Crabba or Not

Sometimes I really don’t know what I am doing! It’s uncomfortable. I make a guess and hope for the best. I almost skipped this section of the tapestry/inlay sampler because I don’t understand the instructions for crabba in The Big Book of Weaving. I’ve heard of crabba, and have seen pictures, but I have no experience with it.

Tapestry / inlay sampler. All linen.
First two attempts at weaving the diamond-shapes of crabba. 1) Too faint. 2) Too flat.

Consequently, I am attempting to weave something that resembles the crabba motif, with  “rhomboid pattern shapes and stairstep contours.” My first little diamond all but disappeared. Pattern weft needs to be thicker. My second attempt flattened into a flying saucer. Aha! I need at least two pattern picks of each row. Finally, I wove three more diamond motifs. Crabba, or not, they are now a part of this inlay sampler.

Color gradation in linen background, with inlay in diamond shapes.
Color gradation continues in the background under the inlay diamond shapes.
Tapestry / inlay sampler. All linen. Morning light!
Visiting the loom in morning light brings a reminder that much of weaving is learning by doing. And much of life is that way, too.

We can’t know everything. But we can keep learning, even when we don’t understand the instructions. Instead of quitting, step up and make an attempt. Raise your hopes. Stir up your faith to hope for the impossible. Your brave steps today set you up for greater progress next time you face a hurdle. Place your faith in the Lord, the instruction-giver. Sometimes He lets you learn by doing.

May you hope for the best.

~~Houston update: After diverting to Texas hill country because of the Hurricane Harvey flooding last week, Steve and I finally returned home to Houston this weekend. We are very thankful to come home to a dry house, untouched by the flooding that has devastated so many in our city. Relief efforts will continue in Houston for some time. Thank you for your prayers.~~

Hopefully,
Karen

Wild Linen Rya

Rya knots and loops of threads look chaotic at first. These linen rya knots will never be tame, but that’s to be expected. Linen butterflies have created a swath of wild rya “flowers” planted in a smooth linen “lawn.”

Making rya knots with a bundle of linen threads.
Continuous weft bundle forms loops between rya knots.
Linen rya knots.
Loops are clipped. Green butterfly is for the background plain weave weft.

Each section of rya starts with a butterfly made of several strands of linen in assorted weights and colors. I tie each rya knot on a pair of warp ends, leaving a loop between knots. There are two to three passes of plain weave between each row of knots. When I finish a butterfly, I go back and clip all the loops. After the loops are cut, I trim the tops of the threads to even out the rya “flower garden.”

Linen rya knots on a linen weft-faced background.
Tops of the rya threads are trimmed. I intentionally leave a few shorter and longer threads, for interest.
Linen rya knots on a weft-faced linen background. Tapestry/inlay sampler.
Linen rya knots on a weft-faced linen background. Wild linen “flowers” growing out of a smooth linen “lawn.”

When things around us look a mess and don’t make sense, full of knots and loops, there is one thing we must do. Keep holding on to faith. Fight to keep your faith strong. Faith in Christ Jesus will carry you through uncertainty and will reveal the first ray of hope. The loops will be clipped, the threads will be trimmed. A garden of color will emerge. Faith waits for that.

May your faith be strong.

All the best,
Karen

Discovery Towels Workshop in Eureka Springs

Seven enthusiastic weavers came to the Discovery Towels Workshop I presented a few days ago. We had three wonderful days together. Thick and thin threads can do spectacular things when you combine them in the warp and weft. And Eureka Springs, Arkansas is the ideal setting for such a weaving adventure! This is a unique, quaint little town like none other. The Victorian-style homes, and the twisting, winding roads that follow the hillside contours make you feel like you are in a storybook village. We happened to be there at the same time as the annual Volkswagen Festival and Parade, which defies description. You just have to experience it for yourself.

Eureka Springs, Arkansas
Eureka Springs, Arkansas

Debbie Davis of Red Scottie Fibers, our gracious and knowledgeable host, provided the perfect setting in The Shoppes at Fleece ‘N Flax. Her classroom space is full of Glimåkra countermarch and counterbalance looms. What could be better?!

Weaving workshop with Karen Isenhower.
Discovery weavers!

You will be amazed when you see the beautiful towels that these seasoned and not-yet seasoned weavers produced! It was a joy to have some time with these enthusiastic discoverers.

May you enjoy the thrill of discovery.

~~On a personal note, regarding hurricane Harvey, Steve and I tried to drive home to Houston on Sunday, after our stay in Arkansas. We were unable to return all the way home because of flooded roads and highways, so we diverted our route to drive out to our place in Texas hill country. So far, our Houston home has not flooded, but our loved city is suffering greatly. Please keep these brave people, including many of our dear friends, in your prayers.~~

Yours,
Karen

Quiet Friday: Serenity Towels

The neutral colors and the quiet elegance of these towels say “serenity.” What a pleasure to weave M’s and O’s. This was mostly single-shuttle weaving! Uncomplicated, luxurious, and serene. Five towels, plus one very long table runner that I made specifically for our dining room table. The fine 20/1 line linen weft increases the visual and tactile elegance for me.

M's and O's handwoven towels.
M’s and O’s towels.

I’m still amazed when I see the results that come from threads and a weaving loom. And thrilled that I get to be a part of that experience. Enjoy this short slide-show video of the process.

May serenity be woven into your days.

All the best,
Karen

Now I Am Weaving Bluebonnets!

Bluebonnets! Another Texas hill country subject for a transparency. I am weaving a simplified imitation of this celebrated wildflower. It starts with a photograph I took of bluebonnets in our hill country backyard this spring.

Texas hill country bluebonnets
Cropped and enlarged photograph of our Texas hill country backyard bluebonnets.

After enlarging the photo to poster size, I outlined the basic shapes that I wanted to include in the transparency. Next, I turned the poster over and transferred the outlines to the back. I traced the lines onto a piece of buckram to use for the cartoon. Everything is ready (the warp has already been tied back on). Let’s get started!

Selecting Mora wool colors for a woven transparency.
Planning colors for the bluebonnet transparency. Photo on the iPad is used for reference in selecting Mora wool colors.
Cartoon for a new transparency weaving.
Pattern is traced onto a piece of buckram to use as the cartoon. Dashed line down the center of the cartoon will be lined up with the center warp end when the cartoon is pinned to the back of the weaving.
Starting a woven transparency. Texas bluebonnets!
Nineteen bundles of Mora wool colors are introduced on the first row of pattern weaving. About three hours of weaving is pictured. After the intricate leaves at the bottom of the picture, it will be smooth sailing! 🙂

We have been given a true picture of love. God shows it to us in Jesus Christ. Christ loved us and gave himself up for us. With child-like fascination, I want to imitate the heart of that kind of love. To walk in love like Christ means to give yourself away for the sake of others. Linen and wool threads are not sufficient to show the living beauty of a bluebonnet. Nor are my efforts to love going to be perfect. But by keeping the picture in front of me as I weave, I hope to convey the delight of springtime Texas bluebonnets. And present a transparent picture of love that’s out of this world.

May you imitate only the best.

With love,
Karen