I need to free up this little loom in order to put on a differentwarp that has a deadline. So, now that I have returned from my travels, my attention is going to these towels. My friend is letting me weave this lovely cottolin warp that she got at Vavstuga.
Simple border stripe in first towel. Straight twill.Cottolin warp and 8/1 tow linen weft.Point twill on four shafts. Three horizontal stripes made with half-bleached tow linen weft.
Straight twill, point twill, broken twill, and now “rick-rack.” And after that, a couple towels in plain weave. Everyone who weaves this Vavstuga towel kit and follows the instructions will end up with the same six towels. True? Not necessarily. I like to step off the expected path. That is why I vary the weft and include some type of simple border design on each towel.
Three colors of 8/1 tow linen sit on the little blue table as choices for weft. Half-bleached, Unbleached, and Bronze.Changed the tie-up to broken twill, which allows me to keep a simple straight treadling pattern. Dashed weft pattern for the border stripe is produced by alternating the bronze linen weft with the half-bleached linen weft.Long wavy vertical lines give the appearance of rick-rack. Again, I changed the tie-up to keep the simple straight treadling pattern. I use all three weft colors in this color-blocked towel.Plain weave, with four shafts and two treadles. The main body of the towel uses the unbleached linen weft. Two picks of half-bleached linen are sandwiched between several rows of bronze linen weft.
There is a wide path that is crowded with many people. It’s the common and expected way of life. It’s where you stay if you want to fit in with everyone else. But if you search for it, you’ll find an uncommon path. It’s narrow; and few find it. It’s the path of life that is found in Jesus Christ. Stand in the narrow path. That is where your unique features will show up as border designs that set you apart as a cherished child of God.
I know how to write music. I am experienced in playing improvisational music on my cello. And I don’t have a problem making up a tune to sing on the spot. But nothing touches the richness of music’s beauty like getting out the Beethoven Sonatas at the piano, or Bach’s Six Suites for the cello, or singing from an old-fashioned hymnal. Likewise, I do know how to write a weaving draft from scratch, but I usually find my starting point in one of my favored weaving books. There are countless designs and dreamy pictures. From simple to extraordinary. Sometimes I follow the instructions precisely. But most often, the improviser in me examines the elements and finds a new version to “play.”
Here are just a few of my favorite weaving books, and a sampling of what they have produced.
Favored weaving books, in no particular order. Do you see a theme? Yes, I like to weave Swedish patterns from Swedish books on my Swedish Glimåkra looms.
Rosepath band with turned rosepath. Lundell, Laila, and Elisabeth Windesjö. “The Big Book of Weaving: Handweaving in the Swedish Tradition: Techniques, Patterns, Designs, and Materials.” North Pomfret, VT: Trafalgar Square, 2008.
Rosepath rag rug. Hallgren, Ann-Kristin, and Monica Hallén. “Älskade Trasmattor: att Väva Som Förr.” Kalmar: Akantus, 2006. (“Beloved Rag Rugs: To Weave As Before”)
My version of this rosepath rag rug makes itself at home in our Texas hill country getaway.
Rosepath rag rug. My very first rosepath rag rug is positioned in a prominent place in our home where it is seen and stepped on every day. Much to my delight. Ignell, Tina, and Catherine Zienko. “Favorite Rag Rugs: 45 Inspiring Weave Designs.” North Pomfret, VT: Trafalgar Square Books, 2007.
Another rosepath rag rug. No end to rosepath rag rug possibilities, it seems. Hallgren, Ann-Kristin, and Monica Hallén. “Alla Tiders Trasmattor.” Akantus Edition, 2007. (“All Time Rag Rugs”)
Rosepath rag rug uses alternating weft colors in the plain weave sections, adding visual texture.
Called “warp-faced combination weave” in the book. I don’t know what else to call it. I wove this scarf when I didn’t know exactly what I was doing yet. If you see any mistakes, just think of them as “design elements.” Johansson, Lillemor, Charlotta Bosson, Conny Bernhardsson, and Katie Zienko. “Happy Weaving from Vävmagasinet.” Glimåkra: Vävhästen, 2004.
Cottolin twill towels. I have a small sample piece. All the towels I wove are happily drying hands and dishes in homes of family and friends. Björk, Birgitta Bengtsson, Tina Ignell, and Bengt Arne Ignell. “Simple Weaves: over 30 Classic Patterns and Fresh New Styles.” North Pomfret, VT: Trafalgar Square, 2012.
