Is there such a thing as too many handbags, pocketbooks, tote bags, and purses? Of course not. Naturally, my favorite handbags are made from handwoven fabric. Linings made from remnants, handwoven bands used for shoulder straps, hidden zippers, and, of course pockets–these are the details that other people will seldom notice. Yet these are the details that make me smile every time I use one of these bags.
Nineteen handwoven handbags. Various sizes, fibers, styles, and purposes. And colors. Lots of colors!
…You know that box of handwoven bits and pieces? Those weavings from the end of the warp, and the “scraps” from various projects? Hmm… looks like I might need to make another handbag or two.
Here is my collection of handwoven handbags, divided into a few categories. Plus, a short video just for the fun of it!
Wool, novelty chenille yarn, crochet cotton, and narrow fabric strips are used for weft in these bags. Buttons are from my grandma’s button jar. The small rag-weave pocketbook has a permanent home in my daily handbag. The fabric for these bags was woven on my Beka 32″ rigid heddle loom.Linings are from remnants of other sewing projects. Bag handles were woven on my inkle loom.
Travel Finds
Trips to The Philippines yielded interesting woven goods by artisans there. The green stripe tote bag is woven from native plant material, and the teal and burgundy purse is a beautiful example of ikat weaving. The colorful weft-faced woven shoulder bag and the purple bag with lovely weft-float patterning came from travel to Chile.
Project Carriers
Large tote bag, woven with 1/4″ fabric strips for weft, carries my “show and tell” when I go to my weaving study group. It’s known as the “Mary Poppins Bag.” Rag-rug bag in the center has straps, woven on the band loom, that were woven into the bag. This bag carries my portable tapestry weaving. The rag rug bag on the right carries my one-and-only crochet project.
Special Use
Linen bag has beads woven into the fabric. It is lined with satin. Rag-weave purse is simply a flat piece folded in half, with lining and pockets added to the inside. The blue bag is wool, woven in a weft-cord technique. The fabric was partially fulled to produce the ribbed texture.Lining for this bag is made from extra fabric after weaving cotton/linen fabric for cushions, and the pocket is a remnant from a two-block twill tencel scarf.
Daily Use Favorites
Representing some of my “firsts.” The brown and blue small shoulder bag is from one of my first cottolin towel projects. This is what I did when the last piece was too short to use for a towel. The green and turquoise clutch has remnants of my first ever handwoven towel, my first rosepath rag rug, and my first big rep weave project! The blue shoulder bag is the bag I use every day. It’s a remnant from the baby wrap I wove for my daughter’s first baby. It’s lined with a remnant from an Easter dress I made for her when she was a little girl.
Some accessories are so useful they simply become an extension of the loom. That’s how my loom bench baskets are for me. I automatically place an emptied shuttle there without a second thought. It’s where extra shuttles go that are waiting their turn, or extra quills that have been wound, or a few fabric strips that are set aside for one section. For anything I need to drop or pick up–the baskets are always there.
Deep basket on the bench at the baby loom (Glimakra Ideal) easily holds my ski shuttles for this rosepath rag rug.Leather strap on the basket slips over the end post of my loom bench, right by the always-handy measuring tape.Basket made for this purpose, from Vavstuga.Basket at the big loom (Glimakra Standard) holds a small hanging cup I found at Ikea that is useful for holding small things, like filled and emptied quills.Old basket I’ve had for years is put to use on the other side of the big loom bench. I tied it on with a wool inkleband I wove many years ago.
This is the narrowest inkleband I have ever made! With thirteen ends of fine 16/2 cotton, I get a very skinny ribbon. I brought my inkle loom with me to the Texas Woodcarvers Guild Spring Round-Up. This gives me something to do at the “Conversation Table” while Steve attends wood carving classes. Some ladies have their crochet, some have their knitting, and I have my inkle.
Inkleshuttle holds fine 16/2 cotton weft.Steve making progress with his farm scene relief carving.
The inkle loom is a conversation piece, to be sure. Inquiring people stop to look and ask questions. Many think it looks complicated. “It’s a lot simpler than carving a piece of wood,” I say with a smile.
Warp is close to the maximum length possible for this inkle loom. Off the loom, the band measures about 2 1/2 yards (2.25 meters).Finished skinny inkle band, with a dime for scale.
Seek the Lord; seek His strength. Walk in the Lord’s strength. When this is your habit, your continual mindset, life’s struggles seem less complicated. Down shed – shuttle – up shed – shuttle. Repeat. Keep going to the end.
What do you do when you are away from your looms for a week? Portable weaving, of course. I thought about bringing my band loom, but fitting the band loom in the car turned out to be more of a hassle than it is worth. So the band loom stayed home.
I have my inkle loom with me instead, as well as my small tapestry frame. Steve is taking a woodcarving class from Dylan Goodson this week at the Texas Woodcarvers Guild Seminar; and while he is in class I am keeping my hands busy with portable weaving.
Steve beginning to shape his relief carving, following the finished example by his instructor, Dylan Goodson.First inkleband of the week is linen.Cottolin warp for the second narrow inkle band.Second inkle band almost finished.Start of a small tapestry of a little girl, derived from a picture in a children’s book.Time to put on one more inkle warp!Adding more details to the relief carving. Good carving takes time and patience. Like weaving.
If I line up all my weaving shuttles, end to end, how far do you think they will reach? The accumulation started slowly, adding a shuttle here and there, as needed. My husband contributed to my collection by handcrafting some of the shuttles for me. “I could use a stick shuttle in such-and-such a size.”“Okay, dear,” he would say, before going out to the garage to whip up yet another yardstick shuttle for my rigid heddle loom.
Ski shuttles are for rag weaving. Boat shuttles are for almost everything else. Most of my boat shuttles are traditional Swedish shuttles. All these fascinating shuttles, such simple tools, work the wonder of weaving.
Shawl woven on 32-inch rigid heddle loom, with super kid mohair/silk and baby alpaca. Smooth, handcrafted walnut stick shuttles were used for this project.Tapered edge on pine inkle loom shuttle helps for beating in the weft. I have been known to weave with crazy novelty yarns on my inkle loom.Maple band loom shuttles, hand-carved by my husband, *live* in a small handmade bag that hangs on the back corner of the band loom. This shaped shuttle is perfect for the tricky one-handed manipulation that is needed. If they are too smooth and polished, however, they slip right out of my hand.My favorite ski shuttle is the beautiful cherry wood shuttle made by my husband, Steve. It helps to have several ski shuttles. The “Creative Expression” Rosepath Rag Rug used three shuttles at a time to get the gradient color effect.Boat shuttles eager to weave. Do you hear them? … “Pick me”…”No, pick ME!”These are a few of my favorite things. Swedish woven goods made on a Swedish loom with Swedish boat shuttles. (I’m the only thing not Swedish here.)How far will my shuttles reach? 34 1/2 feet (that’s 11 1/2 yards, or 10 1/2 meters long). I ran out of room, so the last one is standing on end.
