Planning Swedish Towels

After spreading out a few Swedish weaving books and other resources, I am ready to develop my own version of towels in plattväv, a classic Swedish weave. I have double-checked my calculations, so I’m ready to wind the warp. This set of towels has a cottolin warp and linen weft.

Planning new handwoven Swedish-style towels.
Planning sheet holds all the details for a weaving project. I use digital devises for planning most things, but for my weaving plans I still like paper and pencil the best.
Winding a striped warp for cottolin towels.
White, black, silver, ash gray, and pale blue gray. The pale blue gray seems to turn the other grays into brownish hues.

As always, I started with more than enough thread. Unfortunately, I made a major error while winding the warp. By the time I noticed the error, I had already wound 264 meters (289 yards) of warp. I chained off the mistake, putting it aside for another use. I started over, correctly this time, but I had a nagging worry that I might run out of white thread…

Warp winding for cottolin towels is complete.
Warp winding is complete. Smallest tube of white thread is close to empty. Spool crate is elevated to reduce the distance needed to bend down.
Warp chains for striped towels.
Smaller warp chain on the left was wound incorrectly. The threads will be divided up and used for weaving bands on the band loom. The two warp chains on the right will become striped handtowels with plattväv (platt weave) patterning.

Worry doesn’t make anything better, and big worries can lead us into a downward spiral in our thoughts. Prayer pushes worry away. When we pray about the things we are tempted to worry about, God’s peace acts as a guard over our hearts and minds. His peace frees us from the weight of worry. And we often learn later that our worry had been unfounded. Like my worry about the white thread, which, despite my blunder, did not run out.

May you forget your worries.

All the best,
Karen

How Is Your Stash?

My rag rugs start with leftovers. It is a great place to begin. By leftovers, I mean fabric strips that are left from previous projects. Unlike many traditional rag rugs that are made from recycled fabrics, I use all new cotton yardage for my rag rugs. I only buy more fabric when my supply starts to run low, or when I need a specific color that I don’t have in my supply. That’s the difference between a stash and a supply. A stash is for keeping and admiring. A supply is for using up with a purpose. A stash grows without limits. A supply is replenished in relation to the need.

Planning a rosepath rag rug.
Planning session for a new rosepath rag rug. After gathering a selection of fabrics, I snip fragments to tape to my working chart.
Rosepath rag rug on the loom.
After several plain weave stripes, the rosepath pattern is taking shape on the loom.

I have to be careful about treating my things, my time, and my ideas as my stash. For me to keep and admire. It’s better to be a giver. The generous have an endless supply. They never wonder about having “enough.” Generosity is a virtue. Those who are enriched by God can always be generous, since he is faithful to replenish the supply.

May you always have enough.

For you,
Karen

Quality Rag Rugs

Does this color enhance or detract? Is there enough contrast between background and pattern? Is five centimeters of plain weave between pattern sections too long, or too short? I ask myself questions as I weave a new design. I consider all the technical aspects, as well. Warp tension, treadling finesse, and shuttle shuffling. Attention to detail matters.

Rosepath rag rug on the loom. Karen Isenhower
Design elements are planned before weaving, and then adjusted as weaving progresses on the loom.

Details begin in the planning stage with design, choice of materials, and colors. While weaving rosepath rag rugs, consistency counts. I aim for a consistently firm beat and good, tight selvedges. All of these elements contribute to quality. And as I grow in my weaving skills, overall quality improves.

Rosepath rag rugs require extra attention at the selvedges.
Rosepath rag rugs require extra attention at the selvedges.
Rosepath rag rug on the loom.
Yellow dash is made with a single weft pick. The single fabric strip is cut long enough to securely tuck the ends back into the shed.

A person’s character is defined by their motivations. It’s not what you do, but why you do it. It is not enough to look good. I can buy a cheap rug that looks good. But if I could examine how it was made, I might find the shortcuts that diminished its quality. Our inward motivations are revealed in our outward behaviors. The cheap rug fades and comes apart all too quickly. By examining our own motives we build quality of character. The result is not only lovely, but durable, too.

May your quality control efforts succeed.

With you,
Karen

Tools Day: Narrow Shelf

It’s not easy to keep a table top cleared off. Little things accumulate that intrude on the work space. The wonderful maple work table Steve made for my weaving room a couple years ago provides a needed surface for multiple uses. I do my project planning here; and I weigh out my yarns here; and I wind quills here. It’s time to create a space for the little things, to get them off the table. Steve to the rescue! He built a narrow shelf to go on the wall behind the work table. Pencils, snips, pins and needles, quills with a little bit of thread, and the like. Pegs below the shelf give me a convenient place to hang a few essentials–small scissors, Gingher thread clippers on a cord, a few choke ties, tape measure, and my Väv Calendar.

Hand-crafted maple shelf compliments the maple work table below.
Hand-crafted maple shelf compliments the maple work table below. Frequently used items are within arm’s reach.
Hand-crafted maple shelf above weaving work table.
Re-purposed vessels make colorful holders for small items.

Now, I am ready for anything!

May your creative space work in your favor.

All the best,
Karen

Make a Handwoven Something

There is less than a yard of this lovely fabric. I want to use it for something. After weaving the baby wrap, I wove off the remainder of the warp in twill, using multiple weft colors. The colors seem even more vibrant in this twill weave. The fabric feels great in hand, as well. Is there enough to make a handbag? Just barely; but, yes, there is enough!

Making a handbag from handwoven fabric.
After ironing interfacing to the back of the fabric, I work the puzzle of fitting the pattern pieces onto the fabric. Some piecing is necessary.
Making lining for a handbag.
Lining pieces have pockets added.
Making a handbag from handwoven fabric.
Topstitching goes all around the top perimeter of the handbag.

How do you feel about cutting into your handwoven fabric? Once you cut, there’s no turning back. You better be sure before you get out the scissors. Fear of ruining your precious fabric can keep you from ever making the first cut. You might be tempted to fold up your fabric and tuck it away in a drawer. “At least you didn’t ruin it,” your fear would tell you. However, if you know something good will come of it, and if you have a plan, you walk past the fear and do the cutting.

Finished handwoven handbag holds rolled baby wrap. Karen Isenhower
Finished handbag holds the rolled baby wrap.
Handwoven handbag. Karen Isenhower
Handbag front is mostly twill, with five different weft colors. The warp length is crosswise in this piece.
Handbag made from handwoven fabric.
Back of the handbag. The lining fabric is cut from a remnant left from an Easter dress I made my daughter umpteen years ago.

The peace of Christ takes the power out of fear. Instead of looking at the status quo as the only option, internal peace enables us to walk past the fear. His peace enables us to do things that require faith. Fear fades when you know that the one who is truly good does have a plan. After all, handwoven fabric is made for such a use as this.

May you do things that require faith.

Making things,
Karen