Pass the Test with Black and White Weft

Karen

Who knew you could do so much with black and white? The pattern for this third black and white towel differs from the first two. Each new towel is an opportunity to create a new pattern.

Cottolin towels (thick & thin) on the loom.
Two red picks mark the end of towel #2. I always use red for the cutting line between pieces to prevent accidentally cutting at the wrong spot.

For the first four towels I am putting myself to the test, using only black and white weft. The color restriction turns out to be a designer’s advantage. It forces me to consider possibilities that I might have overlooked if I had allowed myself to include other colors. I get excited when I see ideas turn into cloth on the loom. It is still as delightful as it was the very first time I threw a shuttle. If you are a weaver, you know what I mean.

Here is an amazing thought: You can bring delight to God. It brings delight to the Lord when we trust in him completely. He knows the right plans, and knows when to stick with black and white, and when to throw in a splash of color. Think of his delight when we go along with his ideas, and the resulting woven cloth of our lives brings a smile to his face.

May your ideas turn into delightful cloth.

Happy weaving,
Karen

Weave the Portable Way

Karen

What do you do when you are away from your looms for a week? Portable weaving, of course. I thought about bringing my band loom, but fitting the band loom in the car turned out to be more of a hassle than it is worth. So the band loom stayed home.

Glimakra band loom with cottolin warp.
Band loom stays home.

I have my inkle loom with me instead, as well as my small tapestry frame. Steve is taking a woodcarving class from Dylan Goodson this week at the Texas Woodcarvers Guild Seminar; and while he is in class I am keeping my hands busy with portable weaving.

Woodcarving class by Dylan Goodson.
Steve beginning to shape his relief carving, following the finished example by his instructor, Dylan Goodson.
Linen inkle band.
First inkle band of the week is linen.
Cottolin inkle band warp.
Cottolin warp for the second narrow inkle band.
Cottolin inkle band.
Second inkle band almost finished.
Small tapestry on portable frame loom.
Start of a small tapestry of a little girl, derived from a picture in a children’s book.
Cottolin inkle band. Karen Isenhower
Time to put on one more inkle warp!
Woodcarver doing relief carving.
Adding more details to the relief carving. Good carving takes time and patience. Like weaving.

May you enjoy passing the time away.

Happy portable weaving,
Karen

Tools Day: Hand-Carved Stamps

Karen

I need only a few simple shapes to stamp the warp. Fortunately, my woodcarver husband agreed to make the wooden stamps for me. Steve asked me to draw the shapes on white paper, and said he would take care of the rest. The result? Superb wooden stamps for making painted designs on the warp while it is on the loom.

Carving wooden stamps for warp stamping.

Carving wooden stamps for warp stamping.

Supplies for stamping the warp on the loom.

Stamped warp.

May you be the recipient of hand-crafted love.

Simply,
Karen

Weave in the Midst of Beautiful

Karen

Thread on a carefully wound quill comes off effortlessly. I love the feel of the boat shuttle chasing back and forth between my hands, with no resistance whatsoever from the unwinding thread. I wind a few quills at a time and drop them in the loom basket that hangs on my bench. Then, when I empty a quill, I simply reach into the basket and quickly replace the thread in my shuttle, and continue weaving. It is satisfying to do something as enjoyable as weaving, and have it end up as lovely cloth.

Stamped warp on the loom.
Freshly-wound quill in the boat shuttle replaces an emptied quill. The new weft thread will overlap the end of the former thread, and be secured with the swing of the beater, and changing of the shed.

I do hope to make beautiful things, but it’s more than that. The weaving procedure, itself, seems beautiful to me. Such strategy. Such alignment of movement and function. There is a deeper satisfaction than merely being pleased with the final results.

Beauty serves a purpose. Beauty points us to our Maker. Yes, purple mountain majesties and intricate iridescent hummingbird feathers do point to a masterful creator. But I am also talking about the beauty of how things work, and how people are responsive to love, and how everything in our solar system fits together. It’s amazing. It’s beautiful. What a Grand Weaver we have!

May you find yourself surrounded with beauty.

With amazement,
Karen

Plain Weave Can Get Complicated

Karen

This pattern is not as complicated as it looks. Remember, this is plain weave with only two treadles. How can plain weave look so intricate? Using two sizes of threads does the trick. Really, it’s that simple.

Thick and thin is not as complicated as it looks.
Pattern blocks have alternating thick and thin threads. Two thin thread picks in a row change the blocks.

The treadling is the easiest it can be. The shuttles, on the other hand, are more complicated. With two shuttles, you must interlock wefts around the outer warp ends. When the order of the shuttles is reversed every few centimeters, as it is here, it keeps you on your toes. And then there is the double bobbin shuttle. Are you able to wind two quills that have nearly equal amounts of thread? Not to mention catching a shuttle that has two quills unwinding.

We look at the detail and busyness around us and see our lives as intricately complicated. But zoom out and take the view from heaven. From that perspective, a thousand years goes by in one day. Humans come and go, generation after generation. My seemingly complex life is simple plain weave with the grand weaver skillfully throwing the shuttles to make meaningful patterns. Let this breath of time that we call life leave a mark of virtue that lasts for generations.

May you leave a lasting impact for the good of others.

Happily Weaving,
Karen