Two Pictorial Tapestries Finished

The Glimåkra Standard is where I am most comfortable, even though the reach of the full width is stretching me. The curtains for the bathroom are progressing. No new news, just continuation of adding cloth to the cloth beam.

Still weaving this M’s and O’s curtain yardage. Looking forward to the day the curtains will hang in our remodeled bathroom.
Fabric is adding up on the cloth beam.

The Glimåkra Ideal is patiently waiting for a new tapestry warp. I have a bit more design work to do on the cartoon, and then I’ll be winding the warp with the 16/2 linen I have set aside just for this project. I’m eager to show the new tapestry idea to you! Soon!!

I am finishing up the next critter napkin design for the drawloom. This one is a roadrunner, and it is just…about…ready…to weave.

The Glimåkra Julia is getting filled up on the cloth beam, too. This wool goose-eye fabric is going to be fun to sew into a winter cape when it comes off the loom!

I like to check on the cloth beam to see how it is filling up. You can see there is still more warp on the warp beam.
Julia with four shafts. Ribbon pinned on the side has marks that help me keep the diamond pattern square.

And finally. Drumroll. After a year of sitting on the sidelines after having been cut from the loom, two small tapestries are now hanging on our walls. I did the finishing work of adding a slat for hanging, stitching a backing in place, including some zigzag quilting stitches for support, and stitching up the sides and the hem.

Beginning to mount the tapestry by adding a wood slat at the top.
Backing is added to the back of the tapestries. Zigzag stitching at the top helps secure the tapestry so it will not sag. One small nail will hold the tapestry to the wall.
Heaven and Earth
Intricately Created: Delicate Wing of a Monarch Butterfly.

It is good to finish, even if you do it a year later. Now I am really ready to start the next tapestry.

Happy Weaving, Karen

What Will You Finish Weaving this Year?

I am this close to the end of the rug… This series of double-binding rag rugs has been super fun! The question is: What’s next? I think I can squeeze out one more (short) rug on the warp after this one. Will I be able to do the final cutting off before the year’s end? I’m going to try! But then, what after that? I have some ideas… Perhaps I’ll start a new pictorial tapestry on this Ideal.

Measurement tape shows how close this rug is to its final picks.
View under the breast beam shows the rug being rolled up on the cloth beam.
I never cease to be amazed at the possibilities of a weave structure as simple as four-shaft double binding.

We are this close to the end of the year. Is there a project you still hope to complete before this year’s end? Share what it is in the comments.

May you enjoy every moment.

Happy Weaving,
Karen

Weave a Melody

I am finishing up a few meaningful (surprise) gifts for certain dearly-loved individuals. Christmas presents. Shhhh… The drawloom part represents untold hours at the loom. The band-loom part is the blink of an eye in comparison.

Cutting off midway so I can easily continue weaving.
Still enough warp for four more towels. I follow Amy Blair’s instructions for this maneuver: A Way to Cut Off the Loom Mid-Warp. This makes it possible to resume weaving with little fuss.
A few new towels from the drawloom.
First few pieces are being removed for finishing as gifts.

For the band, I am using the same blue and gray 16/2 cotton that is in the drawloom warp. I quickly wind a very narrow warp the shortest distance possible on my warping reel—116 centimeters. It’s a snap to beam it on the band loom, thread it, and start weaving. In no time at all, while listening to Christmas carols, I’m at the end of the warp, and cutting off the new woven band. Wouldn’t it be sweet to tie up every gift with a handwoven band? This band, however, will be inside the wrapping, as an embellishment on the gifts.

Glimakra band loom - threading.
Glimåkra two-treadle band loom. Set up is a breeze.
Glimakra 2-treadle band loom.
Band weaving begins with 8/2 cotton for weft. I quickly decide that the finer thread of 16/2 cotton is what I prefer.
Christmas carols and jingle bells while weaving on the band loom.
Jingle bells add festive cheer to the left hand coordination of band loom weaving, while Christmas carols ring out in the house.
Band loom - hanging tabs for handwoven towels.
Plenty!
Band woven on Glimakra band loom.
Perfect embellishment for the gifts that will soon be wrapped.

