Treadle Adjustments on a Countermarch Loom

The countermarch loom is known for having a clean shed, so that is my goal. Is that possible for ten shafts and ten treadles? The first treadle I step on reveals that treadle cord adjustments are definitely needed!

How to evaluate the shed and adjust on countermarch looms.
Before making any adjustments, a few of the sheds look impassable, like this one.

I learned the basics of making adjustments to treadle cords from Learning to Warp Your Loom, by Joanne Hall, and The Big Book of Weaving, by Laila Lundell. I also gained valuable experience from Vävstuga Basics, with Becky Ashenden.

Here’s how the process looks for me, with this ten-shaft, ten-treadle project as an example.

I keep the following note on my iPhone. It helps me remember how things work.
I fill in the blanks for each treadle, noting which shafts are too high or too low. Then, using my iPhone note for reference, I make the needed adjustments.

Note on iPhone for making countermarch treadle adjustments.

  • The first time through, I am primarily interested in the bottom of the shed. I make adjustments to clear the shed enough to be able to weave a little bit.
  • Weave an inch or two. It is surprising how the shed cleans up with a little bit of weaving.
Adjusting treadles on countermarch loom.
Bottom of the shed has threads on one or two shafts that need to be lowered. After making those adjustments, this treadle will have a clean shed for weaving.
  • After weaving that first inch or so, I go through a second, and a third time, if needed, to get a clean shed on each treadle. Adjustments for the top of the shed are only needed if there are threads that will interfere with the shuttle.
Clean shed of a countermarch loom. Tutorial.
No hindrance for the shuttle here. This is the kind of shed I hope to see on every treadle.

When I first see a messy shed, I think, “How will I ever get my shuttle through that?” But it turns out to be little adjustments here and there. It’s not too difficult if you understand the loom.

Five-shaft satin dräll in linen. How to adjust countermarch treadles.
After all treadle adjustments have been made, the shuttle glides freely through the shed. And pick by pick, linen threads become cloth.

Nothing is too difficult for the one who made heaven and earth. Our Creator knows how to help us. He hears our prayers for help, and little by little, we see what He is doing as the shed clears and the shuttle glides through, unhindered.

May little adjustments clear the way for you.

With you,
Karen

Little Experiments on the Loom

This is my attempt to add a fascinating detail. I alternated white and brass-colored ends in the warp stripe. In a similar fashion, I alternated colors in the weft stripe, too. It’s an experiment. The short columns that emerge in the weft stripe are a result of this thread arrangement. The outcome looks promising. Wet finishing will reveal the final effects of this low-risk exploration.

M's and O's on the loom. Experiment in progress.
M’s and O’s (Sålldräll) with a warp stripe and weft stripe that have alternating light and dark threads.

I like to do experiments on the loom. Little risks open up possibilities and ideas for future projects. Every learning experience is a step that leads to insight for future learning. And I have so much more to learn!

Weaving the border of the long table runner. M's and O's.
Weft stripe signals the beginning of the end border for this long table runner.
M's and O's on the loom.
Short vertical columns take shape in the brass-colored weft stripe.

Step-by-step learning has some common ground with finding a good path for life. Walking the right path is like walking in the early morning. The dim light of dawn gradually increases and the pathway becomes more and more clear as the sun rises to the full light of day. Our Creator gave us a lighted path. The learning experiences from our experiments and explorations in life help us discover the path of the Lord, where the light beckons us. Walk in the light. It’s where we can see the next good step.

Happy weaving,
Karen

One Thing on My Weaving Bucket List

I have a weaving “bucket list.” Making a handwoven jacket is on that list. I took a step toward that dream with Michele Belson’s (of Lunatic Fringe Yarns) workshop on pattern drafting last week. This Contemporary Handweavers of Texas Conference workshop was exactly what I needed.

Michele Belson's workshop. Body block pattern drafting.
Taking precise body measurements is the first step in making a body block pattern draft. The measurements are then transferred to the pattern paper in a systematic way. My handwoven “Mary Poppins” bag on the floor holds all my supplies for the day.
Making body block pattern draft in Michele Belson's workshop.
Front and back bodice patterns in progress.
Making a muslin in Michele Belson's workshop.
Making a muslin by transferring pattern markings and adding seam allowances.

