weft – Page 9 – Warped for Good

All Those Weft Tails

August 4, 2017August 3, 2017 Karen

This prickly pear cactus transparency is inching along. I wait for the day when we will get to see this from the front side! Weaving from the back has its advantages, though. I am able to deal with all the weft tails as I go.

Cactus transparency weaving in progress. — In some rows there are as many as twelve or thirteen different weft bundles. Every weft bundle has tails that are either tucked under adjacent warp ends, if possible, or woven in later with a needle.

After every inch of weaving, I stop and trim weft tails. I use a blunt needle to weave loose tails in first before trimming them. This part of the process is time consuming. But I do it happily, thankful that I won’t have hours of tedious work at the end of the project.

Transparency weaving in progress. Cactus. — Each pattern row is woven straight across, from left to right, with weft bundles following the lines of the cartoon underneath. The linen tabby weft lies between each pattern row.

Trimming weft tails on the woven transparency. — An inch-worth of weaving, with weft tails to weave in and to trim. Wefts that were spliced while weaving can be trimmed close to the fabric. Tails of weft bundles must be woven in with a needle, and then trimmed.

Weaving hack using dental floss threader! — Sometimes it works best to put the needle through warp ends first and then use a dental floss threader to help thread the weft tail bundle through the eye of the needle.

Woven transparency of a prickly pear cactus. — Cactus keeps growing, inch by inch!

Give thanks. It is right and it is satisfying to give thanks to the Lord. The little things that we get to take care of now, daily inching along, are reminders of the big work in progress that we are in. Eventually, we will see the front side. And what a joy that will be!

May all your loose ends be secured.

Happy weaving,
Karen

Quiet Friday: Handwoven Handbags

June 23, 2017June 22, 2017 Karen

Is there such a thing as too many handbags, pocketbooks, tote bags, and purses? Of course not. Naturally, my favorite handbags are made from handwoven fabric. Linings made from remnants, handwoven bands used for shoulder straps, hidden zippers, and, of course pockets–these are the details that other people will seldom notice. Yet these are the details that make me smile every time I use one of these bags.

Handwoven handbags - with 1 minute video. — Nineteen handwoven handbags. Various sizes, fibers, styles, and purposes. And colors. Lots of colors!

…You know that box of handwoven bits and pieces? Those weavings from the end of the warp, and the “scraps” from various projects? Hmm… looks like I might need to make another handbag or two.

Here is my collection of handwoven handbags, divided into a few categories. Plus, a short video just for the fun of it!

Rigid Heddle Loom

Travel Finds

Handwoven handbags from international travels. — Trips to The Philippines yielded interesting woven goods by artisans there. The green stripe tote bag is woven from native plant material, and the teal and burgundy purse is a beautiful example of ikat weaving. The colorful weft-faced woven shoulder bag and the purple bag with lovely weft-float patterning came from travel to Chile.

Project Carriers

Handwoven project bags. — Large tote bag, woven with 1/4″ fabric strips for weft, carries my “show and tell” when I go to my weaving study group. It’s known as the “Mary Poppins Bag.” Rag-rug bag in the center has straps, woven on the band loom, that were woven into the bag. This bag carries my portable tapestry weaving. The rag rug bag on the right carries my one-and-only crochet project.

Special Use

Handwoven handbags. — Linen bag has beads woven into the fabric. It is lined with satin. Rag-weave purse is simply a flat piece folded in half, with lining and pockets added to the inside. The blue bag is wool, woven in a weft-cord technique. The fabric was partially fulled to produce the ribbed texture.

Handwoven lining in a handwoven purse. — Lining for this bag is made from extra fabric after weaving cotton/linen fabric for cushions, and the pocket is a remnant from a two-block twill tencel scarf.

Daily Use Favorites

Favorite handwoven handbags! Karen Isenhower — Representing some of my “firsts.” The brown and blue small shoulder bag is from one of my first cottolin towel projects. This is what I did when the last piece was too short to use for a towel. The green and turquoise clutch has remnants of my first ever handwoven towel, my first rosepath rag rug, and my first big rep weave project! The blue shoulder bag is the bag I use every day. It’s a remnant from the baby wrap I wove for my daughter’s first baby. It’s lined with a remnant from an Easter dress I made for her when she was a little girl.

May you carry your handiwork with you.

Happy weaving,
Karen

Tapestry and Inlay Sampler

June 20, 2017June 19, 2017 Karen

It is satisfying to see this ambitious project take shape on the loom! When finished, this sampler of tapestry and inlay techniques will be a handy reference as well as a colorful hanging for the wall. It’s a much-anticipated project from The Big Book of Weaving, by Laila Lundell!

