blue cotton warp-printed yardage is fabric I wove to make a tiered skirt, a favorite garment that hangs in my closet. (See Quiet Friday: Handwoven Skirt.)
Bag with Freja loom is ready for a travel excursion in the Casita.In the Casita.Casita tapestry for quiet evenings in Big Bend state park in Texas. I may be able to finish it on this trip.Blue cotton warp-printed fabric, red eight-shafttwill, and patterned band from the band loom. Treasures from the past, assembled together for a joyful today.
Treasures from the past come into today to bring value and meaning. Put treasures in your today that will add value to tomorrow. Everything can change in a day, so we can’t put our confidence in tomorrow. But every new day is from the Lord, who holds the future in his hands. Today is a gift. Live it fully. Who knows? Your joy today may be tomorrow’s treasure.
Montana is beautiful, with snow-capped mountains and big-sky sunrises! It’s there that I took Joanne Hall’s fantastic drawloom class last week. My confidence level about setting up and weaving on my drawloom shot up 100 per cent! (And Steve got to experience fishing on the ice with Joanne’s husband Ed!) Please continue all the way to the end of this post to read about submitting a question for Joanne to answer.
View from Hall Lane, in front of Joanne and Ed’s home.
Cathleen and Deborah and I wove on the shaft drawloom, the single unit drawloom, and the Julia loom set up with half-heddle sticks to weave opphämta. What joy! …even in the challenges of learning new things.
Single unit drawloom has the capability of weaving imagery, and even words, like “Lost Valley,” the name of our Texas hill country home.Single unit drawloom in Joanne Hall’s weaving studio.Joanne demonstrates how to use half-heddle sticks and shows us some opphämta samples.Pattern has Xs that show where to pull the shaft draw handles. The red dot of a straight pin keeps my place as I follow the rows from bottom to top.Pulled pattern shaft handles are secured in the hook bar.Normally, one two-ounce U-shaped weight hangs on each pattern unit. In this case, with 6/2 Tuna wool, two weights hang on each pattern unit.Wool yardage and samplers are unrolled and cut off the 120cm Glimåkra Standard loom. Oh, the colors and patterns!
Joanne taught us how to understand patterns and drafts, and how to make our own patterns. And we dressed the drawloom—we threaded pattern heddles and ground heddles, and distributed pattern shafts. Boy, did we students make mistakes! But with quiet Joanne, there is always a way to fix anything that matters. She is a picture of grace.
Deb separates pattern heddles that will be placed on the next pattern shaft.After undoing some beginner errors, we finally have all the pattern heddles in order (pointed threading) on the eleven pattern shafts.One weight hangs on the long heddles of each six-thread pattern unit.In the loom together! Karen (me), Cathleen, and Deborah enjoy the expertise and kindness of Joanne.New 16/2 cotton warp on the shaft drawloom. I emptied a few quills to weave the traditional eight-pointed star pattern. Meanwhile, Joanne watched treadles, lamms, and shafts to fine tune the sheds. Everything is just right!
Striving to look good to other people, we face unwelcome judgment. Striving to please ourselves, we face demands of perfection. But when our heart strives to please the Lord, we receive grace. Our failures fade in importance as our confidence in his faithfulness grows. Know who you are working for. The imperfect images we weave in the cloth are a humble gift of gratitude back our Grand Weaver.
Wool shaft drawloom sampler, at home now in my drawloom studio.Reverse side of wool sampler was face up on the loom.Single unit drawloom sampler. Our Lost Valley home, with details that remind us of our 2018 transition year.Draw cords and handles are in place. Forty more will be added soon.Shaft drawloom is ready. Single unit drawloom parts will be added later. Please excuse me now while I go wind a warp!
May your imperfections be greeted with grace.
Love and grace, Karen
~What are your questions? Joanne has answers~
Are you curious about drawlooms? Are you considering a drawloom for yourself? Do you have a drawloom and wish you could ask an expert for help? Please put your question about drawlooms and/or drawloom weaving in the comments below, or send your question to me through Get in Touch. Joanne Hall’s answers to two selected questions will be included in next week’s post. Please submit your question by this Friday, February 8.
