Weaving Ideas – Year in Review Video

Everything starts with an idea. And some of those ideas become tangible expressions of dreams come true. Who knew that a simple idea in 2012 would lead to a seven-year exploration of weaving through The Big Book of Weaving? (See Weaving through The Big Book.) Who knew that weaving on a drawloom in 2016 at Homestead Fiber Crafts would plant the idea of weaving on a drawloom of my own? (see Quiet Friday: Day at the Drawloom.) And who knew that an idea in 2013 to write about my weaving journey, calling it Warped for Good, would bring friends like you to come and enjoy the journey with me? For these things and so much more, I am truly grateful.

Siblings Tapestry is 3 cm away from completion!
Siblings Tapestry is three centimeters away from completion.
Drawloom rag rug - single-unit.
Single-unit drawloom rag rug is ten centimeters into testing everything–draw cords, sheds, shuttles. After a few more adjustments the actual rag rug weaving will commence.

Your ideas are priceless. That’s because you are priceless. You were made in God’s image, with the ability to imagine wonderful intricacies through creative thinking. In fact, you began as God’s idea. As we walk with him, we become the tangible expression of his dream come true.

Grab a cup of coffee or tea and sit here with me to reminisce over the past weaving year.

May this year bring your best ideas ever.

For you,
Karen

16 Comments

  • Joyce Lowder says:

    Karen: You are such an awesome servant and ambassador for God! Your comments have always captured my attention, but this one really spoke to me! I even wrote your words down to read to a friend who has a birthday today. I respect and admired your creativity and the effort you invest in sharing! It all takes time and effort, but I can see that your heart is in what you do…and your heart belongs to God. May God continue to bless you in this year of 2020! 🙂

    • Karen says:

      Hi Joyce, It’s a pleasure to be able to share what I enjoy. Thanks for your thoughtful words. I’m glad to have you along with me.

      Happy weaving new year,
      Karen

  • Joanne Hall says:

    It was fun to see all that you have done this past year. And I enjoyed seeing that photo of our winter drawloom class and the samplers on the drawlooms. You have done a lot of weaving already in your new home. I look forward to what you weave after our art weaves workshop next month. See you then.
    Joanne

    • Karen says:

      Hi Joanne, That drawloom class was a highlight for the year. I’m thankful to be in a place and season of life that suits my weaving endeavors.

      I am looking forward to the art weaves class. I still have so much to learn!

      See you soon,
      Karen

  • Cynthia H. says:

    Karen, what an amazing artist you are, beautiful work. Cant wait to see what you will be working on next. Say hi to Steve for me. Cynthia H.

  • lanora dodson says:

    This was inspiring on SO many levels! It brought a sense of peace, wonder, and excitement all at the same time. Thank you for sharing and cannot wait for the coming year to see what you’ll be creating!

  • Nannette says:

    Karen,
    Thank you for sharing!
    I will need to watch the video a 4 or 8 or 10 more times to absorb everything you did in 2019.
    The close ups are welcome.
    Nannette

  • Beth Mullins says:

    You’ve had a beautiful, productive year! You and your work are so inspiring, bringing excitement, curiosity, and clam all at the same time. I can’t wait to see the siblings completed and what’s to come in 2020.

    Happy New Year, Karen!

    • Karen says:

      Hi Beth, It’s good to have a sense of accomplishment. I always enjoy seeing your beautiful woven creations on IG. We both had a year rich with weaving. I’m glad to have your friendship on this journey.

      Happy New Weaving Year,
      Karen

  • Johanna McGuirk says:

    Dear Karen

    I am very keen to get the details for the electric bobbin winder as I am frustrated using the hand drill. Would it be possible to supply me with more details please? Hopefully my husband or son can put one together for me.
    Kind regards
    Johanna

    • Karen says:

      Hi Johanna, I am happy to share the details for the electric bobbin winder that Steve made for me.

      I will send you an email with the information.

      All the best,
      Karen

  • Karen, thank you so much for sharing your video. It was both inspiring and calming. A beautiful expression of pure creativity expressed through our traditional craft. Love your work.
    Barbara

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Looms Quietly Waiting

Merry Christmas Eve to you. Looms are quietly waiting to resume their rhythm. Meanwhile, songs of joy and hope fill the air because the Savior of the world is born.

Pictorial tapestry on Glimakra Standard loom. Only 6 cm remaining.
1. The Standard
Pictorial tapestry, with only 6 centimeters of the cartoon remaining.
Rosepath rag rug completed on the Glimakra Ideal loom.
2. The Ideal
Second rosepath rag rug completed. Two short rugs yet to be woven on this warp.
Wool handwoven scarves.
3. The Little Loom
First of two scarves is started. I am using the Stardust draft by Mona Nielsen, published in Happy Weaving, from Vävmagasinet, but with yarn and colors of my choosing.
Drawloom getting set up for weaving rag rugs with single unit drawloom.
4. The Drawloom
Warp is threaded and tied-on. Single-unit draw cords have been prepared. Next step: Attaching draw cords to pattern units. And then, tie up treadles and start weaving!

