Tag: purpose

Can I Cut it Off Now?

Karen

Four rugs woven, with hardly enough warp left to weave anything worthwhile. I am eager to cut off the planned and finished rugs, and move on to the next thing. There is only a short span of warp left, so why waste time weaving a runt-sized rug? It won’t hurt to cut it off now. I am not losing that much of the warp.

Coming to the end of the warp.
When the back tie-on bar comes up over the back beam, you know you are at the end of the warp. I have heard that there is a saying in Sweden that when the end of the warp comes over the back beam you must complete the remainder of the weaving in one sitting.

All I have left are scraps–fabric strips that were cut for previous rug designs. …Wait a minute… Could this be an opportunity in disguise? A chance try out another design idea, using fabric strips that are already cut? If I think of this as a welcome challenge, instead of a waste of time, I start seeing everything differently.

Little square rug on the loom. Karen Isenhower
Design limitations help expand creative ideas. This piece uses only fabric leftovers from previous rugs, and is limited to about 26 inches / 66 cm of warp.

The natural progression of a negative thought goes from bad to worse. Unless something intervenes to stop the progression, it can end in results far worse than cutting off a rug warp too soon. Giving thanks to God breaks the negative progression, and opens us up to an unseen world. A world of beauty and purpose. A place where scraps are used to make new and beautiful things. And where using the rest of the warp is never seen as wasted time.

May your Thanks-giving celebration begin early and continue far beyond the norm.

With gratitude,
Karen

Shuttles at Work

Karen

With a flick of the wrist, the shuttle glides across the warp. The curved, narrow end of a traditional Swedish boat shuttle slides right into my hand. This dice weave uses one shuttle for the plain weave background, and a second shuttle for the pattern weft.

Dice weave on the loom, with the luster of linen in the warp and weft.
Dice weave with 16/2 linen warp and weft. The blue plain weave weft and the brown pattern weft are woven on alternating picks in the pattern blocks.

From my bin of shuttles I choose the ones best suited for the warp that is on the loom. When a shuttle fits my hand, as the Swedish ones do, that’s even better. As the weaver, I am usually the only one who sees the shuttles at work, but that makes them no less important. The one purpose of a weaving shuttle is to carry weft thread across the warp, by the weaver’s hand.

How do you find your purpose? Discover your calling by putting others first. Like most people, I would rather put my own self first. But our grand weaver calls us to be last. He calls us to be servants of each other. In that role where we carry the thread without being noticed, we do our most important work. And that is where we finally find our great value in the weaver’s hands.

May your shuttles glide effortlessly.

On purpose,
Karen

Look Behind the Knee Beam

Karen

As the cloth cascades over the knee beam, let’s take a sneak peek at the other side. Crouching below the warp behind the shafts, we see the mechanics of weaving. When I sit on my loom bench at the front of the loom, throwing the shuttle, it feels like magic. Thread by thread, fabric just appears. Under the loom you can see it is not magic. It is heddles on shafts, shafts connected to lamms, lamms tied to treadles. It is a system that works behind the scenes while you sit in front and weave. Sometimes we put our trust in what we see out front, neglecting to consider what goes on behind the scenes.

Cotton handtowels on the loom. View from back of loom under the warp.
Red cutting line between towels is seen just to the left of the upper lamms. There are no floats on this back side of the cloth, though the front has warp floats as part of the pattern.
Cut ends of the heddles are in focus, viewed from back of loom under the warp.
Cut ends of the heddles are in focus. The heddles, carrying warp threads, hang on shafts that are just above the camera view.

When I finish a weaving project, I untie and disconnect everything so the loom is ready for the next project. The warp has a purpose while it is on the loom, but when it’s over, it’s over.

Beware of putting your trust in human heroes. Keep in mind that your human heroe’s plans will last only as long as their life. When it’s over, it’s over. Do not put your trust in a person, a leader, a superstar, a human hero, to save the world. Put your trust in the grand weaver who holds the system in his hands.

May you encounter trust-worthiness.

(To see the warp floats on the front of the cloth, click HERE.)

Yours Truly,
Karen

What Difference Does the Weft Color Make?

Karen

Does the weft color influence the cloth as it intersects the warp threads? Of course! The distinctive textural quality of this 3-shaft twill with warp floats is enhanced by the colors. In this case, the weft follows the same arrangement as the colors across the warp, making an interesting plaid. What does your influence look like?

3-shaft twill with weft floats. Hand towels. Karen Isenhower
Weft colors coincide with warp colors to create a plaid design. The pattern in the weave structure appears to change according to the weft colors and the angle of view.

Before weaving, the untouched warp colors look well-defined and clean. Introducing the weft, however, changes everything. How can you predict how the weft colors will interact with the warp? Hold tubes of thread next to each other, or wrap different colors on an index card, or even combine threads by twisting them together in your hand. Yet, when the threads become enmeshed in woven cloth, as weft interlaces warp, a new color is revealed.

You and I have strategic influence. How we choose to use that influence makes a difference. As you intersect with people, you bring a unique thread into the picture. The results may be surprising at times, not what others expect. But you are the only you. You have a creator-given purpose. Let your influence make a positive difference. Who knows whether you have not come to these present circumstances for such a time as this?

May you be an influence for good.

(To follow the color planning and sampling for these towels, click HERE and HERE.)

You are loved,
Karen

Threaded Heddles Set the Stage

Karen

I love threading the heddles! It allows me to touch every single thread with my fingers. I guide each thread through a heddle on one of four shafts. Threaded heddles set the stage for the motion of cloth-making. Each thread has its own path, yet groups of threads function together as a unit. Kind of like a friendship network.

Threading Texsolv heddles for cotton hand towels.
With 36 threads in each grouping, the Texsolv heddles are threaded one-by-one, using only hands and fingers as tools.

I double-check my threading as I go. As I finish each section, I immediately go back through the bundle thread-by-thread to verify that each thread is inserted accurately. This effort on the front end is worth it. With every warp thread in its proper place, the design in the fabric is assured, even before the weaving begins. A friendship network is like that. Each person has their own path, and when those paths are aligned and given common purpose, the individuals form connections that make a friendship fabric.

Connection with our grand weaver gives us a friendship network with each other–a skillfully woven fabric. The beauty of this created fabric is that it reflects the heart of the maker. Each individual thread, aligned with the others in interesting patterns, becomes an essential part of the finished cloth.

May you glow in the fabric of friendship.

With you,
Karen