Handweaver and 'cellist, married to Prince Charming, mother of three superheros and three superhero-in-loves, and Lola to nine little princes and princesses. Life is a handwoven treasure, filled with hidden melodies.
At the final inches of weavablewarp, my regular boat shuttle will not fit through the shed. I wove the first half of this final rug thinking I had more than enough warp left to complete a symmetrical design.
Final rug on this warp. I planned a symmetrical design that reverses at the center of the rug.As the back tie-on bar comes over the back beam I am concerned about whether I have enough warp to finish the second half of the rug.
Drama at the end. I still need to weave the ending warp thread header. Time to pull out my secret weapon—a low-profile shuttle. No worries or fretting. The slim shuttle deftly (with a little prodding) weaves the eight picks of the warp thread header that concludes this final rug. Whew.
Low-profile shuttle saves the day. I’m so near the end of the warp that there is not enough room in the shed for my regular boat shuttle to fit through.Very end of the warp is seen right behind the shafts. After the eight picks of warp thread header, I wove as many picks of scrap weft as I could…by hand.
When we face adversity, and our usual coping methods are not working, we feel the pressure and anxiety. It’s time to activate our secret weapon—a gentle and quiet spirit. Gentleness and quietness are beautiful embellishments to the hidden person of the heart. This humble spirit enables you to glide through the tightest situations. Best of all, those last picks you carefully weave will keep the lovely rag rug you’ve been working on from unraveling.
The countermarch loom is known for having a clean shed, so that is my goal. Is that possible for ten shafts and ten treadles? The first treadle I step on reveals that treadle cord adjustments are definitely needed!
Before making any adjustments, a few of the sheds look impassable, like this one.
I learned the basics of making adjustments to treadle cords from Learning to Warp Your Loom, by Joanne Hall, and The Big Book of Weaving, by Laila Lundell. I also gained valuable experience from Vävstuga Basics, with Becky Ashenden.
Here’s how the process looks for me, with this ten-shaft, ten-treadle project as an example.
I keep the following note on my iPhone. It helps me remember how things work.
I fill in the blanks for each treadle, noting which shafts are too high or too low. Then, using my iPhone note for reference, I make the needed adjustments.
The first time through, I am primarily interested in the bottom of the shed. I make adjustments to clear the shed enough to be able to weave a little bit.
Weave an inch or two. It is surprising how the shed cleans up with a little bit of weaving.
Bottom of the shed has threads on one or two shafts that need to be lowered. After making those adjustments, this treadle will have a clean shed for weaving.
After weaving that first inch or so, I go through a second, and a third time, if needed, to get a clean shed on each treadle. Adjustments for the top of the shed are only needed if there are threads that will interfere with the shuttle.
No hindrance for the shuttle here. This is the kind of shed I hope to see on every treadle.
When I first see a messy shed, I think, “How will I ever get my shuttle through that?” But it turns out to be little adjustments here and there. It’s not too difficult if you understand the loom.
After all treadle adjustments have been made, the shuttle glides freely through the shed. And pick by pick, linen threads become cloth.
Nothing is too difficult for the one who made heaven and earth. Our Creator knows how to help us. He hears our prayers for help, and little by little, we see what He is doing as the shed clears and the shuttle glides through, unhindered.
When my long-held dream of weaving on a floor loom became a possibility, I started my journey with questions. What are the pros and cons of the different types of looms? After considerable research, a winner emerged—the Swedish countermarch loom!
Pros and Con of Countermarch Looms (My experience is with Glimåkra. Other countermarch looms may differ.)
Pros
Weave anything. Rag rugs to lace-weight fabric.
Hanging beater. Swinging beater has momentum that enables a firm beat. No strain to shoulders, arms, or wrists. Asset for weaving rag rugs, and superb control for cloth with an open weave. Beater placement is adjustable, making it possible to weave longer before advancing the warp.
Rear-hinged treadles. Pressing treadles is effortless, no matter how many shafts. No strain on back, legs, knees, or ankles, even with robust weaving. Because treadles are close to each other, I press correct treadles with sock- or bare-footed ease…without having to watch my feet. Ample foot rest makes it easy to trade feet when using many treadles.
Clean shed. Stepping on a treadle raises and lowers shafts at the same time, so a great shed is not only possible, but usual.
Glimåkra Ideal with horizontal countermarch. The cords from the countermarch jacks at the top of the loom go straight down through the warp to the lower lamms. The lower lamms connected to treadles cause shafts to lift when a treadle is depressed.
Even warp tension. Because shafts are both raised and lowered, tension is equal on raised and lowered warp ends. Even warp tension is good for all types of weaving. This even tension makes a tight warp possible. Perfect for linen, and for rugs.
