Weaving Slowly

After a solid hour of weaving, I have produced only two more inches (5 cm) of woven fabric. I am completely enthralled with the process, though, of this intriguing monksbelt weave. Some of the best things take the most time.

Monksbelt on the loom. Karen Isenhower
Walnut boat shuttle is an Ebay find. It appears to be an antique Swedish shuttle. I like the way it fits in my hand. The fabric measures 4 inches (10cm) from the beginning of the Rust and Brick section to the fell line.

I long to feel the completed cloth in my hands. This weft rep monksbelt is new to me. I honestly don’t know how the hand and drape of the final cloth will be. There is nothing I can do but wait. And, at two inches (5 cm) per hour, that’s a long wait. But I won’t give up. I have enough experience at the loom to know that this is going to be a treasured piece…if I don’t get impatient and cut it off early.

Monksbelt on the loom.

Monksbelt with 9 colors of Faro wool pattern weft. Karen Isenhower
Palette of nine wool pattern colors has been selected for this monksbelt project. Changing the ground weft and the pattern weft at differing intervals produces an active cloth, reminding me of musical counterpoint.
Monksbelt on the loom in the late afternoon.
Weaving in the late afternoon–a relaxing and satisfying experience. Temple awaits on the beater, to be re-positioned when the photo op is over.

Do you have a prayer waiting to be answered? Sometimes it takes a while. Does that mean that God didn’t hear, or that he doesn’t care? If we could see the invisible, I think we would see things being woven into place–at the right time, in the right way. Do not give up on God. Ask, seek, knock. And remember that our heavenly Father has good in mind for us.

May you rest in the wait.

Patiently,
Karen

Simplest Rag Rug Stripe

An isolated thin weft stripe makes a bold statement. One simple technique greatly improves the efficiency of weaving such a stripe in a rag rug. This method eliminates the need to weave weft tails in at the beginning and end of the stripe. So, besides being efficient, the selvedges look better too.

How to Weave a Thin Weft Stripe (Two Picks)

1 Weave up to the stripe placement. No need to end the weft if the same weft will continue after the thin stripe.

Rag rug on loom. How to make thin stripes.

2 Place the first pick of the stripe in the shed, leaving a long tail of about 6 inches / 15 cm, or more.

How to make thin weft stripe in rag rug. Step by step pics.

3 Beat in the first pick of the stripe.

Making thin stripe in rag rug. How to.

4 Change sheds. Lay the long tail into the new shed.

Making thin stripe in rag rug. How to.

5 Send the shuttle across for the second pick, catching the previous weft to carry it up the selvedge.

Make a thin stripe in a rag rug. How to and pics.

6 As the weft goes across for the second pick, bring the shuttle all the way out.

Second pick of thin stripe. Explanation and pics.

7 Pull enough of the second pick through the warp to cut a tapered edge that will overlap the tapered edge of the long tail.

How to make thin stripe in rag rug.

8 Overlap the two tapered fabric strips in the shed.

Overlap in the shed. Rag rug instructions.

9 Beat in the second pick of the stripe.

Rag rug thin stripe.

10 Continue weaving with the previous weft that was carried up the selvedge.

Rag rug on the loom. Thin stripe tutorial.

If you’re like me, you are always on the lookout for ways to enhance weaving efficiency. One little tip can improve the whole weaving experience. When you know there is so much more to learn, and you are hungry to learn, every morsel of insight is delectable.

Has your soul ever felt hungry? Mine has. The Lord is ready to fill the hungry soul with good. He fills the empty. He satisfies the hungry, meeting the deepest need. One sweet morsel leads to another, inviting us to keep coming back. Taste and see that the Lord is good.

May you be hungry for good things.

Satisfied,
Karen

If the Warp Is Good

The start of a new warp takes my breath away. It’s magic, isn’t it? It’s at this beginning point that I often feel the wonder of the whole weaving process. Expectation, anticipation, and wonder. A new warp is a fresh start.

Beginning of cottolin warp, set up for halvdräll.
Warp ends are tied on in 1″|2.5cm sections, with 1/2″|1.3cm going over, and the other 1/2″|1.3cm going under the front tie-on bar. The leveling string then flattens the warp by going over and under the little sections of warp ends, being pulled tight and tied through a hole at each end of the tie-on bar.

The loom is dressed through a series of steps. In the Swedish method of back-to-front warping that I have been taught, the steps are logical and systematic. They make sense. If I simply follow the steps, I can expect to have an evenly-tensioned, ready-to-weave warp. If the warp is good, it means I’m off to a good start.

New cottolin warp, set up for halvdräll table squares.
Side view of new cottolin warp, set up for halvdräll table squares.
Start of halvdräll table squares.
Halvdräll is a Swedish block weave that has weft floats. The tabby weft is white 22/2 cottolin, and the pattern weft is doubled 16/1 linen.

Christmas is about God offering us a new start through Jesus. It isn’t about trying to be good enough. Being good is never good enough. Trust in God’s goodness instead. Jesus is God coming to us in all his goodness. I can never repay the Lord for all the good he has done for me. What I can do is receive what he has given–a fresh start. Then, as the beginning weft appears across the warp, I see my hopes coming to life.

May you enjoy the wonder of it all.

Happy beginning,
Karen

When Black and White Take Over Your Loom

Some things are black and white. Piano keys, penguins, old movies, and this new cottolin warp. Other things are not black and white. Petunias, peacocks, sunsets, and most of my weaving. Black and white is uncomfortable for someone like me who prefers to engage with color. Ten-and-a-half meters is a loooong time to be weaving without a colorful palette.

Warping reel with black and white warp.
Second bout of three. New Glimåkra warping reel is used to wind 10.5 meters of cottolin (60% cotton; 40% linen) in black and white.

I need to add more towels to my Etsy shop, so I did some Google “research” to find popular kitchen colors. Black and white is one of the current trends. I decided to go for it. Using color for some of the weft should be enough to remind me that the black and white is temporary, and that a colorful warp will eventually be on the loom again.

When we need reminders that everything will be okay, the Lord brings something or someone into our lives to show us that he cares. God is good. Even a small sign of his goodness is enough to help and comfort us. A touch of color on a long black and white warp may, in fact, be color at its greatest impact.

May goodness cross your path.

Warped for good,
Karen

How Hard Is it to Stamp the Warp?

To stamp the warp, I stand on the foot beam at the front of the loom and reach over the beater. A six-inch board hangs just below the warp on loops of Texsolv cord, behind the beater, as the platform for the stamping and painting. A strip of blue painter’s tape stuck onto the backside of the beater divides the warp into three sections–A, B and C. The sections denote three tiers of a tiered skirt for which this fabric is intended to be used.

Warp painting and stamping on the loom.
Back of the beater is marked with blue tape that shows the A, B, and C sections of the warp.

I was concerned that this would be hard to do–thinning the paint, reaching over, stamping in sections, letting it dry before advancing the warp, and so on. But it is not nearly as hard as I anticipated. It’s not actually hard at all.

Painting and stamping warp on the loom. Karen Isenhower
When I step on the foot beam at the front of the loom, and reach over the beater, with paint palette (disposable plastic picnic plate) in one hand, and stamp or paintbrush in the other, this is my view.

Similarly, at times it seems hard to do the right thing, even though I know that loving God means walking in his ways. Simply thinking something is hard to do, though, is not reason enough to avoid doing it. And, more often than not, we find that doing the right thing is not hard to do, after all.

May you do the right thing.

Love,
Karen