End of Warp Surprise

The end of the warp is a fantastic way to try out ideas for future weaving projects. I have some kid mohair/silk yarn on my shelf in blue, lavender, and tan. I wove some pretty shawls with this angelic yarn a few years ago on my rigid heddle loom. Hmm… would kid mohair/silk work as weft on the alpaca warp? This is a good way to learn. If it works, I know I can do it again, but on a larger scale. If it doesn’t work, I know what to avoid. The point is to learn.

Kid mohair/silk weft on alpaca warp.

Lavender mohair/silk weft on alpaca warp.

Alpaca warp and kid mohair/silk weft for a dreamy scarf.

As handweavers, we learn by doing. And in daily life, we learn by doing–walking in this manner or that. We do not walk alone. The Lord stands ready to teach every inquiring soul. My prayer is, “Lord, teach me; help me understand; help me walk.” Sometimes what we learn surprises us. The trial weft may be even better than the one we originally planned.

May you enjoy lifelong learning.

Blessed,
Karen

Young Weaver

I had a visitor this week. You might be surprised to see what a seven-year-old can do. Young Jamie picked out her colors, wound fabric strips on the ski shuttle, and wove a small rag rug. Almost all by herself! She helped me advance the warp, and remove warping slats as they came off the back beam.

Young weaver at the loom making her first rag rug.
After twisting the weft at the selvedge, Jamie angles the weft in the shed before beating. And this seven-year-old has plenty of strength to pack the weft in tightly with the beater.

It was rewarding to see my little friend catch on so quickly. She believed me when I told her she could weave a rag rug; and she trusted me to show her what to do. Weaving was a success because Jamie listened well, and followed my instructions. After she left, I wove the warp thread header, cut the rug from the loom, and tied the knots, leaving fringe. Now Jamie has her own little handwoven rag rug!

First rag rug by a seven-year-old weaver. Glimakra Ideal floor loom.
Warp ends are secured with overhand knots. The fringe adds a playful touch to Jamie’s first rag rug.

Trust in God is a bold thing; it is confidence in God through all of life’s challenges. Beware of anything that tempts you to question your trust in God. He comes beside us and faithfully guides as we walk through life. God is someone we can trust. When we listen well and follow instructions, he weaves something good through our hands.

May you listen well.

Trusting,
Karen

Three on the Loom Bench

My son accepted my invitation to “try a little bit of weaving” while he was here for a recent visit. After a few instructions, Daniel was weaving the double binding rag rug like a pro. When his two little ones find him at the loom, they climb up to sit by him. They want to get a closer look. The children don’t understand what Daddy is doing, but they love being with him and watching him.

Double binding rag rug on the Glimakra Standard. Karen Isenhower
Three different cotton batik fabrics make up the body of the rug.
Learning to weave a rag rug. Glimakra Standard
Daniel tries his hand at weaving a double binding rag rug. He learns how to use two ski shuttles, turn the weft at the selvedge, step on four treadles in sequence, and move the temple. Whew, it’s a lot to remember!
Three on the loom bench. The children want to see what daddy is doing.
Up on the loom bench with their Daddy.

As children naturally love to be right next to their loving Daddy, so it is for us with our heavenly Father. Praise is the heart’s song. Praise to the Lord rises from the core of our being as we consider who he is and what he has done. There’s no better place to be than right by our Father’s side.

May your heart sing.

With wonder,
Karen

Swedish Overshot Experience

Experience builds on experience. The more I practice the classic Swedish weave structures, the more freedom I have in the process. Dice weave, halvdräll, and, now, this monksbelt, are all related. These are variations of overshot. I am putting what I know into practice, even though this is the first time I have woven monksbelt on my own loom. (My prior experience with monksbelt was first in a workshop with Joanne Hall, and then, under Becky Ashenden’s tutelage at Vävstuga Swedish Classics.)

Colorful Fårö wool is used for the monksbelt pattern weft.
Colorful Fårö wool is used for the monksbelt pattern weft.

Plan projects from start to finish, dress the loom single-handedly, use complex threading and complicated treadling, and weave with multiple shuttles. Do you relish these challenges? It is possible to weave things that don’t require as much training or practice. You can find a pattern on Pinterest or in a magazine, and do what “everybody” is doing. Not much is required of “everybody” in the crowd.

Classic monksbelt pattern with innovative color variations.
Classic monksbelt patterning is repeated with different color variations.
Swedish overshot, such as monksbelt, uses two shuttles--one for fine thread, and one for the thicker pattern weft. Warp is 16/2 cotton. Ground weave weft is 16/2 cotton. Pattern weft is 61 Fårö wool. Sett is 22 1/2 ends per inch. Weft density is 30 pattern picks per inch, with 2 tabby picks in between.
Swedish overshot, such as monksbelt, uses two shuttles–one for fine thread, and one for the thicker pattern weft. Warp is 16/2 cotton. Ground weave weft is 16/2 cotton. Pattern weft is 6/1 Fårö wool. Sett is 22 1/2 ends per inch. Weft density is 30 pattern picks per inch, with 2 tabby picks in between.

But some people strive to learn, and practice what they learn, building on previous experience. Consider truth. You are responsible for the truth you know. The more you are taught, the more that is required of you. And as you practice the truth you know, you discover the freedom that comes along in the process.

May you grow in experience.

Happy weaving,
Karen

Quiet Friday: The Teaching Side of Weaving

This time I get to teach. I enjoy being a student, learning new things, and new ways of doing things. I also love to teach. It is a wonderful opportunity to come alongside a learner, to lead someone to see what they can achieve, to open up a door to fresh possibilities. This week I am in the teacher role. I’m eager to get to know the students and see the double binding rag rugs they will create as a result of our focused time together. And I am looking forward to learning what the students will teach me!

Preparations for rag rug weaving workshop.
Compiling notes and assembling folders takes place in my office, which is in my music studio.

Social media business cards

Gathering supplies to teach rag rug weaving class.
With my checklist in hand, I make little piles of supplies, tools, and examples in my weaving room.
Workshop supplies are stacked in plastic tubs.
Workshop supplies are stacked in plastic bins. The big duffle bags holds example double binding rugs.
Car is packed for roadtrip to teach rag rug weaving workshop.
Car is packed while there is still daylight. Road trip begins very early the next morning.

I’ll let you know how it goes!

May you teach what someone else wants to learn.

Happy Weaving,
Karen