I distinctly remember the thrill of weaving my first two-block twill on eight shafts. It was a linen table square woven on a Glimåkra Standard loom in Joanne Hall’s delightful Montana studio. That classy linen table square came home with me, …and my first floor loom came soon after–a Glimåkra Standard of my own!
Linen table square, woven at Joanne Hall’s studio.
I can still hear Joanne’s gentle instruction about holding the shuttle. “Palms up.” This way is easy on the hands and wrists. I’ve had considerable practice since those lessons in Montana. Now, I send the shuttle across the warp and catch it securely with ease. That same two-block twill “Linne” pattern is on my Julia loom now, bringing back those fond memories. It comes as no surprise that watching threads on eight shafts become woven cloth is just as thrilling now as it was that very first time.
Linne Table Runner on the Julia in golden bleached, olive green, and midnight blue 16/2 line linen.
Deliberate hands send the shuttle through the shed, and receive it as it comes through to the other side. God’s hand is faithful. Trust-worthy. Think of his hand as open, palm up. Carrying, sustaining, and holding us securely. Trust puts us into the Lord’s faithful hand.
Drive up to this storybook cottage, and you can tell there is something special about it. It’s the home of Ed and Joanne Hall. When I arrive, Joanne greets me and takes me down the hand-crafted pine stairs to her delightful weaving studio dotted with floor looms.
Driving up to the Hall’s home and Joanne’s weaving studio in Montana.Välkommen = Welcome
I recently had the joy of learning the ins and outs of drawloom weaving in this storybook studio in Montana. After the class ended, Joanne and I sat at her kitchen table to share some thoughts about weaving.
Joanne Hall Photo credit: Ed Hall
Come join us, and sit in on our conversation…
If you could keep only one loom, what would it be?
The 59” Glimåkra Standard. That would be my loom, with a drawloom. A big loom is easier to set up, easier to warp because I can step inside it, and easier to weave on than a little loom. As you get older you need every advantage you can get.
Butterfly piece was woven on the very first warp Joanne put on her drawloom. The warp is 20/2 cotton, unbleached; and the weft is 16/1 linen. Being a tapestry weaver, I had to add more colors, so I laid in some colors and then I put a little gold leaf here and there. I did not want to add anything that looked like embroidery. I wanted my new work on the drawloom to have all the elements woven in. – Joanne Hall
What would you weave on that loom?
I would mostly make narrow warps. I could weave some blankets or larger things, as well, because it’s easy on that loom. It is easy to beat and so easy to treadle. I could also weave tapestry on it.
Describe the drawloom you would use.
With the Myrehed combination, I would have both the shaft drawloom and the single unit drawloom. I do like images, like tapestry weaving, so I would enjoy weaving with the single unit drawloom.
Story of the immigrants. Three of my grandparents immigrated from Sweden to America. This tells the story of their journey–walking, riding, then endless days on the boat, then walking again, all the way to Minnesota. – Joanne Hall
Are there any weaving secrets you’d like to share?
One important thing to know is to wind a warp with more than one thread, especially a long warp. It is easier to beam and you will prevent problems when you wind with two or more threads. And doing so may also have a positive effect on weaving that warp.
Another thing to consider is that once you start weaving, plan to invest in good equipment. Some weavers start out buying the smallest, least expensive equipment. That’s okay for getting started, but don’t spend too much time with inferior equipment. Once you start warping looms, get a big vertical warping reel that is more than two yards around. You can wind a warp in half an hour, an hour at the most. And the warp will be more even and accurate than one wound on smaller equipment.
If someone wants to learn more about weaving, what is a good way to start?
Go someplace where you can take a class weaving on floor looms, even if you have never woven before. Keep in mind that researching online can be more confusing than helpful. In a class you will learn much faster and you will probably get better information.
