I planned a small tapestry project to take with me on our travels to Grand Canyon North Rim last month. I was rushed in the planning of the cartoon and in the selection of the yarn colors. Sitting by our travel trailer at the campground, with the rim of Grand Canyon in view, I had an inspiring environment for weaving.
After returning home, I could see changes I’d like to make in the cartoon, and some adjustments needed in the hues and values of my yarn selection. The cartoon is a photo of a Grand Canyon North Rim sunset from our visit there two years ago. I reworked the cartoon in Photoshop and edited my yarn selection. Then I undid everything that I had already woven. I’m starting over and it is looking better already!
Every evening, now, I bring my Freja Tapestry Frame to our small breakfast table in the kitchen and weave for a little while. Steve made a holder for me to hang the tapestry frame on a wall in the study. I take a picture every morning. I will end up with a series of photos that show how the tapestry grows, row by row, over time. This daily tapestry weaving gives me a constant reminder of how beautifully creative the Creator of our universe is, and how His planning is never rushed, nor His selection of colors short sighted. His work is perfect from the start.
First, we found a place to hang this Freja Tapestry frame on the wall. Bright yarn is the scrap yarn for beginning to space the warp. Six rows of 12/6 cotton warp thread finish the job of spreading the warp evenly. I also added two quick rows at the top to help keep uniform spacing from bottom to top of the warp.Steve’s simple mounting rack is just right for holding the tapestry frame. I can view the right (or wrong) side of the tapestry and watch it grow day by day. I completed these six rows in the first couple days back home.Detail view of the right side of the first six rows. This tapestry is being woven from the back.Adding rows two at a time.So far, this is simply colors and shapes.Sitting down in the evening and completing one pass (two rows) is a satisfying way to wind down for the day.Pouch with yarn, Gingher snips on a handwoven band to wear around my neck, legs to hold the tapestry frame at a comfortable angle on the table, folder with tapestry cartoon and a few go-by’s. And, the Freja Tapestry frame, with slat that holds the cartoon, and tapestry needle held by earth magnets that Steve inlayed into the face of the right side of the frame, and a wood cover that slips over the bottom teeth on the frame that keeps anything from snagging on the teeth.This is my simple setup. Most evenings I take my place here at our small breakfast table and set up my tapestry frame. I have a black-and-white, and a full-color go by. I refer to these constantly as color reference and value reference.This is my “crayon box” of colors, carefully selected by value and hue. Most of the weft yarn is 6/1 Fårö wool, with a few colors of 20/2 Mora wool added in. I have the yarn sorted by value. There are five sleeves in the pouch, so 1, 2, 3, 4, 5 – for a five-point value scale. The yarn is wound on floss bobbins left over from my counted cross-stitch days. This makes the whole project very travel friendly.
Steve and I plan to return to the North Rim of the Grand Canyon this autumn. When we were there two years ago we were amazed at the rich colors everywhere. Those colors are the inspiration for this wool goose-eye twill cape. It was a joy to weave these colors on my Glimåkra Julia loom, using four shafts. The process video slideshow below will show you the project from start to finish, with a few Grand Canyon views thrown in. I made a prototype cape from dark gray felt before settling on the pattern details for my handwoven material. You will see the felt cape at the end of the film. Enjoy!
Sunset brings a hush over those who witness it. Colors, textures, and a dramatic ending to the day.Hand-stitched lines follow the edges of the pattern pieces. This alleviates the difficulty of putting chalk or other marks on this fabric.All the pieces are outlined with thread. I was able to match stripes in the front and on one side by carefully laying out the pattern pieces.Machine zigzag stitches inside the thread outlines. After this, I can cut the pieces along the outline, knowing the edges are secure.I saved this measuring ribbon for the babywrap I wove when my daughter was pregnant. The baby for whom I wove the wrap just turned 8 years old. I found the ribbon when I was looking for some twill tape to sew into the shoulder seams for stability. Perfect! Now I have some of this memorable twill tape sewn into my cape!Blanket stitch around all the edges helps hide the zigzag stitching, as well as provide a decorative edge that gives the fabric a finished look.Ready for autumn. And ready for the fun of wearing this Grand Canyon cape at the Grand Canyon!
May you honor the Grand Weaver who designed the Grand Canyon in all its colors and gave it to us to enjoy.