Tapestry and inlay sampler with linen weft. — Practicing parallelogram shapes.

Linen butterflies are usedf for twill inlay. — Linen butterflies are used for the twill inlay. Turns are made below the warp.

I don’t always understand the instructions, in which case I struggle, doing the best I can. But the more I progress, the more I understand. I am finding out what works. The text, Swedish translated to English, about unfamiliar techniques is helpful, but I often wish I had the author looking over my shoulder to guide me.

Loom with a view. Linen tapestry/inlay sampler. — Loom with a view. Time flies, even with slow weaving, at this Texas hill country loom.

Threads on the underside. Tapestry / inlay sampler in linen. — Weaving from the front. Weft tails are taken to the back of the weaving.

Where do we get instructions for living? We may consider entering the kingdom of God for that. But Jesus also spoke of the kingdom of God entering us. Invite the King in. That’s when His ways become our ways. Instead of struggling through instructions, we find ourselves learning His will by doing what we know to do. Life is a sampler, with occasions to learn, to struggle, and to soar. Let’s weave our living sampler in the shadow of the Grand Weaver, Himself.

May your sampler show what you’ve learned.

Happy weaving,
Karen

If a Warp End Is Frayed…

May 30, 2017May 29, 2017 Karen

I noticed that a warp end was starting to fray, but I kept on weaving. I thought I could make it past the weak spot. Well, I was wrong. The warp end broke. So much for happy weaving! A broken warp end at the selvedge is no fun, especially on a weft-faced piece like this. Looking back, I wish I had taken time to splice in a new length of thread when I first noticed the weakness. But at the time, I didn’t want to be bothered with that. I just wanted to weave.

Tapestry / inlay sampler on small countermarch loom. — Weaving right along. I start to notice some abrasion on the warp end at the right selvedge. I’ll be extra careful. I can keep weaving and enjoy myself, right???

Broken selvedge end on the right. Ugh. — Warp end on the right selvedge frayed to the breaking point. Gone! The weaving must be removed far enough back to reach at least 1/2″ of the warp end in front of the break. That reaches back into the red portion–the first section of the sampler.

Original selvedge warp end is now being spliced back in (green flathead pin). Second splice is complete, with thread tail hanging out, to be trimmed after this is off the loom.

Tapestry and inlay sampler. Spliced warp ends fix frayed threads. — Two sections of the tapestry and inlay sampler are complete.

We tell ourselves if we do what we want, we will be happy. That’s a delusion. Happiness will fail you. It doesn’t last. I was only happy weaving until the thread broke. There is something better than happiness. Faithfulness. It’s better to be faithful in the moment, even if it puts a delay on being happy. Faithfulness lasts. Next time, I hope to choose the long satisfaction of faithfulness over the short-lived gain of happiness.

May your broken selvedge ends be few.

Faithful weaving,
Karen

Finer Weft for a Stronger Cord

May 16, 2017May 15, 2017 Karen

I need a strong cord for a specific use. It needs to look nice, without drawing attention to itself. This cord will connect three small pieces of wood. I will reveal how they will be used after I finish weaving the cord.

Three wooden pieces for a special purpose... — Three wooden pieces to be connected for a purpose. What are they for? You are welcome to put your guess in the comments…

Warping the Glimakra band loom. — Warping the band loom.

I chose 12/6 rug warp for the project, to make this a durable cord. With a band this narrow, the 12/6 cotton is too bulky for weft. I could not pull the selvedges tight. I need a finer weft that will draw the warp ends together and disappear at the selvedges. Black 16/1 linen works beautifully!

New woven narrow band. Need to change the weft. — Using 12/6 cotton rug warp for the weft proved to be unworkable for this narrow band. Light shows through the gaps at the selvedges.

Linen weft for this narrow band. — Black linen weft matches the black selvedge threads. The 16/1 linen enables tight and even selvedges for this 5/16″ (8 mm) band.

A change of heart changes everything. The condition of our heart is revealed in the way we behave toward others. Our thoughts and actions are a matter of the heart. To live in a manner that is unselfish, generous, kind, and content, we must do more than line up the right outward appearances. We must start with humility. Having the perfect warp means nothing if the weft interferes with a beautiful outcome. Humility, like the linen weft, is a posture of the heart that pulls everything else together.

May your heart be beautiful.

Warmly,
Karen