Front door of Joanne’s father’s father’s (grandfather’s) church in the small town of Ör, in Dalsland, Sweden. The “6” near the door was part of the date on the church, 1661. Woven on single unit drawloom by Joanne Hall.From a photo Joanne took in a small red house in an outdoor museum in the place where her mother’s family lived. These wooden shoes were on a rag rug in front of the fireplace. Woven on single unit drawloom by Joanne Hall.Fence that is typical of fences all over Sweden. This came from a photo of the fence around an outdoor museum in Falköping Sweden, Joanne’s mother’s grandparent’s home. Single unit drawloom, woven by Joanne Hall.
Any final thoughts?
In Sweden, weavers guilds are different than they are here in the US. Most everyone in Sweden can join a guild, called a vävstuga, which in Sweden is a place with looms—floor looms, big floor looms. You meet there as often as you want, and you can weave on floor looms in the company of other weavers, who are very helpful. If we had that, it would be wonderful.
That would be wonderful, indeed! I think I got a little taste of that, right here in your Montana studio. Thank you!
Montana is beautiful, with snow-capped mountains and big-sky sunrises! It’s there that I took Joanne Hall’s fantastic drawloom class last week. My confidence level about setting up and weaving on my drawloom shot up 100 per cent! (And Steve got to experience fishing on the ice with Joanne’s husband Ed!) Please continue all the way to the end of this post to read about submitting a question for Joanne to answer.
View from Hall Lane, in front of Joanne and Ed’s home.
Cathleen and Deborah and I wove on the shaft drawloom, the single unit drawloom, and the Julia loom set up with half-heddle sticks to weave opphämta. What joy! …even in the challenges of learning new things.
Single unit drawloom has the capability of weaving imagery, and even words, like “Lost Valley,” the name of our Texas hill country home.Single unit drawloom in Joanne Hall’s weaving studio.Joanne demonstrates how to use half-heddle sticks and shows us some opphämta samples.Pattern has Xs that show where to pull the shaft draw handles. The red dot of a straight pin keeps my place as I follow the rows from bottom to top.Pulled pattern shaft handles are secured in the hook bar.Normally, one two-ounce U-shaped weight hangs on each pattern unit. In this case, with 6/2 Tuna wool, two weights hang on each pattern unit.Wool yardage and samplers are unrolled and cut off the 120cm Glimåkra Standard loom. Oh, the colors and patterns!
Joanne taught us how to understand patterns and drafts, and how to make our own patterns. And we dressed the drawloom—we threaded pattern heddles and ground heddles, and distributed pattern shafts. Boy, did we students make mistakes! But with quiet Joanne, there is always a way to fix anything that matters. She is a picture of grace.
Deb separates pattern heddles that will be placed on the next pattern shaft.After undoing some beginner errors, we finally have all the pattern heddles in order (pointed threading) on the eleven pattern shafts.One weight hangs on the long heddles of each six-thread pattern unit.In the loom together! Karen (me), Cathleen, and Deborah enjoy the expertise and kindness of Joanne.New 16/2 cotton warp on the shaft drawloom. I emptied a few quills to weave the traditional eight-pointed star pattern. Meanwhile, Joanne watched treadles, lamms, and shafts to fine tune the sheds. Everything is just right!
Striving to look good to other people, we face unwelcome judgment. Striving to please ourselves, we face demands of perfection. But when our heart strives to please the Lord, we receive grace. Our failures fade in importance as our confidence in his faithfulness grows. Know who you are working for. The imperfect images we weave in the cloth are a humble gift of gratitude back our Grand Weaver.
Wool shaft drawloom sampler, at home now in my drawloom studio.Reverse side of wool sampler was face up on the loom.Single unit drawloom sampler. Our Lost Valley home, with details that remind us of our 2018 transition year.Draw cords and handles are in place. Forty more will be added soon.Shaft drawloom is ready. Single unit drawloom parts will be added later. Please excuse me now while I go wind a warp!
May your imperfections be greeted with grace.
Love and grace, Karen
~What are your questions? Joanne has answers~
Are you curious about drawlooms? Are you considering a drawloom for yourself? Do you have a drawloom and wish you could ask an expert for help? Please put your question about drawlooms and/or drawloom weaving in the comments below, or send your question to me through Get in Touch. Joanne Hall’s answers to two selected questions will be included in next week’s post. Please submit your question by this Friday, February 8.