May your night be silent and holy, calm and bright.

Happy Holy-days,
Karen

17 Comments

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Tried and True: Outsmart the Rag Rug Weft Tails

What do you do with weft tails on a rag rug? Normally, you wrap the weft tail around the outer warp end and tuck it back into the shed. But what about color changes? If you have several color changes in a row, you can end up with extra bulk on one selvedge or another from those tucked-in tails.

3 Ways to Outsmart Rag Rug Weft Tails

  • TWO PICKS For a two-pick stripe, leave a tail of several inches on the first pick. For the second pick, lay the weft tail from the first pick in the shed. Lay in the second pick, and cut the fabric strip to overlap the weft tail in the shed. This eliminates any extra bulk at the selvedges. (All tails are cut at a steep angle.)
  • CARRY IT When feasible, carry the weft up the side. If a weft is out of play for only one or two rows, do not cut it. When another weft enters the shed, make sure it encircles the idle weft.
  • DISTRIBUTE Whenever possible, avoid tucking in weft tails two picks in a row. Wait, and tuck in the tail on a subsequent pick.

HERE IS AN EXAMPLE:

How to outsmart rag rug weft tails!
Gray weft ends with weft tail tucked in. White tabby weft tail is not tucked in.
How to outsmart rag rug weft tails!
Rosepath pattern weft for a two-pick stripe. Loooooong weft tail.
How to outsmart rag rug weft tails!
Tabby weft goes around the rosepath pattern weft, and is tucked in the shed.
How to outsmart rag rug weft tails!
Tabby weft comes through the shed and lays over the tucked-in tail.
How to outsmart rag rug weft tails!
Tabby weft is beaten in.
How to outsmart rag rug weft tails!
Pattern weft is laid in the shed, with tails overlapping near the center of the warp.
Tabby weft is beaten in, and weft tail is tucked in. In the middle of the rosepath medallion the orange print weft is carried up the side until it is used again. For the gray strip that follows the last white tabby pick, the weft tail is tucked in on the second gray pick.
How to outsmart rag rug weft tails!
Rosepath medallion with several color changes.

One more thing. Cut the weft tail extra long if you are tucking it in a row with weft floats, as in rosepath (Like the center pick in this medallion). This helps keep that weft tail from popping out of place. You don’t want those tails to start waving at you.

May you pay attention to the details.

Happy Weaving,
Karen

4 Comments

  • I’ve thought of doing a post like this as a visual for my students. Now I don’t have to! I will just refer them to your beautiful rug!

    One thing you didn’t mention was the single black pick. How I do a single pick is to cut the strip half the width of my other strips. I cut the length a bit longer than twice the width, allowing for the angle and the overlap and tapered ends. I insert it with a stick shuttle leaving both ends hanging out and beat. Both ends then wrap around the end warp or the weft being carried up the side and have the tapered ends overlap somewhere in the center.

    Excellent tutorial!

    Jenny Bellairs

    • Karen says:

      Hi Jenny, Basics like this are always good to review. Thanks for your encouragement!

      Your method for weaving a single pick is excellent, and eliminates another tail at the selvedge.
      I don’t usually take that extra step, though, of cutting a strip half width. So my single picks do have a long tail tucked in.

      Thank you!
      Karen

  • Nannette says:

    Brilliant! Thank you.

    I’m working on a strip quilt project with an abundance of leftovers. 4″ will be cut down to 1″ widths and woven into the extra rose path warp on the loom.

    A very timely posting.

    Nannette

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Rosepath Unlimited

This seems unreal, like pulling an item right out of my imagination and touching it with my hands. It is exhilarating to watch a concept sketch develop into a tangible rag rug on the loom. Even though I enjoy designing at the loom, I relish the challenge of preparing a design in advance. In order to make a workable sketch I must study, think, and explore. It’s in this process that I realize the design options are limitless for rosepath rag rugs. This compels me to keep pressing in to learn and explore even more.

Beginning a new rag rug.
Hem, woven with narrow strips, follows the gold warp thread header. First wide border of the rug uses an assortment of green fabric strips.

The concept sketch is a scaled-down map of the rosepath rag rug. Each square on the gridded paper represents 6 centimeters. The sketch shows me which fabrics to use where, and specifies the placement of each design element—borders, plain weave, rosepath diamonds, dashes and dots of specific colors, etc. I add notes to the page as I weave, like specific treadling sequences and measurements, so that I can mirror them on the second half of the rug.

