It is the smallest of details that set handwoven towels apart from ordinary towels. With that in mind, I am writing some detail notes in the margin of my project notes. Borders: Towel 1 – sea blue, apple green – contrast thread – ultramarine; Towel 2 – ultramarine, sea blue – contrast thread – maize; Towel 3 – apple green, ultramarine – contrast thread – sea blue; Towel 4 – dusty, sea blue – contrast thread – apple green.
There are seven colors of cottolin in the warp, and the same seven colors in the weft, just like the accompanying hand towels I completed in April. (See Process Review: Jubilation Hand Towels.) Narrow warp-wise and weft-wise stripes of broken twill produce interesting patterns in the cloth. The deep borders I am planning on the bath towels give me a chance to add simple details that only a handweaver can do.
Have you ever identified a master craftsman by the specific details that show up in the hand-crafted article? In the same way, we can recognize our Maker’s hand through the magnificence of the details we see in each other. You are his masterpiece. Hand-written instructions guide the details. When we come to the Lord as our Maker and Redeemer, we find his hand-written details woven into our hearts, something only the Grand Weaver can do.
Wind very narrow fabric strips on quills and put them in a boat shuttle. It’s efficient. It’s faster to wind a quill than to load fabric on a ski shuttle. Plus, I like the advantage of sending a boat shuttle across rather than a ski shuttle. This rag rug on the drawloom has fabric strips that are only one centimeter (~3/8”) wide, instead of the usual two-centimeter-wide (~3/4”) strips for an ordinary rag rug. Grab your boat shuttle and pay attention to a few simple tips. Your very narrow fabric strips will be woven up in no time.
Tips for Using a Boat Shuttle to Weave Very Narrow Fabric Strips
Use fabric that has minimal fraying at the edges. Trim off any long threads. Loose dangling threads that are long enough to wind themselves on the quill will make you wish you had used a ski shuttle.
Wind the fabric with the right side down. Then, when the quill unrolls, the right side will be facing up.
Handle the wound quill as little as possible to prevent fraying the fabric edges. Simply wrap the tail end of the fabric strip around the filled quill. Do not wrap the end into a slip knot around the quill because the fabric will fray as you release the knot.
Unwind enough weft for the pickbefore you throw the shuttle. Pull the weft out straight from the quill. When a quill unwinds in the shed, the weft comes off at an angle. And as such, if there are any loose threads at the edges of the fabric strips, the threads will wind themselves on the quill and bind it up. And you will wish you had used a ski shuttle.
There’s nothing quite like the beauty and functionality of a well-designed tool. The Swedish hand bobbin winder is one of those tools. A bobbin winder is essential. Steve made a superb electric bobbin winder for me that I normally use. But at our Texas hill country home, my Swedish bobbin winder comes into play. And it is a pleasure to use. I clamp the bobbin winder on a shelf in the cabinet where I store my few weaving supplies for this location. The tube of thread sits directly below on a simple homemade spool holder.
What a delight to weave with just oneshuttle for a change! It is relaxing to weave this Swedish lace wrap. Even moving the temple and getting up to advance the warp becomes part of the natural rhythm of weaving.
There is one thing that breaks my stride. An empty quill. If I have to stop in the middle of a sequence to wind more quills, I lose momentum and sometimes I even lose my place. Solution? Stop ahead of time at a sensible place in the sequence and wind quills to put in my loom basket. Then, while weaving, it’s a seamless motion to change quills and keep going. It’s a pause instead of a dead stop.
We need to prepare for those times when people seem harder to love. It helps to think ahead, and fill our heart basket with the thoughts of kindness and humility that are essential to keep going. We have a good reason to love each other. We have been loved first. God so loved us that he gave his son. This is the Christmas news. God sent his son to be born here on this earth to be with us hard-to-love people and to save us. That’s good news worth celebrating!
The first time I wove fabric that required a doubled weft I did not use a double-bobbin shuttle. I didn’t own one. I used a regular boat shuttle and sent it across twice, going around the outer warpend. Those first thick and thin towels came out beautifully. So I know it can be done.
The first time I used a double-bobbin shuttle I wondered if it was worth it. It was awkward and clumsy in my hands. Since that rocky introduction a few years ago, I have woven many meters with my double-bobbin shuttles. They have become cherished tools and efficient accomplices to some of my favorite fabric-making endeavors!
Tips for Weaving with a Double-Bobbin Shuttle (and a short video demonstration)
Practice. Make sure you allow extra warp length for practicing. You will probably need it at first. Have fun and laugh, and refrain from throwing the shuttle across the room.
Winding Equal Bobbins. Wind the first quill. Lay it close to the bobbin winder where you can see it easily. As you wind the second quill, attempt to match it in size to the first one. (Winding two quills with equal amounts of thread is no small challenge.)
Sending the Shuttle. Sending the double-bobbin shuttle through the shed is the same as sending a regular boat shuttle across. The best release is done with a flick of the forefinger so the shuttle speeds across. Then, the doubled weft naturally snugs the selvedge, and the two threads are neatly aligned across the shed. With a slower, more timid shuttle send-off, the quills unwind unequally.
Receiving the Shuttle. Receiving the shuttle can be the awkward and clumsy part at first. Especially if you are trying to practice a quicker send-off. I catch the shuttle as for any boat shuttle, palm up. And then, if needed, I fold my two bottom fingers around the threads, guiding them to fall equally across the shed.
Weave. Enjoy the process.
May your practice produce perfection. (Well, maybe not perfection, but at least improvement.)