Tapestry the Slow Way

I weave small tapestries from the back, using a blunt tapestry needle to go under three warp ends at a time. I love blending the colorful strands of Fåro wool to get the shading I need. Every pick is purposeful; and I turn the little loom over frequently to keep an eye on the front side. If I weave all the way across at once, the selvedges start pulling in, despite bubbling the weft. Going under just a few warps at a time like this is the slow way, but it helps me control the amount of weft being placed across the tapestry.

Small tapestry. Weaving from the back.
Tapestry needle takes the weft under three warp ends at a time. Weft is bubbled and then tapped into place with my fingertips.
Weaving small tapestry on travel loom.
Upper part of cartoon is held out of the way to examine the front of the weaving. Bottom half of cartoon stays in position, being held in place with small magnets.
Small tapestry in progress, "Bridge." Karen Isenhower
Bridge progresses one row at a time.

We can often avoid big problems by saying fewer words. When we keep talking, we lose control of the words that come out of our mouths. Words can hurt or heal. Unlike erring tapestry threads that can be pulled out and woven back in correctly, words can’t be undone. A wise person errs on the side of saying too little. Three warp ends at a time, weave across the row, and check the front frequently to see how the words are coming across.

May you choose your words wisely.

With you,
Karen

Ability Is Not Enough

I love a challenging project! It is marvelous to have something on the loom that takes effort, concentration, and problem-solving skills (as long as there aren’t too many problems to solve). This inlay rag rug project includes all of the above, and it’s on the big loom–my favorite. This is handweaving at its best!

Rya rag rug on the loom. Karen Isenhower
Rya knots slow the weaving process. Fabric strips are cut to a specific length and the cut pieces are hand-tied around pairs of warp ends.

I am constantly evaluating the pattern, and making needed adjustments with color in the background and with the rya, and spacing the rya knots. Is this working? Or not? Take out a few rows, try putting something different in, step back for a better overall view. Moving and thinking, and beating it in hard, like it should be for a rug. The momentum of the hanging beater makes the hard work easy. And fun.

Rug rug with rya knots on the loom.
Weft is firmly beaten in. The momentum of the hanging beater provides the strength I need to be able to tightly pack in the weft.

Ability by itself is not enough. Wisdom works with ability to produce craftsmanship of highest quality. Our Creator gives us insight that enhances our natural talents and learned skills. When wisdom partners with ability, creativity flourishes. And what a joy it is to be in the middle of that process.

May you excel in joyful creativity.

Very happy weaving,
Karen

Weaving Experience

It is possible to ruin hours and hours of handweaving efforts with a careless or ignorant misstep after the cloth is cut from the loom. Wet finishing intimidates me for that reason. Besides my own limited experience, I rely on instructions from advanced weavers, and any other research I can find. In the end, I take the plunge and hope for the best. If the worst happens, I take notes and chalk it up as a learning experience.

Halvdräll table squares just off the Glimakra Standard loom.
Just off the loom, four halvdräll cottolin and linen table squares await measuring for record keeping.
Linen pattern weft is characteristically wiry before wet finishing.
Linen pattern weft is characteristically wiry before wet finishing. Cottolin warp and background weft is somewhat stiff before it gets washed.
Halvdräll table squares with linen pattern weft. Karen Isenhower
Pieces are separated at the cutting lines, and cut ends of the cloth are secured with the serger. Then the cloth is placed in the top-loading washing machine, gentle cycle, with Eucalan delicate wash, with warm wash and cold rinse settings, adding several Color Catchers, and omitting the spin cycle. After rolling the wet pieces in clean towels to remove moisture, they are laid flat to dry. While still damp, they are pressed with a hot iron on the back side. And the linen comes out showing its true beauty!
Halvdräll table squares with linen pattern weft.
Waiting to be hemmed.

