Tag: grand weaver

Weave Two Connected Layers

Karen

Two layers of cloth exchange places in this double weave structure. One layer of warp is solid deep plum. The other layer has stripes of bold colors. Clean lines occur where the layers switch places. So, with deep plum weft alternating with orange, blue, green, and red weft, we get a message written in clearly-defined blocks: Be invigorated with vibrant color!

Magic of double weave!
Dark plum weft alternates with the blue weft. The reverse side of the fabric has dark plum squares in long vertical color stripes.
Double weave throw. Karen Isenhower
Colors of the warp stripes are used as colors for the weft stripes. As a result, you can see the “pure” colors in a diagonal line–orange, blue, green, red–where the warp and weft colors are the same.
Double weave magic!
Variance in the blocks of colors gives the cloth a dynamic appearance. Not including the dark plum background, there are sixteen different colors of blocks as a result of the four colors being used as warp and weft.

Message. We have a message from heaven. When Jesus came to earth, he not only brought the message, he was the message. Not that we should try to be good like him. Nor that we are already good enough. But that he, the direct link to heaven, would suffer the consequences for all our misdeeds. And rise again. He willingly switched places with us—the great heaven and earth exchange. This good message brings hope and grace to all of us who live on this earthly layer. Thanks to our Grand Weaver’s faithful love, we are woven into a vibrant-color existence through faith, on this layer and the next.

May you see your surroundings in living color.

Joyful weaving,
Karen

Four-Shaft Tapestry Adventure

Karen

Most of my preparation for this project has been separate from the loom itself. The loom is dressed and ready. That’s the easy part. The lion’s share of the work is in developing the cartoon. This project is my first four-shaft tapestry. My usual tapestry work is on a small portable tapestry frame. This is BIG in comparison. 93 centimeters (36 1/2 inches) in the reed.

Glimakra Ideal with linen warp, ready to weave a tapestry.
Linen warp is tied on. Treadles are tied up. Sheds are clean. This Glimåkra Ideal is ready and waiting for the weaver.
Cartoon is on a table behind the loom undergoing cartoon prep.
Warp beam. Cartoon is on a folding table behind the loom undergoing cartoon prep.

After finding a subject for the tapestry, I have been drawing the cartoon and a cartoon key. And I have the yarn. Now, I am determining colors, distinguishing values, and arranging my yarn into a workable order. To tell the truth, the cartoon scares me. It shows me how grand a task I’ve signed up for. But there’s no turning back. I’m committed. (I will show you the cartoon when I’m further along…)

Wool being sorted for 4-shaft tapestry.
Wool, mostly 6/2 Tuna and 6/1 Fårö, with a few other wool yarns thrown in. These are some of the colors going into the planning of the cartoon.
Distinguishing between different values in the wool yarn assortment.
Black and white photo helps distinguish between the different values of the yarn colors. Contrast in values help define the woven image.

The cartoon shows the intent of the tapestry designer. Likewise, heaven shows the Grand Weaver’s perfect plan. Heaven holds the true picture. Heaven and earth, two parallel realms. Jesus came to earth to bring us into that heavenly version of the tapestry. When we put our trust in him, our colorful threads in various hues and values are woven together in the grandest tapestry ever.

May you take a bigger step than you have before.

Courageously (with knees knocking),
Karen

Dream Weave and Slow Reveal

Karen

This project is a slow reveal. I am showing what I am doing now, but I am waiting to tell what this will become. There is a flurry of preparation behind the scenes. In time, you will see what develops on the loom. You and I both will find out if I am jumping in over my head. Or, if I can, in fact, pull this off.

Warping reel with 16/2 linen for a new warp.
Warping reel with 16/2 line linen for a new warp.
Dressing the Glimakra Ideal loom with linen.
Linen shows itself to be a beautiful mess.

This is a gorgeous linen warp, with three shades of 16/2 linen: sable, northsea blue, and persian blue. I am dressing my Ideal loom to almost full weaving width: 93 centimeters. The sett is 3 ends per centimeter in a 30/10 metric reed (equivalent to 7.6 ends per inch). I am intensely eager and cautiously optimistic regarding this weaving adventure.