The last few months have been a season for me to put my focus on writing a book about prayer. This has been a season of less weaving than usual. Still, I find a way to get to the looms–a little here, a little there. It adds up. The nice thing about handweaving is that you have something to show for your efforts. Every little weft thread counts. Every day is a gift from the Lord, and every season is an opportunity to acknowledge Him. Thank you, Lord, for every season!
Here’s what I’ve been up to in this weaving season:
Eight different weft colors for this goose-eye twill. 7/2 Brage Wool.Cloth beam filling up.Standing back and enjoying the colors.Roadrunner on the drawloom. Cottolin and linen. Six groundshafts.Beginning the top half of the roadrunner pattern. Chart hangs for handy reference as I move up the chart, row by row.Roadrunner complete. Next chart to design is the Texas Longhorn. And three more critters after that.Curtain fabric, 24/2 cotton M’s and O’s.Cloth beam filling up.Take a step back and enjoy the process.
My looms are all occupied, so it will be a while before I can weave some new wash cloths. In the meantime, I am making “new” wash cloths to replace the ones that we have used so much that we’ve worn holes in them. The pictures tell the rest of the story.
Linen wash cloths have been well loved and well used. Evidently, it is past time to make replacements. These will go in my remnants box and one day I’ll find a use for the parts that haven’t frayed.Cotton warp, linen weft. This two-blocktwill was one of the first projects I ever wove on my beloved Glimåkra Standard first floor loom. I designed this fabric to make a Roman shade for our previous home. Parts of it are faded, but it is still beautiful, useable fabric. Perfect for a set of “new” washcloths.For simplicity, I am using another washcloth to measure the size to cut for the “new” washcloths.Cutting to size, taking into account seams on all four sides.I probably should have pressed before cutting, but I didn’t think of it until now. The long narrow woven band was used for the pull cord on the Roman shades in our previous home. Perfect to pair with these washcloths for the hanging tabs.First step for the mitered corners is to fold in the corner twice, and pin into place.Second step for the mitered corners is to fold in the side hems twice and use quilters clips to hold in place.Approximately 4 inches for each hanging tab. I zigzag the ends and then cut them apart.Then I plan where the hanging tabs will go, testing how the cloth will hang.Clip the hanging tabs into place.Stitch the seams. At the mitered corner, I would like to have about four hands as I remove clips and hold things in place while I walk the presser foot around the corner. Whew!Nearly perfect! Nobody needs to know these are secondhand Roman-shade wash cloths.The new wash cloths are right at home between the other handwoven goods hanging on the bathroom wall.
I always put on more warp than I need for a project. That end of the warp is where I play, experiment, and try out crazy ideas, not to mention try to use up the thread from as many quills as possible. Or, for rag rugs, I try to use up as much of the weft fabric strips as I can. I have containers for those odd pieces (remnants). That is where I look when I want to make something.
Rag rug “scrap” became a seat cushion last year for me to use in the car.Two cut-to-fit kneeling pads go in the cushion cover. I added handwoven bands for ties. The ties don’t stay tied, and they aren’t really needed. I let them hang as if they are chunky fringe.
The seat cushion I made for myself last year works great. Now I want to make a seat cushion for me to use in the other car. Time to get out that container of “scraps.”
I find four potential “scraps” to use for another cushion cover. The rag rug pieces aren’t quite big enough, but would work if I added some fabric to them. The colorful magenta and stripes piece would work as a top, with some other fabric for the bottom.Blue striped eight-shafttwill in 8/2 cotton is just right! This is fabric I wove a few years ago for chair covers for my mother-in-law. It has a good weight to it, with quite a bit of give. And the blues are very pretty!I am folding the piece in half lengthwise. This fabric has a pretty strong bias pull, so it makes sense to pin the seam before sewing.Walking foot on my sewing machine makes all the difference, especially with this bias-strong fabric. The walking foot helps keep the two layers of fabric together, instead of the top layer stretching ahead of the bottom layer.Two simple seams, and I’m finished with sewing! I am leaving the end open so it is super easy to add or subtract the fillers for the cushion. No ties this time.Press the seams open.Press the seams from the right side. Nothing matches at the seams because this long piece was made with intentionally irregular stripes.Two kneeling pads are cut to fit. They will go inside the cushion cover. This gives me a good firm cushion to elevate my sitting position in the car. There is enough room in the cusion cover that I can add a little more height, or I can remove one of the kneeling pads for a lower sitting position.Two kneeling pads go in.Ready to Go!
Less than thirty minutes for this project, from selecting the fabric to inserting the pads. That’s exactly why I always put on extra warp! You never know when you will need an odd piece of handwoven something…
