Tag: warping

Brave Enough to Weave

Karen

This is my first double width attempt, and it makes me nervous. Dressing the loom feels intimidating when you are trying something new. Each layer has its own warp chains and its own set of lease sticks. And eleven colors–will they end up in the correct order? My uncertainty makes me feel like a beginner again.

Colorful wool warp beamed using warping trapeze. Karen Isenhower
Colorful wool warp travels over the breast beam, under the foot beam, and over the crossbar of the warping trapeze while it is being beamed onto the warp beam. Each layer of the double weave warp has two bouts. Walking weights hang on the bouts to add resistance for beaming the warp with even tension. Afternoon sun plays along by creating changing designs on the hanging warp.

Stepping through uncertainty takes bravery, and a bit of “Oh well, it is what it is.” Even ordinary weaving is filled with uncertainty. You don’t know if you succeeded in dressing the loom properly until you start weaving. And you don’t totally see how your weaving looks until it comes off the loom. Even then, the fabric has more to reveal when it is wet finished. Weaving is not for cowards.

Beaming complete for wool double-width blanket.
Beaming complete for wool double-width blanket. This view causes me to respect the process that brings me to this point of accomplishment.

Doing the next thing with courage does make a difference. It is like that with prayer. When I face a new difficulty, I struggle to know what to pray. I feel like a beginner again. But I keep coming back to this comforting thought: God always listens to the heart as much as to the words. God does not look for a “leader” who prays, he looks for an ordinary person who has faith to hear and obey. This is the person whose prayers reach God’s ears.

May you have courage for the next thing.

Learning,
Karen

Home Is Where the Weaving Is

Karen

I arranged, added, and swapped until I had eleven different colors to blend into a courageous wool warp. I had more fun pulling out skeins of yarn in Vävstuga’s shop than a kid in a candy store! The yarn is for a double weave blanket that has been on my mind for a few weeks. Yesterday, I finally had a chance to wind this wild warp! Dressing the loom is next!

Winding wool warp on warping reel.
Yellow will be the center color of the double weave wool blanket. The symmetrical way the warp is wound on this warping reel might fool you, though. These are only a few of the eleven colors that will be blended across the warp.
Winding Tuna wool for weaving a blanket.
Second bout wound on the reel. I check and double-check my written notes to make sure I get the correct color order and numbers of ends.

Away from home, I can only think about weaving on my looms. As much as I enjoyed the experiences of Vävstuga (Vävstuga Autum, Vävstuga Autumn II) and New Mexico (Pointers for Exploring New Mexico Fiber Arts Trails), I have been eager to put my hands to the tasks of weaving here in my own little studio. Winding the warp, feeling and smelling the soft Tuna wool, getting over-excited about the blending colors on the warping reel, handling the fat warp chains… Ah, I am where I’m supposed to be!

I love fat warp chains of wool!
One layer of colors for the double weave blanket.
Warp chains for wool blanket, and what's left of eleven skeins.
Basket holds what is left of the eleven skeins of Tuna wool. These two warp chains will be the other layer of the double weave blanket.

Come home. Do you ever hear that? …as if you have been away too long? The nudge is to return to your faith roots. Enjoy the refreshing that comes in the presence of the Lord. It’s good to be where you know you belong.

May you be where you flourish.

In living color,
Karen

Show Me the Evidence

Karen

Few things are as important as even warp tension if you are hoping for quality results in your weaving. Eight warping slats are placed, one by one, across the warp as I begin beaming the warp onto the octagonal warp beam. After three full revolutions, I do it again, with eight more slats; and repeat the process until the warp is fully beamed. This effective technique gives a solid “platform” every few rounds for the warp ends, promoting even tension across the warp.

Beaming new rug warp on Glimakra Ideal.
Warping slats lay in a pile behind the warp beam. Counting out eight slats at a time helps me know when I have covered the eight sides of the octagonal warp beam.

The warping slats are hidden between the layers of warp ends. Having the slats in place means I can confidently tighten this rug warp to the max, giving me the best conditions for a handwoven rug.

Nothing is hidden that will not become evident. In other words, when I tighten my warp I can tell without looking that the slats are in place. And better than that, the rugs that are produced will have the consistency that a tight, even warp provides. The warping slats are like faith. Faith hidden in your heart becomes light that is seen in your life. How you live is evidence of what is in your heart. Faith always bears evidence.

May your light shine.

All the best,
Karen

No Crossed Threads Here

Karen

Properly dressing the loom means no thread out of place, no crossed threads, no missed threads. Every linen end is threaded through a heddle on one of four shafts, following a draft for dice weave (pattern weft on a plain weave background). I insert each thread one by one in a specific order. My fingers are the only tools I use for this task, and I love touching and directing every single thread.

Dressing the loom with linen.
Pattern repeat has twenty-four ends, repeated across the warp.

Someone great is looking after you. Our Father in heaven knows what is going on in your life, details and all. He knows the placement of every single thread in your personality. He knows the ins and outs of our needs, hurts, and desires. Father knows what we need before we ask. And yet, he invites us to ask. That’s a good invitation.

May you feel cared for.

Happy Threading,
Karen

Tools Day: Lease Sticks

Karen

What can you do with a pair of flat beveled wood sticks, with a hole at each end? Use them for lease sticks, of course! This is an example of efficient simplicity. By slipping these two sticks through the opening of the lease cross made while winding a warp, and tying the ends of the sticks together, all the warp ends stay perfectly in order throughout the process of dressing the loom. After beaming the warp, with the warp still under tension, I tie the back lease stick to the back beam. Then, when threading the heddles, I simply take each thread in order by going to the cross in between the two lease sticks and picking up the next thread. I always weave with the lease sticks in. I don’t remove them until the end of the warp comes over the back beam.

Pairs of lease sticks, various lengths.
I keep several lengths of lease sticks on hand. Some were purchased from Glimakra, and some were fashioned by my skilled hubby.
Striped cotton warp for tea towels. Lease sticks tied to back beam.
Striped warp threaded and ready to weave cotton tea towels. Pair of lease sticks are tied together at the ends with choke ties, and back lease stick is tied to back beam.
8/2 linen warp ready for threading.
Linen warp is ready for threading. Lease sticks are tied together at the ends, and secured to the back beam. This warp is for another rya project.
Threading 8/2 linen warp. Lease sticks show which thread is next.
Threading the last grouping of threads in this 8/2 linen warp. The lease sticks separate the threads in a way that clearly shows which thread is next.

May you encounter simplicity in your creative process.

Happy Weaving,
Karen