Melodies are an embellishment of the heart. They can arise in a few moments, yet they are connected to heart-filled sentiments that have taken years to develop. In this Christmas season, songs that are prayers become gifts for the newborn King Jesus. Prayers as songs and songs as prayers open our hearts to worship (adore) the Lord. “O Come, let us adore Him, Christ the Lord.”

A melody-filled Christmas to you,
Karen

Picture Perfect Handwoven Skirt

The skirt in my mind is picture perfect in style and fit. If I could snap my fingers and make the skirt appear, I would. Instead, I find my way to a workable sewing pattern by trial and error—agonizing over every small step. The sewing part doesn’t scare me. But I’m in over my head in the garment design arena.

Using Garment Designer to design a layered tiered skirt.
Quarter-scale pattern pieces give me a way to test and try various ways to put the skirt together. I learn a lot of things that don’t work. There is much sewing, ripping, tweaking, calculating and recalculating, etc. And pulling my hair out, figuratively speaking.
Designing a handwoven skirt using Garment Designer software.
Settling on something that works. One more little mockup should answer most remaining questions. I use Garment Designer (patterning and design software) to create the patterns. I can print quarter-scale and full-scale sewing patterns.

A not-as-simple layered tiered skirt replaces my original idea of a simple three-tiered skirt. The new design has a fitted yoke at the top of the skirt (and a zipper) instead of a super-simple elastic gathered waist. All this, so the distinctive borders of each tier will flutter freely, and not be trapped in seams. The trouble is worth it. I can see the finished skirt in my mind’s eye. It is phenomenal! The fabric is handwoven, made for a purpose. This is a skirt worth waiting for.

Testing ideas for a handwoven skirt.
Testing ideas full scale. After several tries, I finally have a good fit on the skirt yoke, which is encouraging.
Handwoven skirt in the making!
Full-size mockup (not shown) satisfies my fit and style requirements. Floral cotton lining fabric will be concealed under the handwoven tiers. Full-scale sewing pattern is printed and ready…

You were skillfully made for a purpose. Through many trials and errors, lessons in success and failure, we discover why we are here. God created you for this very time. Trust him to guide you, especially through agonizing moments. By his grace, he forms us into the phenomenal masterpiece that he has always had in mind.

May you walk with purpose.

Love,
Karen

Process Review: Rosepath and Butterflies

I allowed the remaining warp to sit on the loom for a little while after cutting off the Eye of the Beholder tapestry. It crossed my mind to be completely done with it. Go ahead, discard the bit of warp that is left, I told myself. But this is linen. I have a hard time discarding linen.

New tapestry, just cut off the loom.
Cutting off Eye of the Beholder tapestry.

The warp on the loom is threaded in rosepath, with a coarse sett of 3 ends per centimeter (7.5 ends per inch). The potential weaving length is no more than 20-30 centimeters. Then, the “what if” happens. What if…I use leftover butterflies from the tapestry as weft for a short rosepath design? One thing leads to another. Now, I have a new favorite purse. The tapestry memories live on!

Linen warp and wool weft in rosepath.
Stick shuttle works to carry various lengths of wool butterflies across the linen warp.
Tapestry butterflies put to use.
Tapestry butterflies are put to use. (Butterflies accumulate with every tapestry.)
Rosepath garden.
Butterflies in the rosepath garden.
Rosepath with leftover tapestry wool butterflies.
Cutting off beautiful linen and wool rosepath!
Cutting off.
Finishing the ends.
Finishing the ends.
Rosepath and Butterflies Purse.
Rosepath and Butterflies Purse.
Handwoven purse, with lining and pocket.
Inside of purse is lined, with a pocket added, of course.
Handwoven strap made from 12/6 cotton rug warp.
Strap is 4.5cm wide and was woven with 12/6 cotton rug warp on the Glimåkra 2-treadle band loom. I sewed the strap to the bag, keeping the warp edging of the rosepath fabric visible, with the braids at the ends as embellishments.
Rosepath and Butterflies Purse. Handwoven.

May you know when to ask, “What if?”

Be blessed,
Karen