Concept sketch by the loom is my roadmap for weaving the details.
Concept sketch sits at the windowsill by my loom. I use it as a roadmap for weaving the details.
Weaving rag rugs with a temple. Always!!
Stretched-out temple is a necessity when I weave rag rugs. The wooden Glimåkra temple is my favorite because I can place it near the fell without risk of damaging the beater. This makes it possible to move the temple frequently, adding to weaving consistency.
Designing a rosepath rag rug.
Deep purple “dots” at the center of the rosepath diamonds serve as accents among these colors for a Texas hill country home.

Nothing can measure the greatness of the Lord. His greatness is truly limitless. Greatness is compelling. We step closer to search the unsearchable, and know the unknowable. God reveals himself, sketch after sketch, until we finally realize that we need all eternity to fully know him.

Rosepath rag rug - My favorite thing to weave!
Satisfaction of watching a concept sketch become a tangible rag rug.

May your concepts become tangible.

Happy Weaving,
Karen

12 Comments

  • Charlotte says:

    Ooooooooh honey girl! I do adore your newest creation!!!! The red certainly “pops”!

  • Rachel Lohman says:

    Beautiful! Out of curiosity, how wide is your Glimakra? And how wide will your rug be when finished? And do you have two rugs on the loom and do you separate them with wooden slats? Thanks!

    • Karen says:

      Hi Rachel, Thank you!

      This loom is a 100cm (39″) Glimakra Ideal. The width of the warp in the reed is 90.3cm (35.5″). I expect to lose around 12% in width from take-up, so I’m planning for a finished width of about 79cm (31″). Yes, I do have two rugs on the loom right now, and will have at least one more before cutting off. And yes, I do separate them with warping slats. I put a minimum of 8″ between rugs so that I will have enough length to tie the ends into knots for finishing. Great questions!!

      Happy weaving,
      Karen

  • Nannette says:

    Yeah!! Ditto what Charlotte and Rachel said!!!

    You took the warp in a direction I did not realize. So much to learn.

    Thank you.
    Nannette

  • Linda Adamson says:

    Lovely rugs. What are the Blake bands keeping the cover on the loom bench in Place? More fabric strips or large elastic bands?

    • Karen says:

      Hi Linda, The black bands are bungee cords, to my embarrassment. I put them on as a temporary “make-do” solution to see how I would like having this rug piece on my bench. And so they stay. I like the rug cover for my bench, but haven’t taken the time to make it more permanent.

      Thanks,
      Karen

  • Robin Chandler says:

    Do you have a weighted beater?
    I didn’t like the recommendation to drill holes and add weighted bars, so I put ankle weights on both ends of my beater for rugs, seems to help.

    • Karen says:

      Hi Robin, I do not have a weighted beater. I tried adding some walking weights on both ends a few years ago, but I couldn’t tell that it made a difference for me. The overslung beater is such an advantage on these looms. I can lean back (like Jason Collingwood teaches) and let the momentum of the beater do a pretty good job. People in my house think I get a pretty powerful beat on my looms. 🙂

      Happy Rug Weaving,
      Karen

  • Karen says:

    It’s going to be AMAZING!

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Tried and True: Rag Rug with Surprising Rosepath Inlay

The first rag rug on this 12/6 cotton warp is well underway. This rug is mostly plain weave, with one simple rosepath repeat every ten centimeters. I am weaving the rosepath motif without tabby between pattern picks. The treadling is 1, 2, 3, 4, 1, 4, 3, 2, 1. The dark brown motif contrasts with the surrounding light-colored plain weave. It almost looks as if a thick chain has been laid across the rug. I transform the otherwise dark rosepath “chains” with a simple bright inlay strip.

Rag rug with rosepath motif.
Rosepath motif stretches across the plain weave surface.

Rosepath with Inlay

  • Weave the first four picks of the rosepath pattern, treadling 1, 2, 3, 4 (or, if using a different treadling sequence, weave up to the center pick).
  • Lay in the center pick (treadle 1, in this example). Wait to beat it in.
How to do rosepath with inlay.
Center pick of the rosepath motif is arched in the shed.
  • Measure and cut the inlay strip to size, tapering the ends.
How to add an inlay strip to rosepath rag rug.
Inlay fabric strip is measured against the weft in the shed and cut to size.
  • Put the inlay strip in the shed, laying it directly on top of the fabric strip already there.
Making a rosepath rag rug with an inlay strip.
By pushing the beater back I can send the inlay fabric strip through the shed with a ski shuttle.
Rag rug with inlay.
Place the inlay fabric strip directly over the fabric strip of the center pick in the motif.
Inlay instructions.
  • Beat in the weft as usual.
One type of inlay on a rag rug.
Both weft layers are beaten in together. The inlay strip stays visible on top.
  • Continue weaving to complete the rosepath pattern, treadling 4, 3, 2, 1 (or, as needed, for a different sequence).
Rosepath with inlay.
Finished rosepath motif.