Double binding rag rug. This sweet rug is resting in my Etsy shop, waiting for a new home. Johansson, Lillemor, Pia Wedderien, Marie Rolander, Conny Bernhardsson, and Katie Zienko. “Swedish Rag Rugs: 35 New Designs.” Glimåkra: Vävhästen, 1995.
May you play as much music as you can find.
…and speaking of Etsy! The original River Stripe Towels and Table Centerpiece Cloth that I wove are now listed in the Warped for Good Etsy Shop. And there may still be one River Stripe Towel Set Pre-Wound Warp Instructional Kit (Workshop in a Box) left! UPDATE: THE KIT HAS BEEN SOLD.
Twenty-seven coffee mugs sitting in a row… on these new mug rugs! Wouldn’t that be a lovely sight?! Twenty-four of the mug rugs are identical. The last three, however, are different. I ran out of string yarn near the end of the warp, so I switched to fabric strips for the weft. There is just enough spacing between warp ends that some of the fabric print shows through. I love the results! These last three mug rugs are set apart. Brought about by a shortage of string yarn.
Fabric strip from a past rag rug project is used for the thick weft in this rep weave mug rug. The cotton fabric strip is 3/4″ wide.
Beautiful batik fabric with crimson and purple deepens the color of the red cottolin warpends.
Cutting Off! Six yards of mug rugs.
Finished with machine zigzag stitches and a short fringe. 25 mug rugs with black string yarn weft. 1 mug rug with fabric strip weft. (Not shown: 2 mug rugs from the set-apart pile that have already been dispersed as gifts.)
Realizing our personal shortages is the beginning of humility. It’s not easy to acknowledge shortcomings. But humility begins with honesty. And it’s the answer for those who want to find the path to God. It’s our honesty about our shortcomings that catches His attention. God hears a humble prayer. The God of the universe gives one-on-one attention to the person who comes to Him in humility. Amazing! We come to the end of our personal supply, and He supplies the needed weft that sets us apart.
May your humility make you different from the norm.
With you, Karen
~ATTENTION~ Towel Kits ~
Thank you for your fantastic response regarding the towel kits I am offering! Many of you have expressed an interest in knowing when the kits will be available for purchase.
A small number of towel kits are ready! The River Stripe Towel Set, Pre-Wound Warp and Instructional Kit, for $150 per kit,will be listed in the Warped for Good Etsy Shop tomorrow, Wednesday, March 29, 2017, around 10:00 am CT.
If you are not already on the Towel Kit notification list, and would like to be notified when the next batch of towel kits are ready, please send me a message HERE.
An idea is merely a collection of thoughts until it begins to take shape. Plans, thinking things through, trial and error, sampling, writing, formatting. That’s what it has been for this Plattväv towel kit. The idea to develop a towel kit is taking shape. Finally. River Stripe Towel Set, a Pre-Wound Warp Instructional Kit! I am winding the warps now. I have written the instructions. There are still a few loose ends (obviously a weaver’s term) to take care of, but we’re closer to turning this idea into a real thing. Made especially for adventurous weavers.
The weft makes or breaks a weaving project. 16/1 linen weft requires careful weaving, but the quality of Swedish Bockens linen won’t disappoint. If you use superior quality warp thread, like this Swedish Bockens Nialin (cottolin), it makes perfect sense to choose a weft that equals that degree of excellence.
Plattväv table runner. Black 16/1 linen is doubled for the pattern weft in this plattväv design. The background tabby weft is golden bleached 16/1 linen.
When I weave useful items on my loom, I want them to stand the test of time. I want these plattväv towels and table runner to outlive me. So, no skimping on quality. Time and patience are woven into the cloth, with artisan details and carefully applied skills. Perfection? No, not this side of heaven. But making the most of what I’ve been given is one way I show gratitude to my Maker.
End of towel kit sample warp has enough room to weave a companion short table runner with plattväv squares. All weft tails will be trimmed after the fabric has been wet finished.
Weaving as far as feasible. End of warp closes in.
We have much to be grateful for. The Lord’s enduring love is of measureless worth and quality. It’s the basis for our unwavering hope, which sustains us through every adversity. This isn’t a knowledge of the love of God. This is the actual love of God, poured into willing hearts. Love changes everything. This love is the weft that makes perfect sense for the completion of something as valued as you or me. What if every fiber of our being reflected the love of God? How beautiful!
May your finest qualities be seen and cherished.
Love, Karen
PS Plattväv towel kit is in development. The kit includes a pre-wound warp and sufficient weft to weave four hand towels, and one companion short table runner/table square. PLUS, special access to one or two short instructional videos.
