Tag: grand weaver

Weave in the Midst of Beautiful

Karen

Thread on a carefully wound quill comes off effortlessly. I love the feel of the boat shuttle chasing back and forth between my hands, with no resistance whatsoever from the unwinding thread. I wind a few quills at a time and drop them in the loom basket that hangs on my bench. Then, when I empty a quill, I simply reach into the basket and quickly replace the thread in my shuttle, and continue weaving. It is satisfying to do something as enjoyable as weaving, and have it end up as lovely cloth.

Stamped warp on the loom.
Freshly-wound quill in the boat shuttle replaces an emptied quill. The new weft thread will overlap the end of the former thread, and be secured with the swing of the beater, and changing of the shed.

I do hope to make beautiful things, but it’s more than that. The weaving procedure, itself, seems beautiful to me. Such strategy. Such alignment of movement and function. There is a deeper satisfaction than merely being pleased with the final results.

Beauty serves a purpose. Beauty points us to our Maker. Yes, purple mountain majesties and intricate iridescent hummingbird feathers do point to a masterful creator. But I am also talking about the beauty of how things work, and how people are responsive to love, and how everything in our solar system fits together. It’s amazing. It’s beautiful. What a Grand Weaver we have!

May you find yourself surrounded with beauty.

With amazement,
Karen

Plain Weave Can Get Complicated

Karen

This pattern is not as complicated as it looks. Remember, this is plain weave with only two treadles. How can plain weave look so intricate? Using two sizes of threads does the trick. Really, it’s that simple.

Thick and thin is not as complicated as it looks.
Pattern blocks have alternating thick and thin threads. Two thin thread picks in a row change the blocks.

The treadling is the easiest it can be. The shuttles, on the other hand, are more complicated. With two shuttles, you must interlock wefts around the outer warp ends. When the order of the shuttles is reversed every few centimeters, as it is here, it keeps you on your toes. And then there is the double bobbin shuttle. Are you able to wind two quills that have nearly equal amounts of thread? Not to mention catching a shuttle that has two quills unwinding.

We look at the detail and busyness around us and see our lives as intricately complicated. But zoom out and take the view from heaven. From that perspective, a thousand years goes by in one day. Humans come and go, generation after generation. My seemingly complex life is simple plain weave with the grand weaver skillfully throwing the shuttles to make meaningful patterns. Let this breath of time that we call life leave a mark of virtue that lasts for generations.

May you leave a lasting impact for the good of others.

Happily Weaving,
Karen

Does Your Weaving Show Your Very Own Style?

Karen

Have you developed a style all your own? I can identify some tapestry artists by their work, even before I see their name on the piece. One friend of mine weaves gorgeous silk scarves, and another one makes handtowels with exquisite color. Their woven items consistently showcase their individual style. In our little weaving group we even say, “It looks like you.”

Double binding rag rug on the loom. Karen Isenhower
Rag rug on the loom is almost complete. Moving the temple frequently helps produce tight selvedges, which, in turn, help ensure a finished rug that lays completely flat.

For most, personal style happens over time, by repetition of favored designs or techniques, until particular skills become second nature for the artist. One day they wake up and realize they have developed their very own style. In other cases, the unique style is clearly intentional, and artistically so. Either way, it’s admirable. Eventually, someone may see a rug I’ve woven and say, “That looks like Karen!”

Everything we see that is glorious is a window into the glory of God. Look through the window. The whole earth is filled with the glory of God. If our small artistic attempts are reflected in what we make, is it inconceivable that the wonders in our universe have the Creator’s signature? Everything glorious puts the Grand Weaver’s personal touch on display.

May you find your personal style.

Happy weaving,
Karen

Every Tapestry Has a Story to Tell

Karen

I am getting a late start on this month’s tapestry diary, so I am selecting a smaller palette of colors and a narrower warp. This is doodling with yarn, using a few simple shapes and a handful of colors.

Tapestry frame with small monthly tapestry diary.
Tapestry frame hangs where we see it daily. Art in progress.

Here I go blending colors and making color gradations again–in miniature. Three strands of red, and then one of the reds is replaced with orange; next, another red is replaced, making it two oranges and one red; and finally, the last red says goodbye and now the three strands are all orange. And why not insert two rows of yellow blends between each two rows of the red-to-orange gradation? The whole thing is a wordless color story. It requires several colors to do this, each one having its part to play. Some colors work better together than others, but every color has a place. Each color strand is essential to the story.

Two picks of weft create a wavy line.
Two picks of a weft color (or blend) create a wavy line. A single pick of a color creates a dotted line.

You and I are not here to please and satisfy ourselves. We are here to tell a bigger story. We worship God by using our individual gifts to serve and to function in harmony with others. The resulting woven tapestry, when finished, will reveal the skill of our Grand Weaver.

May you blend well in your relationships, using your gifts.

Better together,
Karen

Weaving Favorites

Karen

I normally pin a measuring ribbon to the cloth being woven, moving the pins as I advance the warp. This rug is different. I am using a graph paper sketch; and beside each block on the sketch I have written the number of inches to weave. The tape measure that hangs at the end of my weaving bench makes it easy to follow the plan, measuring frequently as I go. This requires mindfulness as I weave, paying attention to the pattern.

Patterned rag rug on the loom
Two cotton batik prints are used for the first section of blocks in this double binding rag rug. The graph paper pattern hangs with the weaving draft in a plastic page holder on the end of the loom for quick reference.

I have the end in mind, and this may turn out to be my favorite rag rug ever! (Have I said that before?) It is true that my favorite thing to weave is usually that which is currently on the loom…

Double binding rag rug on the loom.
Tape measure hangs on the right end of the weaving bench. This tape measure records inches and centimeters. I use both imperial and metric units, depending on what I am measuring.

The Maker of heaven and earth is mindful of you. Cherishes you as his favorite. I know that seems incredible; but as a weaver, I understand it. When you create, you care about the process and the results. As the ones created, we find ourselves in his story. The living Creator God invites us to himself. So, we come to his studio to meet the Mastermind behind the marvelous creations.

May your hands find favorite things to make.

Happy Weaving,
Karen