Linen. Dressing the loom.
Linen. Sable, northsea blue, and persian blue. Bockens linen comes with color numbers only. It is interesting to see the names given to the colors by different suppliers. These creative color names are from Vävstuga.
Ready to beam this linen warp on my Glimakra Ideal loom.
Pre-sley reed is in the beater. It’s time to grab some warping slats, slide the lease sticks forward, and beam the warp.

Love is like a hidden dream in your heart, awaiting expression. Love goes with you. It is a treasure you get to bestow on others. In some cases, your treasure may be their only hope. The God of love with us weaves the love of God in us, as his faithfulness is revealed over a lifetime. If we could see the end result the Grand Weaver has in mind, most certainly it would make us smile.

May the God of love and the love of God be with you.

Secretly,
Karen

When You Misread the Threading Draft

Karen

What if you finish tying up the loom, eight shafts and eight treadles, having beamed, threaded, and sleyed 2,064 ends, and the first thing you see when you step on the treadles is… that you misunderstood the threading draft? Do you undo everything and re-thread? Not likely, if it took you eleven-and-a-half hours to do the threading in the first place. I am taking a deep breath. Time to walk away and think. Maybe I can adjust the tie-up, or maybe I can use it as is—a serendipitous design. Should I laugh or cry? My idea to serve my loved ones with handwoven gifts (See Weaving a Gift) is getting off to a rough start.

Double weave throw. Warp is tied on.
Warp is tied on. Ready to tie up the treadles.
Tie-up completed for eight shafts and eight treadles.
Lamms are connected. Treadle cords are positioned. Treadles are tied up. Eight shafts and eight treadles.
Double weave throw.
This view should show solid dark plum all the way across.
Double weave throw on the loom.
This view should show stripes of solid colors, not two-color stripes, with solid bands of dark plum in between.

Serve. I want to offer my best, especially when I’m making a gift for someone dear to me. It helps to look beyond the person, though, and realize my true service is to the Lord. Heart, soul, mind, and hands. I bring my misunderstandings and missteps of the heart to my Master Weaver, who has taken it on himself to make things right. And I’m reminded that as I serve someone with my weaving hands, the true gift is love. This double weave throw will be a reminder of that.

May you recover from your mistakes.

Humbly,
Karen

UPDATE: I have had a chance to put the draft on Fiberworks weaving software and work with it to adjust the tie-up. I think I found a solution. Stay tuned!

Not the Easiest Way to Weave

Karen

I considered making a matching set, but at the loom I get an inclination to explore. Hence, no two placemats are alike. A change in the weft changes everything. New colors emerge! Slate and apple green on a coral warp become periwinkle and avocado. If you look closely, though, you can still see the underlying coral and camel stripes of the warp.

Cotton placemats on the loom with color and weave effects.
Second placemat uses red and orange in the weft. These colors work with the coral in the warp to bring out a distinctive color-and-weave effect in the design.

Three double-bobbin shuttles—this is not the easiest way to weave. I am carrying the colors up the selvedge, so it gets tricky when all three shuttles end up on the same side. Nevertheless, this is the joy of weaving a challenge. How and where to set the shuttles down, and which hand picks them up—ever aiming for efficiency. Newly-formed colors and technical pursuits—this is a handweaver’s thrill of discovery!

Three double bobbin shuttles for this color and weave placemat.
Beginning of the third placemat shows variation in pattern and color choices. Three double bobbin shuttles put my manual dexterity to the test.
Color and weave variations.
Coral and camel warp stripes form the base of the design. Pattern variations are produced by varying the number of picks per weft color.

Imagine the thrill of discovery that awaits us in heaven! Love permeates heaven. Like a narrow-striped warp, love is written into the fabric. The environment there is love, where pride and selfishness don’t exist. Blending of colorful personalities will be such as we’ve never seen. All to the glory of our Grand Weaver. And how marvelous that through Christ we’ve been given everything needed to practice that kind of love here and now. Double bobbin shuttles, and all.

May you rise to the challenge.

Love,
Karen