You can accomplish a similar effect by weaving in a separate fabric strip for the center pick. In that case, cut tapered ends that are long enough to twist and tuck back into the shed. And carry the weft strip from the previous pick up the side.

The inlay method eliminates the extra bulk at the selvedges, and adds a slight thickness to the center pick, helping to give it a raised look. I am leaving the inlay weft tails loose, but you could cut them a little longer and tuck the ends in, if you prefer.

Rag rug with special rosepath motif.
Weft tails are free at the sides, like little flags at the ends of the rosepath rows.
Glimakra Ideal loom--great tool for dreaming up rag rugs!
Glimåkra Ideal loom–great tool for dreaming up rag rugs!

May you experience the simple pleasure of doing something unexpected.

Happy Weaving,
Karen

14 Comments

  • Annie says:

    Beautiful! You explain it so well that I’m adding it to my to do list. Thank you

  • Marjorie Clay says:

    How wide is your Ideal? It looks bigger than mine!

    I admire your weaving so much! I started too late to achieve such mastery, but I love weaving. Warping, not so much! It is still too much of an adventure!

    Marjorie

    • Karen says:

      Hi Marjorie, My Ideal is 100cm (39”). The warp on the loom is almost full weaving width.

      Thank you for the compliment! I’m not that much ahead of you. I was also a very late beginner. So it’s certainly not too late for you to gain mastery in the areas you pursue. Maybe someday I can help you to love warping, too, as part of the whole beautiful process.

      Happy weaving,
      Karen

  • Elisabeth Munkvold says:

    How pretty! I love the variety of colors in the background stripes, too! When you do it this way, is the bright rose path center fabric visible on the back?

    Elisabeth

    • Karen says:

      Hi Elisabeth, I’m using up fabric strips from previous rag rug projects, so I have a mixed assortment that I’m using here. I like the way some of the prints turn out when woven. That center inlay strip really appears only on the top side, except for little bits of color here and there. The reverse side shows the all-brown rosepath motifs, but a little lighter in color because the darkest side of the fabric is facing the top.

      Karen

  • Vida Clyne says:

    You are amazing. such beautiful colours. I made a couple of rag rugs a few years ago but did it the cheap way using old denim jeans that took forever to prepare. I am currently finishing a throw in alpaca and considering what to weave next. so many weaves to explore. I love warping by the way, it is always a challenge to try to get the perfect warp. Thank you for for your inspirational blog.

    • Karen says:

      Hi Vida, I’m very happy that you like these colors! I’m sure your denim rag rugs are terrific. I’d like to make some denim rag rugs some day. Isn’t weaving an exciting field? There’s no end to what we can explore with our looms!! I agree with you about warping. It’s great to have a continual challenge.

      I appreciate your kind words so much!
      All the best,
      Karen

  • Nannette says:

    The loom is waiting a little while longer. There is work to he done on the outside of our primary home and more preparation on the inside of our retirement home.

    I look forward to one home and all my crafts under one roof. And finding a way to keep the wild creatures on the out of the basement.

    Today a coyote walked though the yard. Something to get used to.

    Your weaving provides order in my wild world. It is beautiful and functional.

    Blessings
    Nannette

    • Karen says:

      Hi Nannette, Transitions are challenging. You have a lot to look forward to. We haven’t seen any coyotes on our property, but plenty of other wildlife – armadillos, roadrunners, gray foxes, blackbuck antelope, and so on.

      Making beautiful things that are functional is a huge weaving goal of mine. Thank you for your thoughtful encouragement.

      All the best,
      Karen

  • Very pretty rug Karen!

    Another technique you can use when weaving a single pick of a color is to cut that strip twice the width of the rug plus overlap but only half the width of the other strips. Lay it in the shed with both ends hanging out. Wrap them around the edge thread and arch them back in the same shed, overlapping the tapered ends. I think it is less fussy than trying to tuck the ends in at the edges.
    Jenny

    PS:
    My loom is working fine, although I did have to stop after weaving a bit and fix one shed that went wonky. I have seven of the twelve table napkins woven for our guild exchange. I’m hoping each warp will become easier to set up the treadling.

  • Joan H Harvey says:

    I notice you are using a metal temple on this rug. Do you recommend metal rather than wooden temples for rag rugs?

    • Karen says:

      Hi Joan, I’m glad you asked! I prefer a wooden temple, even for rag rugs, but I don’t have a wooden one the right size for this rug, so I’m using the metal one instead. I like the wooden temple because it is lighter weight, and I can set it closer to the fell line without damaging the beater. The metal temple can gouge the beater if I set it too close to the fell. I’ve done that. Ouch! I guess it’s time for me to order another Glimakra temple. 🙂

      Happy weaving,
      Karen

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