Look Again

Karen

Black and white and a little red all over. Black and white just became classier. Thin red stripes appear to tunnel under long white ridges. Surely there is a designer kitchen for this towel. Right?

Black and white and a little red all over. Towels.
Fringe at the end of one cut weft thread peeks out, revealing the spot where weft threads overlap.

Since the slender red stripes are made with only two picks, I do not have to start and stop the color at the selvedge. The first pick goes all the way across, and the second pick has cut ends that are overlapped in the shed. If you are looking, you can see where the red threads overlap. If you are not looking, you would never notice it. And after the towels are washed, the join will be virtually invisible…unless you know where to look.

We find what we are looking for. If we want to see where a weaver spliced the weft, we study and examine the fabric as much as needed until we find that detail. When we look for signs of our Creator, we find that, too. His wonders are not hidden from us, they are hidden for us. What a delight when our search leads us to the Grand Weaver, Himself.

May your search lead to hidden treasures.

With you,
Karen

Warp Stamping Is Over

Karen

If I could do it over, I would put on a shorter warp for this experimental project. I enjoyed weaving plain weave, with the simplicity of one shuttle and one color. I did not enjoy, however, stopping every six inches to stamp the warp with paint. Clearly, I am not a paint person.

End of the warp is a happy sight!
Bare warp beam, with the end of the warp inches away from coming over the back beam for the final stretch of weaving.

You can guess that I was overjoyed to see the tie-on bar come over the back beam! That hope of finishing propelled me to the end. Of course, I still have work to do–fixing a few floats, wet finishing, and then sewing a tiered skirt. The root of my problem was not that this was long and slow. The root was my uncertainty. Isn’t that always the case? Is all this effort and mess going to be worth it? Will this fabric even work for the skirt I want to make?

Warp was stamped on the loom, using fabric paint, before it was woven.
Printed woven cloth, just off the loom, awaits finishing and sewing. The print was made by stamping the warp on the loom, using fabric paint, before it was woven.

When we are stumbling in the dark, we long for light. It can be discouraging when you are not sure where your decisions will take you. The light of God shines in the darkness, bringing hope. Hope dispels darkness. Much like the tie-on bar at the end of a long warp, when we see hope rounding the corner we know we can make it.

May your path be lit with hope.

By the way, if you are a paint person, I have a set of gently used hand-carved wooden stamps I will send to the first person in the continental U.S. who asks for them. Postage is on me!
Get in Touch to let me know you’d like them.
*UPDATE*
The stamps have been spoken for! Sandy O. is going to use them to experiment on her rigid heddle loom!

Happy plain weaving,
Karen

Weaving Mistakes I Would Rather Avoid

Karen

I got off to a bad start with this towel. I ripped out the border and started over at least three times. Each time I fixed an error I made a new mistake. And if that wasn’t enough, all the undoing weakened two warp ends, causing them to break. Ugh. Time to walk away and come back later.

Weaving error revealed.
Weaving error is revealed when I snap a pic for Instagram. White weft picks are out of order in the center of the weft border stripes.
Removing a weaving error.
After removing the first error, and weaving a re-designed border, I discover another mistake. Using ultra caution in good lighting, I clip the wefts between the center warp ends back to the error. Then, I carefully pull out each cut weft. And try, try again.

I believe in persistence, but we need to recognize when to give up and stop trying so hard. Could my own insistence on progress get in the way of progress? Yes. Coming back rested, with unclenched hands, I found myself able to complete the task with ease. Where did all the difficulty go?

Hand towels on the loom.
Success at last!

When I insist on my own way to overcome hardships in life, I don’t get very far. My frustrations blind me to my own errors. Relief comes when I acknowledge the limits of my efforts and put my trust in someone greater. The Lord multiplies what we put in his hands. Jesus once fed a crowd with the bread and fish from one person’s lunch basket. He starts with what we give him; and he increases it. As a result, when we come back to face the hardship, much to our surprise, we find our hands able.

May you know when to walk away and start over.

Steadily,
Karen

Big Dream Tapestry Starts Here

Karen

I dream of doing four-shaft tapestry with rosepath threading on my floor loom. I’m not there yet. It is an ambitious goal. I am inching my way toward that goal by facing little problems on my tiny frame loom and working out solutions as I go. Learning to follow a cartoon is part of the process.

Little girl tapestry in process, with Borgs Faro wool.
Little girl is being woven from the back, one row across at a time. The weft is Borgs Fåro wool, a single-ply that packs together nicely for tapestry weaving.

I derived the cartoon for this tapestry from a picture in a children’s book. The cartoon, held in place behind the warp threads, is my constant guide. As I make ongoing judgments about colors and other details, the cartoon keeps me on course and shows me the desired outcome.

Life is full of choices. If I purposely align myself with integrity, like a tapestry weaver following a cartoon, I have a guideline for decisions. But if I carelessly keep things in my path that tempt me, it’s like covering up parts of the cartoon with random post-it notes. The picture gets obscured. Our surroundings can set the stage for making good choices. And one good choice leads to another good choice. That’s the beauty of practicing with small things. When the time comes for four-shaft tapestry, I’ll be ready.

May you flourish in your surroundings.

A step at a time,
Karen

Quiet Friday: Thick and Thin

Karen

A vote of confidence from someone you look up to can make a world of difference. When I saw Joanne Hall’s exquisite towel made with thick and thin threads, I asked her, “Do you think I can weave something like that?” “Of course you can;” she replied without hesitation, “it’s plain weave.” Keep in mind that I was a complete novice on the floor loom; and I barely knew how to handle one shuttle, much less two! I plunged into the ambitious project and came out with a winner! The blue and cream towel hangs on the oven door in my kitchen as a daily reminder of the powerful impact of an encouraging word. Thank you, Joanne!

Cotton tea towel, thick and thin. Karen Isenhower
First thick and thin towel, completed as a beginning weaver. This is one of Erica de Ruiter’s designs, found in “The Best of Weaver’s Thick’n Thin,” Edited by Madelyn van der Hoogt.

Thick and thin is just as fascinating this time around. It is delightful to revisit a rewarding experience. Who knew that plain weave could be this much fun?

Zebra warp on Glimakra warping reel.
Zebra warp with thick and thin threads on my new Glimakra warping reel. One of three bouts, 10 1/2 meters.
Warping trapeze in action.
View from the crossbar at the top of the warping trapeze, looking down. Ready to untie choke ties and add weights to the warp bouts.
Threading Texsolv heddles.
Thick ends alternate with thin ends as the heddles are threaded. Left hand separates the shafts‘ heddles for ease of threading.
Ready to weave thick and thin towels!
Weaving begins as soon as the warp is tied on and the leveling string is secured. I use the first few inches to check the threading and sett, and to do some sampling.
Border pattern for cottoln towel on the loom.
First border is captured with my iPhone camera so that I can easily reproduce the pattern at the other end of the towel.
Plain weave with three shuttles creates interesting patterns.
I added a second double bobbin shuttle to make it easier and quicker to switch weft colors. Plain weave gets even more interesting with three shuttles!
Thick and thin cottolin towels on the Glimakra Ideal loom.
End of the third towel.
Black and white towels on the loom. Karen Isenhower
View from under the breast beam. I love to see the fabric rolled up on the cloth beam.
Temple in place for weaving black and white cottolin towels.
Temple keeps the fabric at the optimum width for weaving. Red cutting line serves as the separation between the end of one towel and the beginning of the next. Ready to start another fascinating pattern.

May you give a vote of confidence to someone who needs it.

Happy weaving,
Karen