Wisdom is gained by those who pursue it. What is wisdom? Wisdom is truth being applied to real life situations. The wise become wiser still by listening with the intent to hear the meaning. Listening and learning. And then wisdom leads you to take action, often irreversible, because you believe the outcome will be right and good. How delightful when the wet-finished fabric exceeds your highest hopes!

May you become wiser than you are today.

In pursuit,
Karen

Embedded with Elegance

In the afternoon light the linen takes on a golden appearance. The halvdräll pattern in the cloth is no less distinguishable in these low-contrast weft colors. In fact, the pattern seems more embedded in the fabric now than it did with the vibrant red weft in Weaving Christmas. Natural unbleached linen over white bleached cottolin brings monochrome elegance to this table square.

Elegant monochrome halvdräll on the loom. Karen Isenhower
Unbleached and half bleached 16/1 linen are combined for the pattern weft. Bleached 22/2 cottolin is used for the warp and for the tabby weft.
Halvdräll on the loom. View of the back of the cloth.
View of the back of the halvdräll cloth under the advancing warp.

God has a life plan for us that reveals His glory. His instruction gives me wisdom, insight, and understanding for life. It is much like following a halvdräll weaving draft to produce halvdräll fabric, and witnessing the fabric at its best as it glistens in the afternoon sunshine.

 

May you enjoy the wonder of Christmas.

Happy Halvdräll,
Karen

Tools Day: Swift and Winder

When yarn comes on tubes or cones I can use it as is for weaving, but when the yarn comes in skeins I need to do some prep before I can use it for weaving. (HERE is how these skeins looked when I got them.) I use my Beka Yarn Swift and Royal Ball Winder to convert skeins of yarn into balls that I can use for winding my next warp. Most of my weaving friends use an umbrella yarn swift, but I like my Beka swift that I have had for thirty years. (If I do get an umbrella swift someday, I will get one like THIS.)

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Weaving tools: Yarn Swift and Ball Winder

How to place skein of yarn on swift and wind into a ball.
Yarn swift on the white table turns quietly and effortlessly as the yarn is wound onto the ball winder clamped to a wooden barstool placed near the table.

How to use a yarn swift and ball winder:

  1. Carefully open out the skein of yarn, and notice how it is tied.
  2. Place your two arms through the center of the ring of yarn. Sharply pull your arms apart, so the skein is fully outstretched. Turn the circle of yarn about a half-turn, and sharply pull your arms apart again. This will help even out the skein and make it unwind smoothly.
  3. Carefully place the opened skein over the yarn swift.
  4. Loosen or clip the threads (often tied in a figure-eight) that are tied around the skein; be sure to hold onto the two loose ends of the skein, the beginning and end tails.
  5. Take the beginning tail and feed it to the ball winder.
  6. Turn the ball winder handle with one hand, and allow the yarn to loosely glide through your other hand to help maintain an even tension as you wind.
  7. When all the yarn has been wound onto the ball winder, remove ball of yarn by carefully pulling it up and off. (If you want a center-pull ball, which I don’t, be sure to grasp the beginning tail so it is not lost inside the ball.)
  8. Neatly wrap the outer end around the outside of the ball so it is ready to be used.
Winding a ball of yarn from a yarn swift - how to.
If it weren’t for these tools, I would need a very patient helper to hold the skein of yarn between their hands just so, while I would take the end and gradually wind the yarn into a ball. I’m thankful for tools! (Steve is, too.)

Wisdom tools: Work and Thinking Ahead

Work means doing what needs to be done. If I’m a slacker about winding skeins into balls, I’ll have nothing to weave, and no woven handiwork to show.

65% Alpaca 35% Tencel yarn
Ready to wind the warp for the next project on my Glimåkra Standard–an alpaca-tencel shawl with a lace weave.

Solomon had this to say –

The sluggard does not plow in the autumn; he will seek at harvest and have nothing.

What about other areas in life? What needs to be done now to ensure fruit in the next season?

May your harvest exceed your expectations.

Lovingly,
Karen