I can weave fabric for a jacket. And I have sewing skills to sew a jacket. But the fitting! That’s been the missing link for me. And who wants to cut into handwoven fabric when the fit is not a sure thing?

Making a muslin from a body block pattern draft in Michele Belson's workshop.
Muslin pieces are sewn together so the bodice can be fitted.
Fitting a muslin in Michele Belson's workshop.
Michele Belson checks the fit of the muslin. After some small adjustments, she pronounces it a perfect fit! Ease will be added, suitable to the garment being made, when the time comes to make a garment pattern.
Adjusting a commercial sewing pattern in Michele Belson's workshop.
Michele demonstrates how to use the finished body block pattern draft to adjust the fit of a commercial pattern.

Mindful attention to details. Processing information to apply it to the work in your hands. Learning a glossary of terms. Combining new skills with old ones. Listening, with an intent to understand. These are elements of wisdom. Think of the created world around us. Look at the detail, complexity, and beauty in it. Is it any surprise that our Creator is the source of wisdom? Wisdom is the key to skillful work. And, as always, it must be applied and practiced. I will certainly practice fitting and sewing. And then, when it’s time, I’ll weave jacket fabric, and let wisdom guide me in cutting it.

I’m curious, do you have a weaving bucket list, too?

May you cross something off your bucket list.

Happy sewing,
Karen

Linen Is Never Boring

Simplicity, purity, new. It’s invigorating to start something fresh. Weaving this delicate cloth in neutral colors is calming, but not boring. The linen sheen makes it spectacular. This is the delightful texture of M’s and O’s on a cotton warp, with linen weft. Peer across the cloth at a lower angle and you will see the linen’s pearlescent glory embedded in the woven texture.

Weaving M's and O's with linen weft.
Structure of M’s and O’s puts interesting texture in the fabric. The texture will be intensified after the fabric is cut from the loom and wet finished.

Even though weaving seems like magic at this stage, it has been preceded by a lot of planning, precision, and patient work. This new creation is refreshing because it’s everything I had imagined it would be. And the linen is doing as expected–making the fabric “glow.”

Handwoven towel in M's and O's with linen weft.
One-shuttle weaving for most of the towel makes this a relaxing weave. You can see that the treadling pattern alternates between two blocks. (The camera doesn’t catch the linen’s sheen like the human eye does. Wish you were here to see it!)
Handwoven towel in M's and O's.
Towel has reached the midway point.

The best creation is what happens inside of you. There is hope for all those who long for a fresh start. The dusty and worn threads are replaced with a new warp. Cut my selfish ways off the loom, Lord. All the preparations have been done by the Grand Weaver that enable weaving to begin. Create a clean heart in me, Lord. Let my life glow with the linen of your Spirit woven through my soul.

May you be refreshed.

Love,
Karen

~They’re back~ Towel Kits ~

By request, I have put the towel kits back in my shop! The River Stripe Towel Set, Pre-Wound Warp and Instructional Kit, for $150 per kit, is now listed again in the Warped for Good Etsy Shop. Happy weaving!

Linen Butterflies

This project has been on my mind for a long time. But I purposely waited to begin until I could weave it on my new sweet little loom with a view. Four Decorative Sample Strips, it’s called in The Big Book of Weaving, by Laila Lundell. It includes four-shaft tapestry, as well as weft inlay techniques. Each of the four strips will be a sampling of 8-12 different patterns or techniques. The weft is all linen, in various colors and sizes. Several strands are bundled together and made into butterflies. I have the sections mapped out, but the actual designing is happening at the loom.

Box of colorful linen for a tapestry project!
Box of linen! A variety of 16/2 line linen, 6/1 tow linen, and 8/1 tow linen.
Weft inlay with linen butterflies.
First sample strip starts with some weft inlay.
Linen butterflies.
Linen butterflies.

The box of vibrant shades of linen that sits by the loom makes me think of the wonderful colors in creation. The Grand Weaver puts an assortment of strands together, making something as only He can. The world belongs to its Maker. We are His. Sometimes we forget that it is not that He is in our universe, it is that we are in His. I love the way He puts an assortment of us together to put a splash of color on His tapestry.

May you enjoy the colors around you.

Happy weaving,
Karen