Sweet Little Loom with a View!

Steve thought I should have another loom, so he used his carpentry skills to build a 27-inch Swedish-style four-shaft countermarch loom! It’s beautiful. It’s incredible! In preparation for retirement in a few years, we found a place in beautiful Texas hill country to call (our future) home. For now, it’s a place to gather with children and grandchildren on occasional weekends. And a place to put a sweet little loom.

Making weaving loom parts.
Making weaving loom parts.
Making weaving loom parts. Treadles.
Six treadles ready.
Putting the new little handbuilt loom together!
Final Touch. Tightening the cradles for the top of the hanging beater.
Maiden warp for a new sweet little loom.
Putting on the maiden warp of 12/9 cotton seine twine.
Ready to take the loom apart to move it.
Loom is ready to be disassembled. Warp is wrapped up on the warp beam. Blue duffel bags will hold all the loom parts except for the side frames and the beater, to be transported to the new location.

And it only gets better. We situated the petite loom by the corner windows in the living room. At the loom, I have the best seat in the house, with an amazing view of God’s creation. The loom tells me my husband knows me very well. And the view tells me the Lord knows me, too.

Loom with a view! Texas hill country.
Threading heddles while enjoying the hill country view!
Grandchildren, loom, view... heaven on earth!
Can there be a better setting? Grandchildren playing, loom, view…
Sweet little loom with a view!
Sweet little loom with a view! Heavenly!

None of us can come to God on our own terms. Not by our wisdom. Not by our strength. Only through humility do we find God. Humility opens our heart to God. That’s when we see how much He has done to get our attention to tell us He knows us and loves us. My special loom with a view is an example of what it’s like to be known and deeply loved.

May you know you are loved.

Blessings,
Karen

Skeleton Tie-Up on a Countermarch?

I’ve been told that you cannot do a skeleton tie-up on a countermarch loom. That would require pressing two treadles at the same time, which is not feasible on a countermarch. Guess what? I have a skeleton tie-up, and I’m pressing two treadles at a time for the pattern blocks in this kuvikas structure. On my countermarch!

Kukivas (summer and winter) on the loom. Karen Isenhower
Trying to establish a consistent beat so that the squares are all the same size. Making the squares a little taller than they are wide will, hopefully, produce actual squares in the end. The fabric is expected to shrink more in length than in width when it is cut from the loom, and washed and dried.

It works because the tie-up is carefully planned to avoid conflicting treadle movements. I couldn’t be more thrilled with the square-within-a-square results. Isn’t it fascinating that a design such as this can be fashioned by hand, using a simple wooden loom and a bunch of strings, with a few simple tools? And a non-standard tie-up?

Skeleton tie-up on a countermarch loom for kukivas.
Pressing two treadles at the same time is surprisingly less cumbersome than I had imagined it would be. The whole series of motions feels like a slow majestic dance.

Have you seen the sky on a moonless night? Who made that starlit fabric? Who wove the pattern of the heavens? Who put the sun in place, and set the earth on its axis? How grand and glorious are these constant features of our existence! Our human hands can create no such thing. The heavens reveal the glorious nature of God. They shout the unmistakable truth that God is our Creator. Surely, the fabric we make with our hands serves to confirm that we belong in the hands of our Maker.

May the work of your hands be a reflection of you.

In awe,
Karen

With or Without a Cartoon?

Weaving a transparency could become one of my favorite things to do. I had no idea that drawing a cartoon for this project would make such a difference. Now, I can see vast possibilities with this weaving technique.

Drawing a cartoon on buckram for weaving a transparency.
Buckram, a stiff cotton cloth, is in my sewing supplies, specifically for making bills on caps. It is being used here to make a cartoon for the transparency weaving. The center line will be lined up with the center warp end.

I started the transparency without a cartoon. I wanted to weave a few zigzags back and forth. How hard could that be? I counted warp ends, “under 12 to the right, and then, under 13 to the left.” When I tried to change the angle of the slant, though, it was confusing. I started getting jagged zigs and zags. This cartoon has made a world of difference.

Cartoon in pinned into place under the transparency weaving.
Cartoon is aligned and pinned into place.
Transparency weaving in progress. Cotton chenille over linen.
For each row of the pattern, the cotton chenille weft butterflies go under the raised warp ends that coincide with the lines drawn on the cartoon underneath. One pick of linen background weft follows each pattern row.

How often do we think it will be easier to go our own way? We want to make it up as we go. Wait. There’s a better way. The head designer has drawn out a path. It makes sense to follow those lines. It’s a picture that’s bigger than we are. God created. He did it in such a way that shows his loving attention to those he created. And we get to follow his design. No more striving. No more trying to find our way. His way makes perfect sense. It’s satisfying to place the weft in a thought-out design.

May you see the possibilities.

Happy Weaving,
Karen

Delight of a New Warp

Warp wound onto the back beam, as seen through the beater, only adds to the expectant delight. The new warp is tied on and the treadles are tied up. The next step is to wind a quill with linen thread to put in the ready boat shuttle! This is joyous anticipation for a handweaver.

New warp on the back beam, seen through the beater.

Immanuel, God with us, Jesus Christ. He came to live among us. The one who came to save us lives among us. He delights in us, loves us, and rejoices over us. Imagine that! The Lord rejoices over you. The Grand Weaver delights in his creations. Why are we surprised?

May you be delighted and be a delight.

Merry Christmas to you,
Karen

More Rosepath Rag Rug Ideas

This is my favorite rosepath rag rug of all time! (Have I said that before?) I like the unexpected color changes that occur in the design. While the main rosepath pattern is woven in a yellow batik, the background tabby changes from pink to a mixed print, and then a single brown stripe outlining solid blue.

Classic rosepath motif in a rag rug on the loom.
Single row of dark brown tabby serves to outline the central rosepath motif.

The other thing I like about this design is the repeated uneven plain weave weft stripes–three rows green and two rows black. The ideas for color changes and uneven stripes came from looking at rugs in my Swedish weaving books. I have another rug to weave on this warp before we get to see this “favorite” spread out on the floor.

Weaving a rosepath rag rug. So many design possibilities!
Every weft, including the rosepath pattern weft, goes around the selvedge warp ends. The inactive yellow batik fabric strip is carried up the selvedge through the active wefts.

Designs start with ideas. Who designed the intricate workings of the human body, or had the idea of putting planets together in a solar system? The universe is amazing, with every explicit detail honoring the Creator. Designed to operate on the faithful love of the Lord, this universe is a divine idea brought to life. With the glimpses we see of his perfect design, we can’t help but give our Grand Weaver the admiration he deserves.

May you have plenty of favorites to weave.

Happy weaving,
Karen