Gimåkra Standard loom with vertical countermarch. Cords from the countermarch jacks go over the side of the loom to the lower lamms below. The upper lamms (not pictured) attached to treadles cause shafts to sink when a treadle is depressed.
Threading and sleying ease. Loom bench sits “inside” the Glimåkra Standard loom, comfortably close to heddles and lease sticks for threading and for sleying the reed.
Bench sits in the loom for threadingheddles. I call this my little playhouse.
Texsolv heddles. Heddles can be easily added or removed from shafts (shafts are also easily added or removed). Quiet. Easy to thread.
Perfect fit. A petite person like me can weave on a large loom (my Standard is 47”/120cm) as comfortably as someone with longer arms and legs. Able to sit in upright posture for weaving.
Wooden. The loom is primarily wood. Bonus if you appreciate natural beauty of wood. Held together with wooden wedges and a few bolts. No screws or wing nuts.
Scandinavian clarity. Because of the Swedish loom, I adopt Swedish weaving practices and have an interest in traditional Scandinavian textiles. The loom fits the style. Streamlined design, precision, systematic and logical processes, and beauty with function.
Con
Treadle tie-ups. Shafts are connected to upper lamms and lower lamms. Treadle cords with a bead at one end are hung in the lamms. Lamms are then attached to treadles. Treadle tie-ups normally fall under the Pros category, because this is what enables the loom to have the clean shed it’s known for. But since I just finished tying up ten shafts to ten treadles (that’s 100 treadle cords), this is my least favorite part right now. 😉 (The weaving pleasure more than makes up for it, though.)
One hundred treadle cords hang from upper and lower lamms. The only thing left is to attach all the cords to treadles. 😉Treadle cords are attached. Little anchor pins lock each cord into position under the treadle. After a few adjustments, the shed on each treadle is good. The loom is dressed! Five-shaft satindräll coming up!
Conclusion:
When I weave on my Glimåkra Standard countermarch loom, I am soaring like an eagle. I’m sailing with the spinnaker up. I am a pipe organ maestro. I am dreaming while fully awake. This is everything I imagined weaving could be, only better.
Testing weft options. Gorgeous handcrafted damask shuttle, Chechen wood, made by Moberg Tools. Five-shaft satin dräll–a weaver’s dream.
For more in-depth information about countermarch looms, comparisons of looms, and other fantastic resources, see articles written by Joanne Hall, found at Glimåkra USA.
It’s the question we expect to hear. “How long did it take you to weave that?” “…Well, hours and hours, basically.” After almost three hours of threading, I am nearly to the halfway point. How can I convey all the necessary work of dressing the loom? Or, the time it takes to practice a new skill at the loom? Or, the finishing work of twisting fringe, hand hemming, or cutting and sewing?
Threading ten shafts. The two newest shafts are pale compared to the others. They haven’t yet developed the golden hue of the wood around them.
With any hand-crafted article, there is more than meets the eye. Why do we want to know how long it took to make it? Are we trying to measure value, or understand the maker’s process? Or, is it simply a statement of incredulity about something we didn’t know was possible?
For this threading, I sit in silence. No music, no podcasts, no wandering thoughts. I’m easily thrown off by distractions, especially when threading ten shafts.Half of the 16/2 linen warp is threaded.
We have a Maker. He fashioned our physical selves; we see that. He also made us with heart and soul. He starts the weaving process before we are born, and takes as long as he needs for the finishing. The Lord, our Maker, includes the necessary development of our character, and the intricacy of our personality, and our dreams and hopes. We are more than meets the eye. How long does it take to make a person? A lifetime.
I have a generous selection of gorgeous wool yardage that was given to me a few years ago. I had said I would weave rag rugs with it. But I haven’t. …until now. What took me so long? Uncertainty. I haven’t seen wool rag rugs. What warp should I use? What sett? What problems await? I felt timid about walking into the unknown.
Wool fabric has been washed and dried before cutting into strips for rag rug weaving.Four different wool fabrics have been chosen for this spaced rep rag rug.
Last week I came across a recent Väv magazine. Lo and behold, here is a spaced rep rag rug with wool fabric weft! My loom is already dressed for spaced rep rag rugs. Here I go!
After a warp thread header, narrow fabric strips are woven for the hem of the rug. The wool selvedges are surprisingly soft.Weaving in the morning. A pick of brown 12/6 cotton warp thread follows the pick of wool fabric, except when changing blocks. Weaving consecutive fabric strips changes the blocks.
Ten years ago a kind, elderly gentleman sat next to me on an airplane. He gave me sage advice I never want to forget,
Put your future in the hands of the one who holds the future.
We speak of past, present, and future. But for the Lord, the present has already been. The future has already happened. It’s as if the wool rug that I try to imagine and weave has already been positioned in the foyer of the Father’s house to comfort road-weary feet that enter. Amazing!
